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    Super Bowl Live lineup

    Super Bowl LIVE lineup revealed: Free concerts with ZZ Top, Solange and a stomach-dropping thrill ride

    Clifford Pugh
    Dec 18, 2016 | 10:00 am

    "Houston Pride" is the theme for Super Bowl LIVE, a 10-day Texas-sized event in and around Discovery Green, with top-name performers, a 90-foot tower with a thrill ride that officials hope will be the signature attraction, and a vast array of food representing the city's diverse ethnic cultures.

     

    And admission is free.

     

    The Houston Super Bowl Host Committee announced a musical lineup that focuses on Houston and Texas acts, ranging from the iconic rock band ZZ Top to hipster singer/songwriter Solange Knowles, during the festival that runs from January 27 through February 5, in the run-up to Super Bowl LI.

     

    "We just wanted to have a really nice Texas, kind-of Houston flavor to a lot of our entertainment," Houston Super Bowl Host Committee CEO Sally Sargent tells CultureMap. "It's one thing to come to the Super Bowl and see all the A-listers and there will be plenty of that in a lot of the venues. But for our feeling of Super Bowl Live, we really wanted to celebrate everything Texas."

     

    ZZ Top's Dusty Hill, Billy Gibbons, and Frank Beard will headline a concert on February 4, the day before the Super Bowl, on the main stage at Discovery Green. Other performers will include the hot local soul band, The Suffers, and Gary Clark Jr., who became the first artist to receive Grammy nominations in both the rock and R&B categories for the same album in the same year.

     

    Gospel and soul singer Leon Bridges, musician Shakey Graves, and singer/songwriter/guitarist Robert Ellis are headliners at the same location on February 3. Bridges is a Fort Worth native, while Ellis hails from Lake Jackson and Graves is an Austinite.

     

    Solange Knowles, jazz pianist Robert Glasper, and hip hop artist Lizzo — all performers with strong Houston ties — will perform on the main stage on February 2. Such Houston-based acts as The Tontons, Wild Moccasins, Los Skarnales, Nick Gaitan, Fat Tony and Buxton will also perform throughout the festival.

     

    Officials are also touting Future Flight as the festival's "wow factor" attraction. The ride, which last 2 minutes and 10 seconds, offers a virtual reality experience with a 90-foot drop tower that takes passengers to Mars, via footage from the planet, and back to Earth, landing on the 50-yard line as Super Bowl LI kicks off. It was created in conjunction with NASA and several leading aerospace companies.

     

    The Houston Live exhibition, on a full-block city parking lot near Discovery Green, will focus on the city's history, diversity, and forward-looking attitude. A large number of Houston food trucks will be also be scattered around the area, offering food and beverages for sale. More than 1 million fans are expected to attend the festival.

     

    The NFL Experience at the nearby George R. Brown Convention Center is also expected to be a prime attraction, as it is at all Super Bowls. It will feature interactive games, youth football clinics, NFL merchandise for sale, player autograph sessions and more. Fans can test their football skills, view live game action using virtual reality technology, and get a photo with the Vince Lombardi Trophy, which is awarded to the Super Bowl winner each year.

     

    Tickets for the NFL Experience, which will be open January 28, January 29 and February 1 - 5, are $35 for adults and $25 for children 12 and under. An NFLXtra Fast Pass can be purchased for $55. Tickets are available on Ticketmaster.com.

    ZZ Top will rock on at Super Bowl LIVE February 4.

    News_ZZ Top_Billy Gibbons
      
    Guitar Aficiando
    ZZ Top will rock on at Super Bowl LIVE February 4.
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    Movie review

    New movie Eddington confronts the chaos of early pandemic life

    Alex Bentley
    Jul 18, 2025 | 3:30 pm
    Joaquin Phoenix and Pedro Pascal in Eddington
    Photo courtesy of A24
    Joaquin Phoenix and Pedro Pascal in Eddington.

    The coronavirus pandemic had a profound impact on the entire world, one that has been shown in various ways by movies and TV shows. However, even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people.

    Filmmaker provocateur Ari Aster does just that in Eddington, set in a fictional small town in New Mexico in early 2020 that proves to be a microcosm of the debates taking place worldwide at that time. Sheriff Joe Cross (Joaquin Phoenix) is not a fan of mask mandates or other restrictions imposed by the government, while mayor Ted Garcia (Pedro Pascal) tries to lead by example in an effort to keep his community safe.

    The men butt heads not just on how to deal with the pandemic, but also over a personal history involving Joe’s wife, Louise (Emma Stone). When news of the murder of George Floyd in Minnesota makes its way to town, it starts a slow simmer among the town’s youth population, putting even more stress on Joe and his small department. Conspiracy theories, white guilt, partisan politics, cults, and more combine to make the community into a powder keg that threatens to explode at the slightest provocation.

    Aster (Midsommar, Beau is Afraid) takes aim at all sides in a film that’s part satire and part thriller. No matter how each viewer reacted to the pandemic, the film offers at least a character or two that will come close to representing their viewpoint. Although opinions may differ, it seems clear that Aster is not portraying one side as “right” or more righteous than the other. What he is doing is demonstrating just how much was happening in a short period of time, and how those things could negatively affect anyone.

    On the flip side, the film also challenges viewers with viewpoints that may not match their own, which can make for an uncomfortable experience at times. The reactions various characters have to certain events range from rational to wholly unexpected, and Aster seems to delight in keeping the audience on their toes the entire time. This is especially true when violence rears its ugly head, resulting in some intense and upsetting scenes.

    Not everything in the film lands, though. A subplot involving Louise and Vernon (Austin Butler), a cult leader who preys on her fears, feels tacked on, with no relation to the film as a whole. In fact, the character of Louise is a misfire in general, one whose purpose makes little sense. Aster also lets (asks?) some actors speak in almost inaudible tones at various points in the film, a frustrating experience in a film as dialogue-heavy as this one.

    Phoenix loves to dig into off-kilter characters, and this one ranks high on that scale. Even if you don’t enjoy what his character does, it’s hard to fault the performance that brings him to life. Most of Pascal’s scenes are with Phoenix, and while he matches Phoenix’s energy, the lower key nature of his character leaves him overshadowed. The nature of the film means few others make an impact, although Deidre O’Connell as Joe’s passive-aggressive mother-in-law and William Belleau as Officer Jiminiz Butterfly stand out in their scenes.

    Few of us would volunteer to go back to the baffling days of early 2020, but Eddington does a great job of examining what was happening at the time and how events united some and divided others. It’s not a feel-good film, but it is one that will make viewers re-examine their reactions at the time and how those influenced the current reality.

    ---

    Eddington is now playing in theaters.

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    news/entertainment

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