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    see these shows

    10 engaging new productions taking the stage in Houston this month

    Tarra Gaines
    Feb 3, 2025 | 4:30 pm

    Twenty-eight days might not be enough to see all the high-flying theater and stage shows Houston has to offer this month. From a mysterious cube to killer comedy and sci-fi world premieres to Irish dancing and award winning dramas, we’ve got plenty of performing arts for every taste.

    The Foreigner at A.D. Players (now through February 23)
    If you’ve made a resolution to laugh more, try this award-winning classic '80s farce. Through a set of outrageous circumstances, a shy British man named Charlie must pretend to be an “exotic” foreigner who doesn’t know English while visiting a rural Georgia vacation lodge. As Charlie tries to get some much needed rest amid a lodge-full of colorful characters, the misunderstandings and mistaken identities pile up. Lies and secrets are revealed to this innocent foreigner. An explosive comic ending might just lead to a new life for all the underdogs in this charming story. Timing is everything when it comes to fast-paced farce, so we’re looking forward to seeing these Houston favs and experienced comic players in action, including Kevin Dean, David Gow, John Johnston, Susan Koozin, Alyssa Marek, Jeff McMorrough, and Gabriel Mullen.

    Cirque du Soleil: Echo at Sam Houston Race Park (February 6-March 23)
    It’s been two years since we’ve seen Cirque’s swirly blue and white big top in Houston, so we can’t wait for this latest show, their 20th Big Top creation. The thrills get squared as Echo features a giant cube for visual arts projections and as a towering setting for aerial feats. Cirque productions always hold a narrative to frame all the astounding acrobatics and gravity defying artistry, and this show will be no different. Echo chronicles the wandering Future and her best friend Ewai, the dog, as they stumble upon an enigmatic Cube. They quickly learn how actions have the power to shape their world. Echo’s concept creators say the show’s themes will explore the symbiotic connection between humans and the natural world and how human choices can ripple out to the animals and planet we treasure so much.

    Miss LaRaj’s House of Dystopian Futures from Catastrophic Theatre (February 7-March 1)
    The first of this month's two world premiere shows from local theater artists/playwrights comes from Candice D’Meza, who has also gained accolades for her film and multidisciplinary work. When D’Meza collaborates with the Catastrophic artists, we know we can expect a wild ride into their collective imaginations. For this production, a post-apocalyptic riff on Mister Rogers’ Neighborhood, Fred’s long since gone and Nature itself is now the main character. Enter Miss LaRaj — the wise and wisecracking MUTHA of the New World Order. Talking trees, judgmental rocks, and all natural forces sing and move, attempting to guide humankind back to true symbiosis and perhaps a more hopeful future.

    The Wanderers from Mildred’s Umbrella (February 8-23)
    The company that specializes in bringing women’s authentic stories to the stage begins a new collaboration with the Evelyn Rubenstein Jewish Community Center to bring this award-winning comedy to audiences. The story revolves around two contrasting marriages. Esther and Schmuli are Orthodox Jews navigating strictly defined rules and roles, while Sophie and Abe are secular and free to make their own choices. Yet, both couples are growing apart as they strive to balance their individual identities with the families they’ve created. As Esther tests the boundaries of her personal freedom, Abe falls into a correspondence with a movie star that will shake the foundations of his marriage and career. Mildred’s founder, Jennifer Decker, directs.

    Seven Assassins Walk into a Bar at Main Street Theater (February 8-March 2)
    Houston actor and director Dain Geist takes on the role of playwright for this world premiere dark comedy. In his own words, the play is about “a group of hitmen (and women) who gather to commiserate the passing of a colleague. As they swap stories and share complaints, each character brings with them their own moral compass and their own reasons for pursuing such a bloody profession.” We’re anticipating some killer dramatic and comic twists and turns, but Geist hopes his play, which he’ll also direct, will leave audiences thinking.

    Seared at Alley Theatre (February 7-March 2)
    Houston foodies should definitely make a reservation for this one, as the Alley gets spicy with this timely comedy from one of the company’s BBF playwrights, Theresa Rebeck. Set in an up-and-coming restaurant, the two owners clash over dueling culinary and business philosophies. The action and kitchen heat up as one brings in an outside consultant to shakeup – and perhaps dice, skewer and grill – their restaurant world. The show will break theatrical olfactory traditions when the actors cook up real dishes in the smaller and versatile Neuhaus theater space. Director and Alley associate artistic director, Brandon Weinbrenner, wants his onstage kitchen to be so authentic that he’s bringing in renowned Houston chef Justin Yu (Theodore Rex, Squable, Better Luck Tomorrow) to consult and teach the cast and creative team the inner workings of a fast-paced, high-end restaurant.

    Topdog / Underdog from 4th Wall Theatre (February 14-March 8)
    Considered one of the most ground-breaking plays of the early 21st century, Suzan-Lori Parks’s drama about the emotional relationship between two African American brothers named Lincoln and Booth has swept up almost all existing American theater awards, including a Tony and Pulitzer. Thanks to 4th Wall’s intimate theater space, all their performances are up close. We’re anticipating an electric night of theater with this production, especially with Aaron Brown, head of the Musical Theatre Department at Texas State University, directing and two of Houston’s most powerful local actors, Timothy Eric and Brandon Morgan, playing Lincoln and Booth.

    Blackbird from Dirt Dogs Theatre (February 21-March 8)
    Perhaps one of the most emotionally devastating shows on our list this month, this Tony-nominated play shook audiences when it was on Broadway several years ago. Middle-aged Ray has a new identity and is trying to put the past behind him. Una, 27, thinks only of the past. When Una arrives at Ray's new office unannounced, guilt, rage, and raw emotions run high as they reexamine the relationship they had 15 years ago. Never able to reconcile the brutal truth of this abusive attachment, Una is looking for answers and the consequences are shattering. When one confuses abuse for love, it can disrupt their entire being.

    The Glass Menagerie at Alley Theatre (February 21-March 16)
    Alley artistic director Rob Melrose gives us his vision for this true American classic by Tennessee Williams. Amanda, a faded Southern belle, yearns for a better life for her children. However, her daughter Laura would rather spend time alone with her collection of delicate glass animals. Her restless son, Tom, spends evenings away in his attempt to escape the monotony of his current life. Stuck in a bleak present, Amanda dreams mostly of the past, and only a “gentleman caller” for Laura might bring the possibility of change to the family. We hear that Melrose’s direction will explore Menagerie as a memory play along with its themes of escape and human connections.

    In the Night from Houston Ballet (February 27-March 9)
    The company leaps into early spring with this mixed rep showcase of three beloved contemporary dances. HB artistic director Stanton Welch’s fierce Maninyas holds significant company history as it was Welch’s first American commission for the San Francisco Ballet. Seeing its premiere inspired Ben Stevenson, Houston Ballet AD at the time, to invite Welch to create his inaugural piece for the company. Also in the lineup is Jerome Robbins’s magnificent In the Night. The piece is a poignant one-act ballet for three couples, set to four piano nocturnes by composer Frédéric Chopin.

    Another audience favorite in the mix will be Lila York’s Celts. A year before Michael Flatley’s Riverdance brought Irish dance to global stages, Lila York was inspired by her own Irish heritage to create the passionate and vibrant Celts.

    In the Night
    Photo by Jim Caldwell (2004)/courtesy of Houston Ballet

    Houston Ballet presents "In the Night."

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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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