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    Starring, Texas!

    True Grit brings Texas to Oscar, SAG hits Houston & Rick Perry builds an actingcareer

    Cynthia Neely
    Jan 28, 2011 | 2:38 pm
    • Jeff Bridges and Hailee Steinfeld in True Grit.
    • Matt Damon as LaBeouf
      Photo by Wilson Webb/Paramount Pictures

    Legendary actor John Wayne received his only Oscar for playing an ornery, grizzled U.S. Marshall in the original version of True Grit. He claimed that his character, Rooster Cogburn, was “a mean old bastard, a one-eyed, whisky-soaked, sloppy old son of a bitch — just like me!”

    That was 1969 and way before screen actors even thought about recognizing the works of their peers with an award of their own. Here it is 2011 and the prestigious Screen Actors Guild Awards ceremony will be held for the 17th year on Sunday night and a new True Grit is collecting accolades left and right. Jeff Bridges, the latest Rooster Cogburn, is up for a best actor SAG statuette and an Oscar himself. (True Grit landed 10 Oscar nominations Tuesday morning.)

    This makes Lone Star actors and industry pros real happy because the current True Grit, unlike its predecessor, was shot mostly in Texas; in Austin, Blanco and Granger. A lot of Texans worked on the new incarnation by filmmakers Ethan and Joel Coen.

    On Sunday evening, anyone who’d like to party with Texas actors, directors, writers and producers and watch the Annual SAG Awards on a big screen together can choose from three events throughout the state. Eat, drink and be merry and get your own 15 seconds of fame on screen as partygoers will be Skyped between each city’s event.

    Texas SAG branches are hosting the screening parties simultaneously in Houston, Dallas and Austin. They’ll commune by beaming up each other’s revelry during commercial breaks. Who says you can’t be in more than one place at one time?

    Actor and former Houston television personality Bob Boudreaux is the “designated overseer” of the H-Town screening at Stag's Head Pub on Portsmouth Street. He was proud to point out that Houston stuntman Mark Chavarria, whom we hope will be at the party, is up for a SAG award for his performance in Inception.

    Texas has quite a few stunt actors, by the way, including Houston’s lovely blonde Jody Haselbarth, who most recently worked on the HBO film Temple Grandin. There’s even a regional organization for stunt performers, The Houston Stuntmen’s Association.

    Native Houstonian Dennis Quaid is up for SAG’s best TV actor for his portrayal of Bill Clinton in The Special Relationship; the acclaimed HBO drama about United Kingdom Prime Minister Tony Blair and United States Presidents Clinton and George W. Bush. Quaid’s next appearance in movie theaters will come April 15 when the true-life film Soul Surfer opens. He plays the father of a competitive teenage surfer who lost her arm in a shark attack.

    Houston talent reaches beyond the screen as well. Our own JoBeth Williams chairs the national SAG Awards Committee and is president of its foundation. The actress, who still has family in Houston, is well known for her screen roles in Poltergeist and The Big Chill but more recently played Rita Morgan’s mother on Showtime’s Dexter. She just wrapped The Big Year with Steve Martin, Jack Black and yet another talented Texan, Owen Wilson.

    Oh, and she won an Oscar for directing the short film On Hope.

    Williams, along with fellow committee member Scott Bakula, will announce the stunt ensemble winners from the red carpet on live TNT and TBS webcasts prior to the televised ceremony. Fingers are crossed for Houston's Mark Chavarria.

    Doesn’t all this Texas talent make you proud?

    Law & Order: SVU actress Mariska Hargitay, nominated for SAG best actress in a TV drama series, is not from Texas but her famous mother, Jayne Mansfield, was raised in Dallas. Mansfield grew up there and attended the University of Texas to study drama. Known as a 1950s and '60s “blonde bombshell,” she was second only to the iconic Marilyn Monroe in popularity.

    Reportedly, she had an IQ of 163 and was indeed a very good actress, but her extraordinary beauty and, well, physical attributes kept her locked into dumb blonde roles. Sadly, she was killed in a horrific traffic accident at age 34 when daughter Mariska was only a toddler.

    Texas governor Rick Perry is a bonafide card-carrying SAG actor. He recently made a cameo appearance, as himself, in the upcoming independent film Deep in the Heart, which is the true story of Richard Wallrath, the largest donor to the Texas 4-H and Future Farmers of America associations. The Gov is also credited as James Richard Perry in the 2005 film Man of the House, in which he plays himself. In fact, as far as I could find Perry plays himself in all his credited roles.

    The SAG Awards party in Dallas will take place at the historic Texas Theatre. Steve Summers, a voice-over actor overseeing the Big D event, says the theater was once owned by Houston’s Howard Hughes, the billionaire film producer and renowned aviator. Aside from its state-of-the-art status in 1931 as a movie palace, the Texas was the first Dallas theater to have air conditioning.

    It’s also where Lee Harvey Oswald, assassin of President John F. Kennedy, was hiding — in the fifth row in the back — before being captured.

    The Texas, now on the National Register of Historic Places, has been saved from the wrecking ball countless times over the years (hope springs eternal for Houston’s own River Oaks Theatre!) and last August its lease was taken over by Dallas filmmaker Barak Epstein’s company Aviation Cinemas, Inc. The theater’s new life will be something more to celebrate at the Dallas SAG soiree.

    Austin’s party venue is The Highball, a retro sixties combo of adult diner, bowling alley and ballroom. Woman-in-charge Mindy Raymond (the Texas actress who is the voice of both Wonder Girl and Bat Girl for D.C. Universe Online) says actor Jesse Plemons is expected. Plemons, a Dallas native, plays Landry Clarke in Friday Night Lights. Austin’s party will feature co-emcees: Grayson Berry, the actor already profiled in CultureMap for his role in Drop Dead Diva and who has since been in the Texas-shot series The Good Guys, joins accomplished actor Brandon Smith who was in No Country for Old Men and the upcoming Richard Linklater film Bernie.

    Both emcees are Houston natives. That's worth a smiley face.

    Anyone ready for their close-up can save a few bucks on party tickets by getting them in advance online www.txmpa.org.

    Proceeds from the trio of events will help fund the Texas Motion Picture Alliance, the non-profit group that works to bring more productions to the Lone Star State and put more of our good actors and crew to work.

    Cynthia Neely is a veteran of the Texas motion picture industry who helped found the Texas Motion Picture Alliance.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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