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    Club Nomadic Day 3

    Taylor Swift closes out Club Nomadic with her only show of 2017 in dazzling concert

    Clifford Pugh
    Feb 5, 2017 | 11:18 am

    Superstar Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night, as a crowd of 9,000 jammed the temporary venue for its farewell Super Bowl concert. “As far as I know I'm doing one show in 2017. As far as I know, this is that one show," Swift told the crowd. "By coming here tonight you are essentially attending 100 percent of this year’s tour dates, so thank you."

    Around 11:30 pm, the singer, wearing a black sequin-and-fringe mini dress and black bedazzled booties, appeared in a cloud of smoke and launched into "The Night is Still Young" (and "So Are We," the crowd sang along, waving LED wristbands that flashed bright colors to the music), "New Romantics" (the bonus track from her hit album 1989), and "Blank Space." The hits kept coming throughout the nearly two-hour concert, with such favorites as "Bad Blood," "We Are Never Getting Back Together," "Out of the Woods," "You Belong With Me," "All Too Well," and "Wildest Dreams" during the 17-song set.

    Swift also offered the first live performance of her new ballad, "I Don't Wanna Live Forever" from the new Fifty Shades Darker movie. Before performing an acoustic version of the song she apologized that her collaborator Zayn Malik wasn't there to join her on the duet and asked the crowd to take his place.

    In a segment about top-selling songs she has written, Swift performed "Better Man," a No. 1 country song she wrote for Little Big Town — it's the first time she has performed the song live — and an acoustic version of Rihanna's "This Is What You Came For," which she and her ex, Calvin Harris co-wrote.

    And, to no one's surprise, she ended the show with her monster hit, "Shake It Off," telling the crowd, "It's time to dance."

    The show was vintage Swift, with high energy songs punctuated by a slower segment in the middle in which she showcased her considerable talents on the guitar and a silver baby grand piano. Throughout each song, kicky graphics and awe-inspiring photos flashed on a screen that ran the length of the long stage in the slick production.

    The only thing that wasn't perfect was Swift's hairdo. She experienced a bad case of "Houston hair," as her blond locks went limp amid the heat and humidity in the venue as the show progressed. But it didn't seem to slow her down as she wiped the sweat from her face often between songs and then resumed her trademark movements, with a flip of the head and a nod to the crowd.

    Celebrities turned out in droves for the concert, which was billed as DIRECTV Now Super Saturday Night. Olympians Simone Biles and Aly Reisman posed for photos with John Legend on the the red carpet and Legend's wife, Chrissy Teigen, seemed in better spirits than the night before when she refused to be photographed.

    Other celebs included New York Jets receiver Brandon Marshall and Heisman winner Tim Tebow, both wearing white shirts, actors Chris Evans, Vince Vaughn, Jeremy Renner, and Adrian Grenier, actress Lea Michelle, TV personality Maria Menounos, and quarterbacks Tony Romo and Eli Manning.

    Orange is the New Black co-star Ruby Rose DJed sets before and after Swift's appearance.

    Although a temporary venue, Club Nomadic got high marks as a concert space. Organizers added a walkway over the gravel leading to the venue, which made walking in high heels much easier for the ladies, and, inside, it was easy to move around even amid the large crowd. The acoustics were excellent and, although the venue is large, it seemed intimate as we stood only about 40 feet from the stage in the general admission section during Swift's performance.

    While there was a long Uber line at the end, traffic in the area was surprisingly easy to navigate. After the concert, my friends and I walked a few block to Washington and easily called Uber to take us home in a matter of minutes.

    ------------------

    Taylor Swift set list:

    New Romantics
    22
    Blank Space
    I Knew You Were Trouble
    Style
    I Don't Wanna Live Forever
    You Belong With Me
    This Is What You Came For
    Better Man
    Red
    We Are Never Ever Getting Back Together
    Love story
    All Too Well
    Enchanted/Wildest Dreams medley
    Bad Blood
    Out of the Woods
    Shake It Off

    Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night.

    Taylor Swift at Club Nomadic
    Getty Images for DIRECTV
    Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night.
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    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

    filmmakingmoviemaker magazinerankingscity lifeentertainmenthouston
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