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    Come and Dream

    Avenida Houston's new interactive art installation honors indigenous traditions

    CultureMap Create
    Jun 24, 2025 | 12:00 pm
    Weci | Koninut Avenida Houston

    "Weci | Koninut" is meant to be experienced outdoors and at your own pace.

    Rendering courtesy of Init

    This summer, Houston becomes the gateway to a powerful new cultural experience as Weci | Koninut opens to the public at Avenida Houston beginning June 26.

    Blending Indigenous tradition with cutting-edge interactive technology, this free interactive installation by First Nations artists Julie-Christina Picher and Dave Jenniss transforms the bustling urban plaza into a dreamscape inspired by ancestral memories and the natural rhythms of the Atikamekw people.

    Designed to be experienced outdoors and at one’s own pace, the piece invites visitors to wander through six illuminated dreamcatchers, each representing a season from the Atikamekw’s six-part calendar: Sikon (pre-spring), Miroskamin (spring), Nipin (summer), Takwakin (fall), Pitcipipon (pre-winter), and Pipon (winter).

    Each is activated by motion as people approach, with original music, Indigenous symbols, and environmental soundscapes wrapping participants in a contemplative atmosphere that evokes the forest and ancestral territories.

    The installation is the result of a cross-cultural collaboration between Quebec-based creative firms Creos and Init, and Houston First Corporation, which is responsible for operating many of the city’s premier arts and culture venues. It’s a partnership that emphasizes the global relevance of Native stories and their power to engage people from all walks of life.

    “Bringing Weci | Koninut to Houston underscores our efforts to make the city a global destination for culture and innovation,” says Michael Heckman, president and CEO of Houston First Corporation. “This unique installation offers our community an exciting immersion into the richness of Native traditions and celebrates the importance of art in building bridges between peoples.”

    The title Weci | Koninut roughly translates from Atikamekw to "come and dream," and that invitation is at the core of the experience.

    “This immersive installation embodies an alchemy of visual arts, original music, and spatial design, creating an enveloping universe that transports visitors,” says Virginie Simon, production director at Init. “It’s a celebration of Indigenous identity, storytelling, and collective memory.”

    Dave Jenniss, Julie-Christina Picher, Virginie Simon Weci | Koninut Artists Dave Jenniss and Julie-Christina Picher with Init's Virginie Simon during the making of "Weci | Koninut."Photo courtesy of Init

    Beyond its ethereal beauty, Weci | Koninut is also a deeply meaningful statement about cultural survival and environmental awareness. It asks visitors to consider how we relate to the world around us, and how those relationships are shaped by history, tradition, and shared experience.

    For the artists and their collaborators, it’s not just about showcasing Native art but also about reclaiming space, voice, and presence in public life.

    “Making Weci | Koninut accessible and visible beyond our borders is a great source of pride for Creos,” says Alexandre Lemieux, director of business development and co-founder of Creos. “This unifying work epitomizes our commitment to creating meaningful public art that fosters contemplation, dialogue, and intercultural connection.”

    On display in Houston through September 1, Weci | Koninut will then return to Quebec for a tour through Canadian cities. But for now, Houston audiences will be the first to encounter this convergence of ancient wisdom and contemporary creativity, made tangible under the open sky.

    avenida houstonweciart installationindigenous arthouston firstcreosinitnative american artweci koninutatikamekwpromoted
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    Houston arts organization spins up a new record label for creative works

    Jef Rouner
    Jan 27, 2026 | 2:30 pm
    Two CD copies of Tyshawn Sorey's Monochromatic Light (Afterlife)
    Photo courtesy of DACAMERA Editions
    DACAMERA's unique musical contribution to Houston now comes in LP form.

    For more than three decades, Houston arts and music non-profit DaCamera has brought innovative and unique jazz and chamber music performances to the city. Now, they are launching their own record label called DaCamera Editions, starting with TyShawn Sorey's Monochromatic Light (Afterlife) releasing on January 30.

    Since 1987, DaCamera has been a nationally-celebrated curator, commissioner, and presenter of modern works that often fly under the mainstream radar. With the establishment of an in-house record label, the music they are known for becomes more widely available to audiences.

    "Following the thrilling experience of commissioning, performing, and recording Monochromatic Light (Afterlife), we saw an opportunity to launch our own label," DaCamera artistic director Sarah Rothenberg said in a statement. "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live, all under the DaCamera umbrella."

    Monochromatic Light (Afterlife) is the perfect album to herald a new Houston record label. The meditative piece was a joint commission from DaCamera and the Rothko Chapel to celebrate the 50th Anniversary of the renowned Houston landmark. Featuring soloists Davóne Tines (bass-baritone), Kim Kashkashian (viola), Sarah Rothenberg (piano/celesta), Steven Schick (percussion), and the Houston Chamber Choir, the 75-minute work was a critical hit when it premiered in 2022. It built on a previous work, Morton Feldman's Rothko Chapel, which debuted at the site in 1972. Sorey composed a bass-baritone part for Tines and expanded the keyboard role by adding piano. As part of the performance, Tines sings lines from the spiritual "I Feel Like a Motherless Child."

    Both The New York Times and The New Yorker named the premiere of Monochromatic Light (Afterlife) as a top 10 classical performance of 2022. It was also a Finalist for the 2023 Pulitzer Prize in Music.

    The album will be released on both CD and digital formats. Pre-orders are available at DaCameraEditions.com.

    Future planned releases include Rothenberg's In Darkness and Light (May 2026), a piano album inspired by the anxiety of COVID and featuring Vijay Iyer’s eloquent personal memorial "For My Father;" and Tyshawn Sorey’s solo piano work For Julius Eastman, a tribute to the minimalist composer and activist whose work has undergone a 21st Century renaissance since his death in relative obscurity in 1990.

    "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live,” Rothenberg said.

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