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    Super Bowl Diary

    It's showtime! The Super Bowl has changed a lot since 2004, but so has Houston

    Clifford Pugh
    Jan 30, 2017 | 9:29 am

    At the 2004 Super Bowl in Houston, the stadium grass was real, the roof was closed, the light rail was new, and Main Street was party central. There was no Facebook, no Twitter, no smartphones, no Uber, no CultureMap.

    As the 2017 Super Bowl approaches, a lot has changed. But at least one thing remains the same: Super Bowl activities remain a lot more comfortable in comfortable shoes.

    During a walk-through of NRG Stadium last week, I walked what seemed like several miles from my car, which was in the relatively close-in Purple Lot. Just like it's been since the terrorist attacks of 2001, Super Bowls are now fortresses behind fences and security checkpoints and take a lot of walking to get to, even if you are dropped off by Uber or a taxi.

    The same goes for Super Bowl LIVE, the free fan fest at Discovery Green, although the check-in is more benign. On a glorious Sunday afternoon, lines were long to get through metal detectors into the downtown attraction, but I discovered a quicker way to get in. While lines stretched quite a distance near the new Marriott Marquis Hotel, if you walk a few blocks to the Super Bowl LIVE entrance at Caroline and Bell streets, walking in is a breeze.

    Or you may have just as much fun in the lobby of the new Marriott, which is a theme park of its own, with photo-ready opportunities featuring cut-outs of NFL stars and the Vince Lombardi Trophy.

    The Super Bowl has grown up since the last time it was in Houston. More corporate sponsorships. More hoopla. More big parties. A temporary building to hold 9,000 for concerts that will be start being taken down the day of the Super Bowl (it's so massive, it will take 30 days to remove the structure). Thank you for thinking big, Jack Murphy of Club Nomadic.

    But if the Super Bowl has matured, so has its host. Houston has long had an inferiority complex; constantly touting that we're a "world class city." Now we don't have to. We're more diverse (witness the passionate protests against President Trump's refugee policy outside the entry gates on Sunday), more diversified, and more confident.

    With the new Marriott Marquis and Hilton-Americas as bookends to a glorious Discovery Green, which was a series of unsightly parking lots at Houston's last Super Bowl, there's finally an attractive downtown hub that's sure to draw tourists and conventioneers long after the Super Bowl is gone. There's a sophistication to the city that wasn't here 13 years ago, with an abundance of restaurants and cultural attractions. Houston feels a lot more grown up.

    The rise of social media

    Sure, traffic and parking are expected to be a major problem, but Ric Campo, the chairman of the Houston Super Bowl Host Committee, expects a secret weapon to help out this time that wasn't available 13 years ago: Social media.

    "The biggest thing is to download the Super Bowl LI app. All the parking information, the transportation information is there," he tells CultureMap. "If there's a problem, we'll get it out there on social media, so you'll know, 'don't go this way, go that way.' As long as people understand and get online and see what's going on, there shouldn't be any trouble."

    "We want to make sure people really have a great time and we don't want people to get upset about high parking prices. So we have price points from $30 to $5 (downtown). We have great shuttles that can bring people in and around. METRO is a great alternative as well. We have lots of park and rides, Galleria shuttles. So it shouldn't be a big problem 'if you know before you go.' That's our saying. Park on the west side (of downtown). Use the shuttles to come over, the train. So it should be good."

    In 2004, Campo recalls, the northern part of Main Street, which was the hub of pre-Super Bowl activities, didn't have nearly the access that the Super Bowl LIVE event at Discovery Green has now, even with 150,000 visitors expected daily, and many more than that on the days just before the Super Bowl, with free concerts featuring ZZ Top and Solange Knowles.

    "The challenge back then was that everything was on surface streets. Here you have a really good transportation system, because you can enter from the west side, you can enter from the south side, even on the north side," Campo says. "We have a lot of connectors which will bring people to the area. And if it's nice weather as it should be, you can just walk three blocks. This is a free event for fans. This is all about creating value for Houstonians who don't have a ticket to the game, to have them be able to experience the Super Bowl without having to pay a big price."

    Preparations at NRG

    AT NRG Stadium, the site of Super Bowl LI, NFL director of events Eric Finkelstein notes the field is the same one used by the Texans (it's artificial turf instead of the grass field at Super Bowl XXXVIII), but a lot of cosmetic changes will take place. "We just prep it and get it ready," he says, with benches painted the colors of each team and the Super Bowl logo on each side of the 50-yard line and each team's logo in a separate end zone. The NFL hopes to have the roof open, but will check weather reports before making a final decision.

    Also, NFL officials have to find a lot more places for media, constructing 30 broadcast booths around NRG Stadium, as well as boost Wifi capabilities, put up thousands of feet of fencing around the site, and prepare more event and party spaces, like the Premium Pre-game Party at the NRG Center, with performances by Lady Antebellum & O.A.R, for those paying upwards of $8,000 each for an NFL Gameday Package.

    "Here the space is very flexible. It gives us the opportunity to do a lot of different things. There's a lot of room. There's a lot of parking. There's a lot of different areas to build things. It's just a great opportunity," Finkelstein says.

    What has changed from the last Houston Super Bowl? "It's just gotten so much bigger on every level. So many different things are happening. So many different pieces. It's amazing how much it's evolved," Finkelstein says. " I was here for Super Bowl XXXVIII. The amount and volume of things, the amount of attention it gets" has grown exponentially.

    While light rail continues to be a source of controversy in Houston, one gets the idea it was one of the deciding factors in the NFL's decision to select the city for Super Bowl LI because it provides easy access to NRG Stadium from downtown Houston, where so many Super Bowl activities are taking place. "The light rail is definitely something that more people are using than ever before," Finkelstein says. "The great thing about this campus is there's a lot of parking, a lot of space a lot of ways to get here. If you're driving or taking public transportation that really makes for a great experience for anything that happens here, but especially the Super Bowl."

    Expect the Unexpected?

    Finkelstein's tips for first time Super Bowl attendees? Check out Superbowl.com, which offers information on how to get to the game, where to park, and how to enter the stadium. "It's not like a regular season game. There are a lot of things that are different that you need to prepare for in advance," he says. "And also get here early. There's so much to see and so much to do."

    The gates at NRG open at 1 pm on Sunday with kickoff at 5:30 pm, so "anywhere in that range, the earlier the better," he says.

    No matter how much planning has gone into Super Bowl LI, officials can't control the unexpected. The most memorable moment of Super Bowl XXXVIII in Houston remains Janet Jackson's infamous "wardrobe malfunction." Only those with the longest and strongest memories recall that the New England Patriots won the game.

    What lasting memory will Super Bowl LI bring?

    Houston signs are scattered throughout the Super Bowl LIVE grounds.

    Super Bowl LIVE posing in front of Houston sign
    Photo by Clifford Pugh
    Houston signs are scattered throughout the Super Bowl LIVE grounds.
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    a bright flame

    Houston's game-changing free arts academy breaks ground in the East End

    Holly Beretto
    Oct 15, 2026 | 9:00 am
    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior
    Rendering courtesy of OMA
    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    Houston’s newest school for arts and music broke ground last week in the city’s historic East End. The Frank Liu Jr. Academy for Music and Arts (FLAMA), a tuition-free charter school, will welcome students in pre-K through 8th grade next August.

    Members of the Liu family, the school’s founding board members, elected officials, and East End community partners gathered at Buffalo Bayou Partnership’s historic Turkey Bend development for the official groundbreaking ceremony on October 8, which kicked off with a performance by the Kinder High School for the Performing and Visual Arts’ Mariachi group.

    The new school is on a portion of the former Folgers Coffee Plant, located at 235 N. Norwood St. OMA, an international architectural firm known for its approach to urbanism, cultural projects, and adaptive reuse, is transforming the 1930s plant into a state-of-the-art educational facility.

    “We’re excited to celebrate this milestone for FLAMA and look forward to seeing the transformation of the historic Folgers plant into a new home for music and arts education,” said Jason Long, one of the firm’s partners. “Like fine-tuning an instrument, our design recalibrates the existing industrial structure into an open, connected, and expressive environment for learning. FLAMA will be a new learning environment that builds on the character of the existing building while giving it new life for the community.”

    Unfolding across three stories, the school draws inspiration from Montessori education principles, which prioritize openness, independence, and collective learning through shared “neighborhoods.”

    It all begins when students, families and guests enter through a private courtyard. The welcoming space will change the building’s original industrial facade into a brightly colored, kid-friendly spot, complete with yellow and green blocks spelling out the school’s name. The original windows will be restored to preserve the building’s historic character and upgraded to meet contemporary energy standards. Similarly, all of the school’s classrooms are located around the building’s perimeter, providing an abundance of natural light.

    Inside, FLAMA’s three stories are divided so that younger students will find their classrooms at the school’s base, and they will move upward through the school as they progress through grade levels. The ground level has a common area for younger kids that could host drum circles, movement classes or “breakout play.”

    Children in first and second grade have their own, larger open space, with an eye-catching staircase, that's inspired by the curve of a French horn. The space lends itself to everything from small gatherings to performances by the school’s early musicians.

    As students progress through grades three and higher, they’ll find FLAMA’s upper floors created to meet their growing artistic and intellectual needs. One example is the open library, a shared spot for students in third through fifth grades. It has flexible furniture that can transform the space into a place for group study and project work, as well as one that can host after-school activities. Directly above this library is a second common room for middle schoolers where students in sixth, seventh, and eighth grades can study.

    These two libraries are connected by an F-shaped floor opening that references both the F-hole of a string instrument and the forte symbol. Musicians know this curly f as a note indicating them to play a passage with strength. That could easily be a metaphor for the school itself, which will combine high-quality education with rigorous academics. This visual cue emphasizes FLAMA’s desire for music and art instruction to amplify learning across reading, writing, math, and science.

    “This will be a place where children can discover their talents, families can find opportunities close to home, and music and art can open the doors to a stronger education,” said Congresswoman Sylvia Garcia, who attended the groundbreaking. “I know how much it matters when someone brings opportunity within the reach of a child.”

    Dr. R. Scott Allen, FLAMA’s founding superintendent and former principal of Kinder HSPVA, spoke about the school’s vision to pair a rigorous, engaging academic opportunity with deep immersion in music and visual arts.

    Congressman Christian Menefee, State Senator Carol Alvarado, and Houston City Councilmember Mario Castillo also delivered remarks at the ceremony, speaking about the school’s power to not only transform Houston’s Second, Third, and Fifth Ward communities, but also bring incredible education opportunities to students. Former Mayor Annise Parker, former State Board of Education Member Staci Childs, State Representative Christina Morales, and Houston City Councilmembers Joaquin Martinez and Sallie Alcorn also attended the event.

    “In this city, known for our undeniable contributions to music and arts, the gap has never been ability or talent; it has always been opportunity, and opportunity can be built,” said Kirby Liu, who spoke at the groundbreaking, memorializing his late brother’s vision of arts education for the youngest Houstonians. “When it comes to opportunity being foreclosed on our children, we will try like hell to bust those damned doors down.”

    The Frank Liu Jr. Foundation has pledged $20 million in financial support during FLAMA’s first years of operation.

    Applications are now open for kindergarten and first-grade students for the 2027-2028 school year.

    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior

    Rendering courtesy of OMA

    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

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