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3 stage future

Hobby Center raises the curtain on $45 million renovation project

Tarra Gaines
Nov 2, 2026 | 8:00 pm

The Hobby Center has brought Houston two decades of world class musical theater and plays as part of its Broadway at the Hobby Center series, as well being the home for Theatre Under the Stars and giving a stage and spotlight to some of Houston’s stellar music, dance, and theater organizations. As the organization moves into its next stage, the Hobby Center will more fully embrace its name and identity as a center to present even more diverse and dynamic local, national, and international performing art. To do so, it's raising the curtain on an epic $45 million plan to renovate the building and add a third permanent performance space.

Plans calls for transforming the underutilized event area between the expansive Sarofim Hall and midsized Zilkha Hall — currently home to the Live at the Founder Club series — into a intimate club-like theater with seating for 160 people. Once complete, the realized concept will combine club-style seating, a full bar, and elevated dining and service throughout performances.

The new theater will include balcony seating, with both levels wrapping around the stage on three sides. The downtown Houston skyline will make for the perfect backdrop for a range of performance genres and artists.

“The space capitalizes on that kind of iconic downtown view with the stage set against the windows. It’s a space that is intended to create a really distinctive sense of place and connection to the city.” Hobby Center president and CEO Mark Folkes tells CultureMap. “This is an opportunity to really expand the identity and understanding of what a performing arts center is to the city.

In the past several years, the Hobby Center has embraced its role as a presenter by founding the Beyond Broadway Series, which brings in stage and screen megastars for one or two night only performances, and the Live at the Founders Club season of intimate jazz, Broadway songbook, and world music performances. And it is this last series, now in its fourth year, that became the spark and inspiration for creating a new stage.

“Through the first 20 years of our organization's life, I would say we primarily thought about ourselves as a building, a venue, which is true of most Houstonians,” Folkes says. Rising from Buffalo Bayou to take its place amid the Houston skyline, the building has become a familiar and treasured Houston landmark. But beyond the walls and spaces, Folkes also thinks of the Hobby Center as a prime connector between artists and audiences. Folkes explains they’ve been “playing in new spaces,” and Live at the Founders Club is one such inspired romp. Now, it will become the Hobby’s permanent third space.

“It’'ll shift from being an event space as it is today, where we set up temporarily when we're doing this programming, to being a year-round venue that's open and presenting a diverse range of artists in this supper club hospitality environment,” Folkes says.

Folkes thinks of the new space as one of limitless possibilities for performance programming. Once the space is complete, the programming will also ramp up from around 30 Founders Club performances per season to 150.

“There are so many opportunities for engaging Houston-based artists as well as touring artists nationally and globally for this room specifically,” says Folkes, noting that the organization has more flexibility for programming artists for an intimate theater space. Many artists love being in such a space for the connection they form with the audience.

For those who know Houston as a center for world class culinary arts, Folkes adds that the new theater will also include a designated kitchen and plans are in the works to make this an elevated dining, as well as performance, experience.

Folkes says that one question many performing arts organizations have been thinking on is how to “create a more dynamic and vibrant Theater District that includes lots of different types of audience experiences." He believes this new space will be one answer to that quest.

Other changes

Beyond this third performance venue, audiences will notice lots of other changes throughout the Hobby Center campus. In May, Ken and Mady Kades made a $5 million gift as a significant element of the Hobby Center’s grand future that will include the Kades Club, a hospitality lounge that will become the ultimate place to see and be seen in the Theater District. But the next few years will also bring major transformations to the Grand Lobby, the Zilkha Hall Lobby, and the Hobby box office. Audiences can also expect enhanced food and beverage offerings, and refined pre-show and intermission gathering spaces.

Stage rendering of the new Hobby Center performance space

Rendering Courtesy of The Hobby Center for the Performing Arts

The new Hobby Center performance space will offer an elevated audience experience close to the artists.

Behind the scenes, the organization just completed renovations of its administrative offices. In addition, technology and fittings in Sarofim Hall have been upgraded for the first time in more than 20 years, with additional improvements in Zilkha Hall.

Construction will begin in the summer of 2027, with an opening date for the as-yet-unnamed new performance space slated for fall 2028. Folkes assures Houstonians that the shows will go on throughout construction with no pause in performances in Sarofim and Zilkha Halls. Founder’s Club performances will continue while the renovations proceed, although in a different location.

The campus transformation is led by Gensler as architect and interior designer, Charcoalblue as theater consultant, and Forney Construction as construction manager and general contractor. A New Stage, the capital campaign to support such visions has already raised $31 million to date, including three lead $5 million gifts from the Hamill Foundation, the Ken and Mady Kades Foundation, and the Sarofim Foundation.

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Small-Town Gossip

Houston Grand Opera trades Appalachian heartbreak for black-tie revelry

Joel Luks
Oct 28, 2026 | 11:45 am
Houston Grand Opera opening 2026
Photo by Michelle Watson
James Gaffigan, Astley Blair, and Ping Sun.

Ain’t it a pretty night? Well, that depends on whom you ask.

For the title character in Carlisle Floyd’s Susannah, things go south rather quickly. For the Houston Grand Opera crowd gathered at the Wortham Theater Center on October 23, however, the evening was looking positively peachy.

HGO opened its 72nd season with the American classic, celebrating Floyd’s centennial and the nation’s 250th birthday. And what better way to salute Americana than with a little Appalachian intrigue, religious fervor, and small-town gossip?

The drama began before anyone sang a note. A passionate overture accompanied by sweeping projections offered a tantalizing preview of the story’s twists and turns. Spoiler alert: Susannah wasn’t headed for a fairy-tale ending. But the evening certainly had its leading man. James Gaffigan made his first appearance as HGO’s music director designate, taking the podium for a production reimagined by soprano-turned-director Patricia Racette.

Houston Grand Opera opening 2026

Photo by Michelle Watson

James Gaffigan, Astley Blair, and Ping Sun.

Soprano Sylvia D’Eramo made her role debut as Susannah, with baritone Rod Gilfry portraying the Reverend Olin Blitch. Tenors Bille Bruley and Aaron Blake rounded out the principal cast as Sam and Little Bat. And the audience delivered a standing ovation. Because heartbreak sounds better with a full orchestra.

Chairs Sylvia Barnes and Jim Trimble, longtime HGO supporters, welcomed guests to Ray C. Fish Plaza, where The Events Company had conjured an Appalachian autumn, complete with sunset hues, lush greenery, and the illusion of a stream. Anyone fancy a dip? Considering how things turned out for Susannah after her ill-fated bathing excursion, perhaps not. You never know who might be watching. Better to plunge a fork into the flourless chocolate torte.

And while Susannah might have had opinions about mail-order catalogs (if you know, you know), the Houston crowd was having none of that. The dress code was decidedly black tie.

During dinner, board chair Astley Blair celebrated HGO’s recent Grammy win, while CEO Khori Dastoor reflected on the company’s artistic ambitions. Gaffigan introduced the cast, who received yet another standing O.

Perhaps Susannah would have fared better had she set her sights beyond Nashville, Asheville, and Knoxville. Houston, after all, knows a thing or two about tall buildings, fancy clothes, and pretty nights. The festivities drew 370 guests and raised $640,000 to support HGO’s mission of bringing opera to Houston’s diverse communities.

Making a scene were Claire Liu and Joe Greenberg, Patrick Summers, Margaret Alkek Williams, Renu and Suresh Khator, Dian and Harlan Stai, Farida Abjani, François Badoual, Jennifer Bielstein, Jack Bell, Katy and Logan Boatman, Norma and Beto Cardenas, Janet Clark, Louise Chapman, Ambassador Breno Costa, Molly and Jim Crownover, Isabel and Danny David, Mindy and Josh Davidson, Debra Dunn, Mahshid and Rod Foroozan, Sarah and Doug Foshee, Lily and Charles Foster, Mary Foster and Don DeSimone, Marianne and Joe Geagea, Christel and François Good, Janet Gurwitch and Ron Franklin, Celina Hellmund, Gary Hollingsworth and Ken Hyde, Elizabeth and Richard Husseini, Michelle and Doug Huth, Teresa and José Ivo, Sarah and Bryant Lee, Tomikia LeGrande, Kristen and Matthew Loden, Cynthia and Tony Petrello, Irina and Andrey Polunin, Ambassador David Satterfield, Ping Sun and David Leebron, Apurva Thekdi, Ellen and Bob Vladem, and Geraldina and Scott Wise.

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