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    Sports Tunes

    What the Houston Rockets should be listening to: A music playlist for James Harden, Dwight Howard & more

    Curtis D'Costa
    Curtis D'Costa
    Jan 10, 2015 | 1:28 pm

    Four years after the NBA came down on Vince Carter for listening to his iPhone during pre-game warm ups, LeBron James would don a pair of Beats by Dre at the Beijing Olympics and suddenly, heavy would become the head that wore the headphones. Here we are in 2015, and before tipoff even the nattiest stars must be caught trekking through parking garages, heads squashed between two rumbling cushions of sound.

    It turns out a lot of players will readily sharing what they're listening to. But most of the time — as in the case of Washington Wizards star John Wall, who is a Lil Durk fan — the truth can be underwhelming. That's why I thought it'd be fun to play DJ and pick a song I feel best personifies the individual game of some of my favorite Rockets — call it an exercise in personal anthems.

    1. Patrick Beverley: "War" by Chief Keef

    Throughout his career, Patrick Beverley has been locked in a cycle of owning up to mistakes and proving people wrong. He starred in a documentary his senior year of high school; left University of Arkansas after being found guilty of academic dishonesty; played in Ukraine, then Greece: in no time it's 2013 and he's at the helm of an NBA playoff team. The road has been bumpy, and he's had a lot of explaining to do, to fans, to coaches and to media.

    But ask Jrue Holiday. Ask Russell Westbrook. P-Bev wants war, and no explanation is necessary.

    2. James Harden: "Jumpin Jack Flash" by The Rolling Stones

    I'm a believer in straight, dirty ass rock 'n' roll. It's a crossfire hurricane down in the paint, and the way Harden catches the ball, coming off a screen — the way he's already squared up and he's springing on the soles of his feet — brings Keith Richards' opening riffs to mind. It's called "revving," folks, and pretty often the result is two and one (Jagger: "1, 2!").

    Now that the Bearded One is lighting it up on defense and has both ends burning, there's no denying it's alright now for the NBA's leading scorer: In fact, it's a gas.

    3. Trevor Ariza: "Simply Beautiful" by Al Green

    When Al Green whispers "All you gotta do is call me" on this smooth, otherworldly afterthought of a track from I'm Still in Love with You, I can see Ariza hunched over in the locker room after a close win, bopping his head in agreement. After all, only a couple weeks ago the small forward was quietly averaging the most minutes in the league. (Chicago Bull Jimmy Butler has since overtaken him.)

    The slow jam's willowy minimalism also reminds me of Ariza's Zen-like defense: At 6-foot-8, the guy is basically a high-speed balancing act.

    4. Donatas Motiejunas: "Quiet Storm" by Mobb Deep

    Yao Ming's journey into the English language was always witty, charming and diplomatic. D-Mo, on the other hand, dived right in. At a press conference the night he was drafted, the Lithuanian took the opportunity to cobble together a challenge to Dwight Howard (coach Kevin McHale: "Whoa there, big guy!"). A couple months later, after a win in the summer league, the 7-footer told reporters, "If you're scared of wolves, don't go to the woods."

    This season has found Motiejuanas in stealth mode. The storm has quieted, he's shooting 47 percent from the field, and a new nickname has been glimpsed on the horizon: Motielajuwon.

    5. Dwight Howard: "Halo" by Beyonce

    Harden is first in the league in free throws attempted, Dwight Howard is fourth, but considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft. No big man can take over a game as utterly as the eight-time All-Star can.

    Considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft.

    "Halo" is proof that Beyonce is a force of nature in her own right. Both stars could use a little tenderness, though, as well as a strong supporting cast: The Destiny's Child-less diva howls her way through this chorus with about as much finesse as Dwight bricking free throws.

    6. Corey Brewer: "Anarchy in the UK" by Sex Pistols

    The Rockets snagged Corey Brewer, and the Houston Zoo now has its very own baby giraffe. The lightning quick, doddering small forward out of Florida has injected the Rockets' play with all the veering, weaving and crashing that makes punk rock so addictive. The Sex Pistols themselves liked to play in the open court: Practically incapable of recording in the studio, onstage they were brilliant, opening up new vistas of what music could mean.

    Likewise, sometimes when Brewer's on the floor, it can feel like you're watching ice hockey.

    7. Jason Terry: "Sweet Mental Revenge" by Waylon Jennings

    Now that we're deep into the season, a lot of us have lost the irrational feeling that Rockets general manager Daryl Morey let the wolf into the hen house when he traded for the Rocket killer. Terry hasn't shot stellar, but there's no denying he's a great locker room presence; also, he and Harden play beautiful two-ball together.

    I chose this country standard because its viciousness reminds me of Terry's competitive nature. You might say the veteran shooting guard is more interested in his opponents' shorts than the jersey he's wearing, since he's been known to wear a pair to bed before game time to give him that sweet, sweet mental edge.

    Curtis D'Costa is a professor of English at Houston Community College and an avid Rockets fan.

    Given his energy, James Harden should be jamming to...

    Houston Rockets, Lakers, James Harden, January 2013
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    Given his energy, James Harden should be jamming to...
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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