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    Come and Dream

    Avenida Houston's new interactive art installation honors indigenous traditions

    CultureMap Create
    Jun 24, 2025 | 12:00 pm
    Weci | Koninut Avenida Houston

    "Weci | Koninut" is meant to be experienced outdoors and at your own pace.

    Rendering courtesy of Init

    This summer, Houston becomes the gateway to a powerful new cultural experience as Weci | Koninut opens to the public at Avenida Houston beginning June 26.

    Blending Indigenous tradition with cutting-edge interactive technology, this free interactive installation by First Nations artists Julie-Christina Picher and Dave Jenniss transforms the bustling urban plaza into a dreamscape inspired by ancestral memories and the natural rhythms of the Atikamekw people.

    Designed to be experienced outdoors and at one’s own pace, the piece invites visitors to wander through six illuminated dreamcatchers, each representing a season from the Atikamekw’s six-part calendar: Sikon (pre-spring), Miroskamin (spring), Nipin (summer), Takwakin (fall), Pitcipipon (pre-winter), and Pipon (winter).

    Each is activated by motion as people approach, with original music, Indigenous symbols, and environmental soundscapes wrapping participants in a contemplative atmosphere that evokes the forest and ancestral territories.

    The installation is the result of a cross-cultural collaboration between Quebec-based creative firms Creos and Init, and Houston First Corporation, which is responsible for operating many of the city’s premier arts and culture venues. It’s a partnership that emphasizes the global relevance of Native stories and their power to engage people from all walks of life.

    “Bringing Weci | Koninut to Houston underscores our efforts to make the city a global destination for culture and innovation,” says Michael Heckman, president and CEO of Houston First Corporation. “This unique installation offers our community an exciting immersion into the richness of Native traditions and celebrates the importance of art in building bridges between peoples.”

    The title Weci | Koninut roughly translates from Atikamekw to "come and dream," and that invitation is at the core of the experience.

    “This immersive installation embodies an alchemy of visual arts, original music, and spatial design, creating an enveloping universe that transports visitors,” says Virginie Simon, production director at Init. “It’s a celebration of Indigenous identity, storytelling, and collective memory.”

    Dave Jenniss, Julie-Christina Picher, Virginie Simon Weci | Koninut Artists Dave Jenniss and Julie-Christina Picher with Init's Virginie Simon during the making of "Weci | Koninut."Photo courtesy of Init

    Beyond its ethereal beauty, Weci | Koninut is also a deeply meaningful statement about cultural survival and environmental awareness. It asks visitors to consider how we relate to the world around us, and how those relationships are shaped by history, tradition, and shared experience.

    For the artists and their collaborators, it’s not just about showcasing Native art but also about reclaiming space, voice, and presence in public life.

    “Making Weci | Koninut accessible and visible beyond our borders is a great source of pride for Creos,” says Alexandre Lemieux, director of business development and co-founder of Creos. “This unifying work epitomizes our commitment to creating meaningful public art that fosters contemplation, dialogue, and intercultural connection.”

    On display in Houston through September 1, Weci | Koninut will then return to Quebec for a tour through Canadian cities. But for now, Houston audiences will be the first to encounter this convergence of ancient wisdom and contemporary creativity, made tangible under the open sky.

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    MFAH expands

    Houston museum acquires historic Masonic lodge property for new greenspace

    Eric Sandler
    Dec 23, 2025 | 2:16 pm
    Holland Lodge masonic building
    Holland Lodge No. 1, A.F. & A.M./Facebook
    The building at 4911 will be torn down for the new greenspace.

    The Museum of Fine Arts, Houston has acquired a prime parcel to expand its campus in the Museum District. On Tuesday, December 23, the museum announced it has purchased a two-acre parcel of land at 4911 Montrose Blvd that will bring its total footprint to 16 acres.

    Located just north of the Glassel School of Art, the property will be developed as a greenspace that will serve as a community lawn as well as be utilized for future museum events and parking. MFAH has retained landscape architects Nelson Byrd Woltz — the firm responsible for work at Memorial Park and the recently-opened Ismaili Center — to create the design for the new greenspace.

    Museum of Fine Arts, Houston greenspace rendering A rendering offers a bird's-eye preview of the new greenspace.Image by by Cong Nie/Courtesy of Museum of Fine Arts, Houston

    At this time, the museum does not have plans to build anything on the property, according to a press release.

    To make way for the greenspace, the property’s existing building, Holland Lodge No. 1, will be torn down. Built in 1954 as a home for the oldest Masonic lodge chapter in Texas, the building features a sandstone mural facade. It has been for sale since at least 2005, according to a report in the Houston Chronicle.

    Demolition on the site is expected to begin in spring 2026 with the greenspace opening in approximately two years, according to press materials. In addition to the Glassell School, the museum’s campus includes the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Lillie and Hugh Roy Cullen Sculpture Garden, and the Nancy and Rich Kinder Building.

    “We are delighted to contribute to Houston’s greenspace access with this new initiative, which will expand the museum’s 14-acre campus to a thoroughly walkable 16 acres,” Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, said in a statement. “While the primary objective for the purchase of this property is to secure land for any potential future expansion of the museum, our priority now is to create a welcoming community lawn. Thoughtfully designed by Nelson Byrd Woltz, one of the leading firms in sustainable landscape practice, the site will serve as public greenspace and provide additional parking for museum visitors.”

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