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    Romance & rhinestones

    Jason Aldean celebrates redneck culture at rambunctious Rodeo concert

    Reid Schroder
    Mar 12, 2014 | 6:08 am

    Jason Aldean appeared for the fifth consecutive year at RodeoHouston on Tuesday night. I have every reason to believe he will make it back next year for a sixth straight appearance. I have put together a simple 20-step guide on how to enjoy an Aldean show when he inevitably returns, based on my observations from this year's rambunctious show.

    Step One: Put a ton of thought into your wardrobe

    This is not going to be a country music concert as much as it's going to be a celebration of redneck culture, amplified. Men; neon plaid pearl snaps or -shirts with eagles and bulls are acceptable, but please keep them tucked into your Wranglers. Ladies, your jean pockets MUST contain rhinestones. The more flair, the more rodeo cred. Also acceptable are boots worn with dresses, cut off shorts with pockets that extend past the shorts themselves, and plaid.

    Step Two: Take the light rail

    Riding the rail to and from RodeoHouston will ensure that you maximize your people-watching potential, and the Ensemble/HCC station is within walking distance from some lively after-rodeo bars and of course the Continental Club.

    Step Two: Get some carnival food

    After getting off at Reliant Park station, take a stroll through the carnival before stopping for pierogi at Polinia's booth. In fact, get the combo with the cabbage roll and sausage. It's a great deal, and you've got a long night of country amp-rock ahead of you.

    Step Four (for beer lovers): Get crafty

    Once inside Reliant Stadium, don't go for the deceptive Third Shift/Blue Moon psuedo-craft beer oases throughout the concourse. If you're willing to walk all the way to the south end zone, there is Karbach and St. Arnold. Get it, and go grab a seat.

    Step Five: Take a Selfie with your beer and all decked out in your rodeo garb

    Post it to Instagram if you're under 25, post it to Twitter if you're between 25 and 40, and post it to Facebook if you're still using Facebook. Hashtag #Hicktown.

    Step Six: Clown around

    Continue to check your social media app of choice while awaiting the show's start, pausing briefly to watch Barrel Racing, Mutton Bustin', and the antics of Leon Coffee, everyone's favorite rodeo clown.

    Step Seven: Get crazy

    As the concert begins, forget everything that you knew about country and bask in the delay pedal guitar glory and thrashing drums that opens up "Crazy Town."

    Step Eight (for ladies:) Let's dance

    Grab four of your friends and treat the aisles of Reliant Stadium like a Saturday night at Wild West. Let the music guide you and dance, dance, dance. Don't hold back. The show depends on your performance just as much as Aldean's bravado.

    Step Nine: Sing along

    Sing along to every word of "When She Says Baby." If you don't know the words, that's OK. Reliant Stadium puts them on a LED screen in the corner of the building, and it's quite helpful.

    Step Ten: Scream like crazy

    Scream like crazy when Luke Bryan and Eric Church are introduced by Aldean as co-writers of "The Only Way I Know"...then deflate like a balloon when Aldean breaks the news that those two aren't actually here.

    Step Eleven: After singing along for less than a verse of "The Only Way I Know," forget that Step Ten ever happened.

    Step Twelve (applies exclusively to Jason Aldean): You're totally in control. Own that stage. Strut around, pump your fist, be yourself. Adapt lyrics to make the citizens of the city you're playing in feel special (I.E. sing ..."girls of Houston,Texas..", "...tattoos on this Texas town...", etc.)

    Step Thirteen (applies exclusively to Aldean's drummer): Spin those sticks like your life depends on it. Remember, this isn't so much a concert as a public display of amplification. The more cowbell the better. You're not Jason Aldean, but the camera is going to be on you. A lot. Make the most out of that screen time. Drum with your face.

    Step Fourteen: When Aldean sings "Amarillo Sky" from his self-titled debut album, there's actually a pretty bit of farming imagery in the lyrics. Listen closely. It's not Steinbeck, but it's there and it's going to be the highlight of the show. Perhaps the most sincere moment of the entire night.

    Step Fifteen (for guys:) When Aldean asks "Where's all my dude's in the house tonight?" it's appropriate to respond loudly in an extra deep voice in order to prove that you are in fact a dude. Aldean can't see that far into the stands, so the vocal cues really help.

    Step Sixteen: Do not, I repeat, do not, take Aldean's advice to buy a bottle of Southern Comfort after the show and take your girl to the outskirts of town. You're better than that and it won't turn out like the lyrics of "Night Train," I can almost guarantee.

    Step Seventeen: It's a much better idea to relive the lyrics to "Tattoos on this Town" after the show. Go to The Hideout and dance to some honky-tonk music, or head to the carnival and win your sweetie a prize. Remember, you took the light rail to Reliant. There are a large amount of very cool bars and music venues along Main Street that will memorably extend anyone's Tuesday night. Have fun. Live it up.

    Step Eighteen: There's a country-rap delivery in the middle of "Dirt Road Anthem." It's a lot of fun to chant along to, but be sure you get the words right.

    Step Nineteen: If the words in Step Eighteen escape you, wave your hands back and forth during the chorus of "Dirt Road Anthem." It looks really cool when 72,088 fans in Reliant Stadium do it in unison.

    Step Twenty: Starting with "She's Country" and ending with the show closer, "Hicktown," the last three songs of the set are an opportunity to do everything you've been doing throughout the show — only bigger, better, and louder. Though remember, kids are watching.

    Setlist:

    Crazy Town
    Take a Little Ride
    When She Says Baby
    Big Green Tractor
    The Only Way I Know
    Fly Over States
    Johnny Cash
    Amarillo Sky
    Night Train
    Tattoos on this Town
    Dirt Road Anthem
    She's Country
    My Kinda Party
    Hicktown

    Jason Aldean performed before a RodeoHouston crowd of 72,088.

    Photo by Michelle Watson Catchlight Group
    Jason Aldean performed before a RodeoHouston crowd of 72,088.
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    Movie Review

    Masters of the Universe reboot mistakes nostalgia for good filmmaking

    Alex Bentley
    Jun 5, 2026 | 4:30 pm
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    Most children who grew up in the '80s were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

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