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    Sports Tunes

    What the Houston Rockets should be listening to: A music playlist for James Harden, Dwight Howard & more

    Curtis D'Costa
    Curtis D'Costa
    Jan 10, 2015 | 1:28 pm

    Four years after the NBA came down on Vince Carter for listening to his iPhone during pre-game warm ups, LeBron James would don a pair of Beats by Dre at the Beijing Olympics and suddenly, heavy would become the head that wore the headphones. Here we are in 2015, and before tipoff even the nattiest stars must be caught trekking through parking garages, heads squashed between two rumbling cushions of sound.

    It turns out a lot of players will readily sharing what they're listening to. But most of the time — as in the case of Washington Wizards star John Wall, who is a Lil Durk fan — the truth can be underwhelming. That's why I thought it'd be fun to play DJ and pick a song I feel best personifies the individual game of some of my favorite Rockets — call it an exercise in personal anthems.

    1. Patrick Beverley: "War" by Chief Keef

    Throughout his career, Patrick Beverley has been locked in a cycle of owning up to mistakes and proving people wrong. He starred in a documentary his senior year of high school; left University of Arkansas after being found guilty of academic dishonesty; played in Ukraine, then Greece: in no time it's 2013 and he's at the helm of an NBA playoff team. The road has been bumpy, and he's had a lot of explaining to do, to fans, to coaches and to media.

    But ask Jrue Holiday. Ask Russell Westbrook. P-Bev wants war, and no explanation is necessary.

    2. James Harden: "Jumpin Jack Flash" by The Rolling Stones

    I'm a believer in straight, dirty ass rock 'n' roll. It's a crossfire hurricane down in the paint, and the way Harden catches the ball, coming off a screen — the way he's already squared up and he's springing on the soles of his feet — brings Keith Richards' opening riffs to mind. It's called "revving," folks, and pretty often the result is two and one (Jagger: "1, 2!").

    Now that the Bearded One is lighting it up on defense and has both ends burning, there's no denying it's alright now for the NBA's leading scorer: In fact, it's a gas.

    3. Trevor Ariza: "Simply Beautiful" by Al Green

    When Al Green whispers "All you gotta do is call me" on this smooth, otherworldly afterthought of a track from I'm Still in Love with You, I can see Ariza hunched over in the locker room after a close win, bopping his head in agreement. After all, only a couple weeks ago the small forward was quietly averaging the most minutes in the league. (Chicago Bull Jimmy Butler has since overtaken him.)

    The slow jam's willowy minimalism also reminds me of Ariza's Zen-like defense: At 6-foot-8, the guy is basically a high-speed balancing act.

    4. Donatas Motiejunas: "Quiet Storm" by Mobb Deep

    Yao Ming's journey into the English language was always witty, charming and diplomatic. D-Mo, on the other hand, dived right in. At a press conference the night he was drafted, the Lithuanian took the opportunity to cobble together a challenge to Dwight Howard (coach Kevin McHale: "Whoa there, big guy!"). A couple months later, after a win in the summer league, the 7-footer told reporters, "If you're scared of wolves, don't go to the woods."

    This season has found Motiejuanas in stealth mode. The storm has quieted, he's shooting 47 percent from the field, and a new nickname has been glimpsed on the horizon: Motielajuwon.

    5. Dwight Howard: "Halo" by Beyonce

    Harden is first in the league in free throws attempted, Dwight Howard is fourth, but considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft. No big man can take over a game as utterly as the eight-time All-Star can.

    Considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft.

    "Halo" is proof that Beyonce is a force of nature in her own right. Both stars could use a little tenderness, though, as well as a strong supporting cast: The Destiny's Child-less diva howls her way through this chorus with about as much finesse as Dwight bricking free throws.

    6. Corey Brewer: "Anarchy in the UK" by Sex Pistols

    The Rockets snagged Corey Brewer, and the Houston Zoo now has its very own baby giraffe. The lightning quick, doddering small forward out of Florida has injected the Rockets' play with all the veering, weaving and crashing that makes punk rock so addictive. The Sex Pistols themselves liked to play in the open court: Practically incapable of recording in the studio, onstage they were brilliant, opening up new vistas of what music could mean.

    Likewise, sometimes when Brewer's on the floor, it can feel like you're watching ice hockey.

    7. Jason Terry: "Sweet Mental Revenge" by Waylon Jennings

    Now that we're deep into the season, a lot of us have lost the irrational feeling that Rockets general manager Daryl Morey let the wolf into the hen house when he traded for the Rocket killer. Terry hasn't shot stellar, but there's no denying he's a great locker room presence; also, he and Harden play beautiful two-ball together.

    I chose this country standard because its viciousness reminds me of Terry's competitive nature. You might say the veteran shooting guard is more interested in his opponents' shorts than the jersey he's wearing, since he's been known to wear a pair to bed before game time to give him that sweet, sweet mental edge.

    Curtis D'Costa is a professor of English at Houston Community College and an avid Rockets fan.

    Given his energy, James Harden should be jamming to...

    Houston Rockets, Lakers, James Harden, January 2013
    Houston Rockets Facebook
    Given his energy, James Harden should be jamming to...
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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