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    Much ado about... nothing?

    Asking the unaskable: What if corpse flower Lois is another Al Capone's vault?

    Sarah Rufca
    Jul 16, 2010 | 4:48 pm
    • Could corpse flower Lois be one of civilization's great hoaxes?
    • Remember the horror of Y2K?
    • Hurricane Rita evacuees on Interstate 45 leaving Houston. More people died inthe evacuation than during the actual hurricane.
    • Geraldo Rivera attempted to build on his success by opening Al Capone's vaultlive on national TV. The vault was inside the old Lexington Hotel.

    Look, when it comes to the corpse flower obsession train, we are completely on board.

    But a blooming that's been delayed or ongoing very, very slowly (in the Houston Museum of Natural Science's view) since at least Tuesday, the fact that horticulturist Zac Stayton has started giving Lois hormones (via banana by incision) and the museum's decision to close at midnight tonight for nine hours leaves us wondering.

    What if this giant flower — which has spawned T-shirts, pins, decorative tiles, a webcam viewed by thousands, a fake twitter account and record attendance during all hours — never lets her/his petals down?

    Then things would really start to stink.

    While we still believe in the not-so-little corpse flower that could, we've compiled the top five big buildups that ended with a fizzle instead of a bang.

    5. Maginot Line

    Building a strong line of defense on the border with a historically bellicose neighbor is a pretty good idea. But in the case of France in the 1930s, one key detail was overlooked: The Germans, rather than fighting through the armaments, could simply go around them by gliding through neutral Belgium and the Netherlands. When the Germans did exactly that, France was left exposed and the invasion was complete in a matter of weeks.

    And 70 years later, the jokes about French pansies are still going strong.

    4. Edsel

    In the 1950s, before the Big Three was the Almost-Bankrupt Three, Ford made a major push with a $400 million investment in a new mid-range line: Edsel. Ford, Lincoln and Mercury dealers across the country switched to the Edsel banner after a televised launch announcement called The Edsel Show, so ballyhooed Ford execs called it "E-Day."

    Edsel was referred to as an entirely new kind of car. In reality, it was just another brand on the Ford and Mercury body frames with some quality issues and a particularly garish grill that was compared to a horse collar and a toilet seat. After three years, Ford had sold only 84,000 Edsels, with 63,000 of them coming in the first year. Ford lost $350 million in the venture ($1.6 billion in today's money).

    3. Hurricane Rita

    We understand that a month after Hurricane Katrina ravaged New Orleans, hurricanes were a very, very scary thing. But flood-prone as Houston is, we aren't living on a low-lying isthmus between the ocean and a lake. But that didn't stop the largest evacuation in U.S. history, stranding millions without gas or food on clogged interstates for up to 36 hours.

    While the damage in East Texas was significant, Houstonians responded with what can only be termed lunacy, especially as the storm turned and headed to the Texas-Louisiana border, where it eventually made landfall. After all the drama, Hurricane Rita killed nine in East Texas, but at least 28 people died in the evacuation.

    2. Y2K

    The world's financial systems grinding to a halt. Planes falling out of the sky. Truly, there was no destruction the millennium bug, or Y2K, was not rumored to cause, all the result of some lazy programmer only wanting to type two digits of the year instead of four.

    After $300 billion spent in preparation for the glitch, January 1 brought nothing other than a collective hangover. In the U.S., issues were limited to the Naval Observatory clock and 150 slot machines in Delaware. In 2003, the Wall Street Journal called Y2K an "end of the world cult" and the "hoax of the century."

    1. Al Capone's Vault

    Hotel renovations are expensive, so it's no surprise that when businessmen renovating Chicago's Lexington Hotel in the 1980s discovered hidden tunnels and escape routes from the room once used as a headquarters by notorious gangster Al Capone — decided they wanted to make the most of it.

    Rather than opening up the mysterious vault rumored to hold Capone's treasure and letting historians see if the cache was noteworthy, the contents were unveiled live in television in 1986 with 30 million people watching worldwide and Geraldo Rivera breathlessly drawing out the drama.

    What treasure did it hold? Umm ... some trash and empty bottles. And Geraldo's been, well, Geraldo ever since.

    unspecified
    news/city-life

    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life
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