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    Sports Tunes

    What the Houston Rockets should be listening to: A music playlist for James Harden, Dwight Howard & more

    Curtis D'Costa
    Curtis D'Costa
    Jan 10, 2015 | 1:28 pm

    Four years after the NBA came down on Vince Carter for listening to his iPhone during pre-game warm ups, LeBron James would don a pair of Beats by Dre at the Beijing Olympics and suddenly, heavy would become the head that wore the headphones. Here we are in 2015, and before tipoff even the nattiest stars must be caught trekking through parking garages, heads squashed between two rumbling cushions of sound.

    It turns out a lot of players will readily sharing what they're listening to. But most of the time — as in the case of Washington Wizards star John Wall, who is a Lil Durk fan — the truth can be underwhelming. That's why I thought it'd be fun to play DJ and pick a song I feel best personifies the individual game of some of my favorite Rockets — call it an exercise in personal anthems.

    1. Patrick Beverley: "War" by Chief Keef

    Throughout his career, Patrick Beverley has been locked in a cycle of owning up to mistakes and proving people wrong. He starred in a documentary his senior year of high school; left University of Arkansas after being found guilty of academic dishonesty; played in Ukraine, then Greece: in no time it's 2013 and he's at the helm of an NBA playoff team. The road has been bumpy, and he's had a lot of explaining to do, to fans, to coaches and to media.

    But ask Jrue Holiday. Ask Russell Westbrook. P-Bev wants war, and no explanation is necessary.

    2. James Harden: "Jumpin Jack Flash" by The Rolling Stones

    I'm a believer in straight, dirty ass rock 'n' roll. It's a crossfire hurricane down in the paint, and the way Harden catches the ball, coming off a screen — the way he's already squared up and he's springing on the soles of his feet — brings Keith Richards' opening riffs to mind. It's called "revving," folks, and pretty often the result is two and one (Jagger: "1, 2!").

    Now that the Bearded One is lighting it up on defense and has both ends burning, there's no denying it's alright now for the NBA's leading scorer: In fact, it's a gas.

    3. Trevor Ariza: "Simply Beautiful" by Al Green

    When Al Green whispers "All you gotta do is call me" on this smooth, otherworldly afterthought of a track from I'm Still in Love with You, I can see Ariza hunched over in the locker room after a close win, bopping his head in agreement. After all, only a couple weeks ago the small forward was quietly averaging the most minutes in the league. (Chicago Bull Jimmy Butler has since overtaken him.)

    The slow jam's willowy minimalism also reminds me of Ariza's Zen-like defense: At 6-foot-8, the guy is basically a high-speed balancing act.

    4. Donatas Motiejunas: "Quiet Storm" by Mobb Deep

    Yao Ming's journey into the English language was always witty, charming and diplomatic. D-Mo, on the other hand, dived right in. At a press conference the night he was drafted, the Lithuanian took the opportunity to cobble together a challenge to Dwight Howard (coach Kevin McHale: "Whoa there, big guy!"). A couple months later, after a win in the summer league, the 7-footer told reporters, "If you're scared of wolves, don't go to the woods."

    This season has found Motiejuanas in stealth mode. The storm has quieted, he's shooting 47 percent from the field, and a new nickname has been glimpsed on the horizon: Motielajuwon.

    5. Dwight Howard: "Halo" by Beyonce

    Harden is first in the league in free throws attempted, Dwight Howard is fourth, but considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft. No big man can take over a game as utterly as the eight-time All-Star can.

    Considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft.

    "Halo" is proof that Beyonce is a force of nature in her own right. Both stars could use a little tenderness, though, as well as a strong supporting cast: The Destiny's Child-less diva howls her way through this chorus with about as much finesse as Dwight bricking free throws.

    6. Corey Brewer: "Anarchy in the UK" by Sex Pistols

    The Rockets snagged Corey Brewer, and the Houston Zoo now has its very own baby giraffe. The lightning quick, doddering small forward out of Florida has injected the Rockets' play with all the veering, weaving and crashing that makes punk rock so addictive. The Sex Pistols themselves liked to play in the open court: Practically incapable of recording in the studio, onstage they were brilliant, opening up new vistas of what music could mean.

    Likewise, sometimes when Brewer's on the floor, it can feel like you're watching ice hockey.

    7. Jason Terry: "Sweet Mental Revenge" by Waylon Jennings

    Now that we're deep into the season, a lot of us have lost the irrational feeling that Rockets general manager Daryl Morey let the wolf into the hen house when he traded for the Rocket killer. Terry hasn't shot stellar, but there's no denying he's a great locker room presence; also, he and Harden play beautiful two-ball together.

    I chose this country standard because its viciousness reminds me of Terry's competitive nature. You might say the veteran shooting guard is more interested in his opponents' shorts than the jersey he's wearing, since he's been known to wear a pair to bed before game time to give him that sweet, sweet mental edge.

    Curtis D'Costa is a professor of English at Houston Community College and an avid Rockets fan.

    Given his energy, James Harden should be jamming to...

    Houston Rockets, Lakers, James Harden, January 2013
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    Given his energy, James Harden should be jamming to...
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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