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    celebrity playlist

    Ken Hoffman has Houston celebrities reveal their desert island albums

    Ken Hoffman
    Jan 19, 2018 | 8:31 am
    Forrest Gump
    A local anchor loves the soundtrack to Forrest Gump (and that's all he has to say about that),
    Courtesy photo

    Got an email from my friend Chip Namias. I met Namias when he was media director for the Houston Oilers. Namias commanded the press box at the Astrodome like Sinatra at the Sands Hotel. He put the "beat" in beat writer. He was ruthless and respected.

    No sportswriter, not even the "General" John McClain, dared take a bite of fried chicken in the media dining room — unless Namias said it was okay. Namias eventually moved to Los Angeles; he's a big deal in the movie publicity business.

    Namias wrote: "I went to an event at the Grammy Museum last month honoring Clive Davis. With his legendary musical career spanning so many genres, during the Q&A, I asked him, if he could only bring two albums to a desert island, what would they be?

    His answer: Simon and Garfunkel’s Greatest Hits and The Best of The Mamas and the Papas."

    Davis is indeed a legend in the recording industry. He was instrumental in the careers of dozens of superstars, including Whitney Houston, Rod Stewart, Alicia Keys, Christina Aguilera, Janis Joplin, Billy Joel, Bruce Springsteen, Kelly Clarkson, Aerosmith, and many, many more.

    But with all due respect, what does he know about music? He's certainly wrong about picking desert island albums.

    The obvious answers (mine): the Beatles' legendary album, 1, and Creedence Clearwater Revival's 20 Greatest Hits.

    Then again, I could be wrong, too. So I asked some Houston A-Listers: If you were going to a desert island (or in a couple of these cases, prison), which two albums would you take with you?

    SportsMap 94.1 FM talk host Charlie Pallilo: "I'm bringing Billy Joel's Greatest Hits Volumes I & II — terrific range of style, and a Long Island guy to boot. Then I'd take Beatles 1. It's all the Beatles' Number One hits, maximizing content."

    ABC-13 anchor Gina Gaston: "I'd bring Stevie Wonder's Songs in the Key of Life, because I can sing along with every song on the album. And, I'd bring Kirk Franklin's God's Property to keep my spirits and faith uplifted."

    Houston Rockets play-by-play announcer Bill Worrell: "Best of the Temptations: My favorite group in my early years — high school and college. In 1973, Coach Darrell Royal introduced me to Willie Nelson, who had moved from Nashville to Austin. Willie asked Coach and me if we wanted to hear him record an album the next afternoon. The album was Phases and Stages; I was hooked. It's still my favorite Willie album, out of hundreds. He is one of the most influential writers and singers of our generation."

    Harris County Judge Ed Emmett: "Album 1700 by Peter, Paul and Mary, and Les Miserables — 10th Anniversary Concert in London. Those are the albums that first came to mind."

    Channel 2 anchor Rachel MacNeill: "My two albums would have to be Bob Marley's Legend, and Lionel Richie's Can't Slow Down. Legend because I'm Jamaican, which means I'm never too far from my island nation. Every song helps me visualize home, soothing me on even the most stressful days. I picked Lionel Richie because I think he's one of the greatest singer-songwriters of all time. The songs on Can't Slow Down bring back so many happy childhood memories. I'm biased, though. My son's name is Lionel, so I guess that makes me a super fan."

    Hollywood mogul Chip Namias: "In my opinion, Rubber Soul by the Beatles is, track for track, the greatest album of all time. I never get tired of listening to it. My second pick would be Good Vibrations: Thirty Years of the Beach Boys. If you want to feel happy, upbeat, and thinking about summer, what else would you need?"

    Houston Chronicle football writer John McClain: “I hate to agree with Chip [Namias] on anything, but he’s right about Rubber Soul. The Beatles shaped my youth. As for the White Album, I traded my collection of baseball cards to my younger brother for it. Gave him Mantle and Mays rookie cards, among many others, for "Rocky Raccoon," and "Why Don’t We Do It In the Road?" It was worth it at the time. Now? Well, I’d have a valuable baseball card collection worth lots of money."

    Houston Astros President Reid Ryan: "U2's Joshua Tree, because that's the band that reminds me most of my high school and college days, and they're one of the world's best. Also George Strait's 50 Number Ones because it reminds me of Texas. It's got a lot of songs and they're all great."

    Kenny & Ziggy's owner Ziggy Gruber: "The Best of Aaron Lebedeff. He was famous for the song, 'Roumania Roumania.' He was one of the best Yiddish stage artists ever. When I listen to his music, it brings out my ethnic side — pastrami sandwich also accomplishes this. My other album would be Romanian Rhapsody No. 1, composed by George Enescu, performed by the London Philharmonic. I love this piece, especially when I'm cooking."

    Houston Chronicle columnist Lisa Falkenberg: "It's impossible to choose, but for the purposes of your cruel little hypothetical, I would say Lucinda Williams' West, and Bob Dylan's Blonde on Blonde. What does it say about me, that the only two albums I would ever hear again for the rest of my life are sung by people who can't sing? Maybe that I'm a writer."

    Channel 2 anchor Owen Conflenti: "In these scenarios, I like to go with soundtracks for the variety. I would take the soundtracks to Forrest Gump and The Big Lebowski. If soundtracks are off limits, then I choose Nas' Illmatic and Pink Floyd's Dark Side of the Moon."

    ESPN 97.5 host Del Olaleye: "The Marshall Mathers LP from Eminem. I rode the bus to school in high school, and I listened to that album for about a year straight during my junior year. It was the first album I could quote lyrics from multiple songs. And Mothership, from Dance Gavin Dance. They're my favorite band at the moment. I saw them at Warehouse Live recently, and they performed the entire album, and it was fantastic. I listen to the album every day on the way to work."

    Channel 13 anchor Tom Koch: "They’d have to be the Beatles' White Album and my wedding album. The White Album, because I love it and think it’s one of their most creative — 30 incredible songs. Plus you get vocals from all four Beatles and their relatives: Yoko Ono, Pattie Harrison, and Maureen Starkey. And, added bonus, you can use the bright, white album as a reflective shield to alert passing boats and planes. My wedding album because it’s one of a kind, filled with love — and saying this will get me brownie points with my lovely wife."

    Which two albums would you absolutely need on a desert island? Let me know in the comments, or on Twitter.

    The Beatles' 1 topped the list of several of celeb lists.

    The Beatles
    Courtesy photo
    The Beatles' 1 topped the list of several of celeb lists.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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