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    Romance & rhinestones

    Jason Aldean celebrates redneck culture at rambunctious Rodeo concert

    Reid Schroder
    Mar 12, 2014 | 6:08 am

    Jason Aldean appeared for the fifth consecutive year at RodeoHouston on Tuesday night. I have every reason to believe he will make it back next year for a sixth straight appearance. I have put together a simple 20-step guide on how to enjoy an Aldean show when he inevitably returns, based on my observations from this year's rambunctious show.

    Step One: Put a ton of thought into your wardrobe

    This is not going to be a country music concert as much as it's going to be a celebration of redneck culture, amplified. Men; neon plaid pearl snaps or -shirts with eagles and bulls are acceptable, but please keep them tucked into your Wranglers. Ladies, your jean pockets MUST contain rhinestones. The more flair, the more rodeo cred. Also acceptable are boots worn with dresses, cut off shorts with pockets that extend past the shorts themselves, and plaid.

    Step Two: Take the light rail

    Riding the rail to and from RodeoHouston will ensure that you maximize your people-watching potential, and the Ensemble/HCC station is within walking distance from some lively after-rodeo bars and of course the Continental Club.

    Step Two: Get some carnival food

    After getting off at Reliant Park station, take a stroll through the carnival before stopping for pierogi at Polinia's booth. In fact, get the combo with the cabbage roll and sausage. It's a great deal, and you've got a long night of country amp-rock ahead of you.

    Step Four (for beer lovers): Get crafty

    Once inside Reliant Stadium, don't go for the deceptive Third Shift/Blue Moon psuedo-craft beer oases throughout the concourse. If you're willing to walk all the way to the south end zone, there is Karbach and St. Arnold. Get it, and go grab a seat.

    Step Five: Take a Selfie with your beer and all decked out in your rodeo garb

    Post it to Instagram if you're under 25, post it to Twitter if you're between 25 and 40, and post it to Facebook if you're still using Facebook. Hashtag #Hicktown.

    Step Six: Clown around

    Continue to check your social media app of choice while awaiting the show's start, pausing briefly to watch Barrel Racing, Mutton Bustin', and the antics of Leon Coffee, everyone's favorite rodeo clown.

    Step Seven: Get crazy

    As the concert begins, forget everything that you knew about country and bask in the delay pedal guitar glory and thrashing drums that opens up "Crazy Town."

    Step Eight (for ladies:) Let's dance

    Grab four of your friends and treat the aisles of Reliant Stadium like a Saturday night at Wild West. Let the music guide you and dance, dance, dance. Don't hold back. The show depends on your performance just as much as Aldean's bravado.

    Step Nine: Sing along

    Sing along to every word of "When She Says Baby." If you don't know the words, that's OK. Reliant Stadium puts them on a LED screen in the corner of the building, and it's quite helpful.

    Step Ten: Scream like crazy

    Scream like crazy when Luke Bryan and Eric Church are introduced by Aldean as co-writers of "The Only Way I Know"...then deflate like a balloon when Aldean breaks the news that those two aren't actually here.

    Step Eleven: After singing along for less than a verse of "The Only Way I Know," forget that Step Ten ever happened.

    Step Twelve (applies exclusively to Jason Aldean): You're totally in control. Own that stage. Strut around, pump your fist, be yourself. Adapt lyrics to make the citizens of the city you're playing in feel special (I.E. sing ..."girls of Houston,Texas..", "...tattoos on this Texas town...", etc.)

    Step Thirteen (applies exclusively to Aldean's drummer): Spin those sticks like your life depends on it. Remember, this isn't so much a concert as a public display of amplification. The more cowbell the better. You're not Jason Aldean, but the camera is going to be on you. A lot. Make the most out of that screen time. Drum with your face.

    Step Fourteen: When Aldean sings "Amarillo Sky" from his self-titled debut album, there's actually a pretty bit of farming imagery in the lyrics. Listen closely. It's not Steinbeck, but it's there and it's going to be the highlight of the show. Perhaps the most sincere moment of the entire night.

    Step Fifteen (for guys:) When Aldean asks "Where's all my dude's in the house tonight?" it's appropriate to respond loudly in an extra deep voice in order to prove that you are in fact a dude. Aldean can't see that far into the stands, so the vocal cues really help.

    Step Sixteen: Do not, I repeat, do not, take Aldean's advice to buy a bottle of Southern Comfort after the show and take your girl to the outskirts of town. You're better than that and it won't turn out like the lyrics of "Night Train," I can almost guarantee.

    Step Seventeen: It's a much better idea to relive the lyrics to "Tattoos on this Town" after the show. Go to The Hideout and dance to some honky-tonk music, or head to the carnival and win your sweetie a prize. Remember, you took the light rail to Reliant. There are a large amount of very cool bars and music venues along Main Street that will memorably extend anyone's Tuesday night. Have fun. Live it up.

    Step Eighteen: There's a country-rap delivery in the middle of "Dirt Road Anthem." It's a lot of fun to chant along to, but be sure you get the words right.

    Step Nineteen: If the words in Step Eighteen escape you, wave your hands back and forth during the chorus of "Dirt Road Anthem." It looks really cool when 72,088 fans in Reliant Stadium do it in unison.

    Step Twenty: Starting with "She's Country" and ending with the show closer, "Hicktown," the last three songs of the set are an opportunity to do everything you've been doing throughout the show — only bigger, better, and louder. Though remember, kids are watching.

    Setlist:

    Crazy Town
    Take a Little Ride
    When She Says Baby
    Big Green Tractor
    The Only Way I Know
    Fly Over States
    Johnny Cash
    Amarillo Sky
    Night Train
    Tattoos on this Town
    Dirt Road Anthem
    She's Country
    My Kinda Party
    Hicktown

    Jason Aldean performed before a RodeoHouston crowd of 72,088.

    Photo by Michelle Watson Catchlight Group
    Jason Aldean performed before a RodeoHouston crowd of 72,088.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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