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    Houston Theater Moves

    After two years of dramatic changes and venue switches, Houston theater is still on the move

    Tarra Gaines
    Sep 8, 2016 | 12:30 pm

    Great theater can entertain, but it can also provoke us into pondering the profound questions of life and reality. Only in always dynamic and transforming Houston does our thoughtful, reflective theater spawn this existential query: Hey, where the hell did the stage go? I’m sure it was in this spot last year.

    Like the Bayou City that brings it to life, Houston theater is always evolving, but in the past two years we’ve seen an unprecedented wave of new buildings, renovations and changes in venues and names. I see a lot of theater every year, but, as the 2016-2017 theatrical season begins, even I’m confused.

    So perhaps it might be a good time to recount all the changes, if only so we don’t end up at the wrong building the next time we head out to see a new drama, comedy or musical.

    Reveling in Renovations and New Spaces

    2015-2016 was the season the local theater community showed what new stages and multimillion dollar renovations can do for a production as Queensbury settled into its new facilities, the MATCH opened its doors and the Alley Theatre and Main Street Theater moved back into their renovated spaces.

    Since the tear down and build up, the Alley has expanded its programming while creating a more intimate experience for the audience at the Hubbard Theatre. Main Street’s new stage gives the actors more room to roam along with state-of-the-art technical abilities.

    Meanwhile, the MATCH has enticed some beloved theater companies to either settle down for good or to move out of their old space to a spiffy new one. Theater LaB and Catastrophic Theatre now call the MATCH home, with all the upgrades that entails. While Main Street is enjoying its improved digs in the Rice Village, the company moved its immensely popular Theater for Youth performances to the MATCH.

    The MATCH also became a space boon for smaller and new companies like Dirt Dog Theatre and Next Iteration, which might only have one or two plays or projects (like play readings or an evening of shorts) scheduled for a season. Actors and playwrights with a dream but no company affiliation can also stage a one-and-done production.

    Obsidian Theater, while not that new, has also given smaller companies a place to play while also producing its own shows. The Landing Theatre Company used to perform out of Obsidian and Standing Room Only Productions, which has presented some of edgy-fun musicals each season continues to make its home there.

    The new (two-month-old) kid on the block is the Rec Room, a performance venue that just opened right across from Minute Maid Park. Rec already has produced original and rather wondrously strange programming like the Dead Rock Star Sing-a-Long Club. The space will also become permanent or temporary home for other companies and performing organizations. BETA Theater runs its improv classes out of Rec Room and Horse Head Theatre — so untethered from traditional theater spaces it’s part of their mission statement — will produce its next project The Judgment of Fools at Rec in October.

    And still the theater construction isn’t complete. Just in time for its 50th anniversary, the A.D. Players is building a new $18 million venue at 5420 Westheimer Road. The company will stage its last two productions, Smoke on the Mountain and the holiday O Little Town of Bagels, Teacakes and Hamburger Buns in the Grace Theater, its home for 37 years, before moving into the 450-seat, Jeannette and L.M. George Theater in 2017.

    Playing a Game of Theatrical Musical Chairs

    If these new buildings and renovations have brought change to specific companies, they’ve also sent ripples throughout the rest of the Houston theater community pool. The MATCH in particular seems to have caused a big splash of venue exchanges.

    One of the first space hoppers was Classical Theatre Company which two years ago slipped into the Chelsea Market theater space, originally home to Main Street’s Youth productions.

    Last year, the Landing Theatre took over Catastrophic’s old space at the Docks, and settling into a home of its own seems to be giving it a new lease to expand its season and embrace new projects like their recently announced 12 new short plays Redemption Series this month.

    Not even MATCH is safe from these venue trade-ins. The year-old Lott Entertainment Presents bought to Houston some of the most innovative performing artists for special, limited engagements. They're also the first presenters in the U.S to attempt to create the Joe’s Pub experience outside of New York. Lott debuted its first season at the MATCH, giving the Box 3 the feel of a night club, but now it too is going a roaming. Lott moves to the Neuhaus Stage at the Alley Theatre (while remaining a separate entity from the Alley) and is bringing Mx. Justin Vivian Bond, of Kiki and Herb fame, with them to open their season in October.

    And Who Are You, Again?

    To more thoroughly bewilder matters, some companies decided 2016 was a very good year to change their moniker even if they stayed in the same space.

    While Stark Naked Theatre’s name was always metaphorical when it came to its acting, after too many NSFW Google search results, founders Philip Lehl and Kim Tobin-Lehl rechristened Stark as 4th Wall Theatre Company.

    At the Hobby Center, one of the big changes Sheldon Epps brought to Theatre Under the Stars was the decision that TUTS Underground wasn’t a very good name for its Zilkha Hall series. Underground first debuted in 2013 with the tagline: No Revivals. No Dead Authors, and while the series itself isn’t dead, the name is. TUTS announced The Rocky Horror Picture Show as its first production in Zilkha, but with no new name for the series, I’m going with The Series Formally Known as TUTS Underground, until they come up with one.

    Another big renaming of 2016 was the mostly off-Broadway musical focused Bayou City Theatrics which took on the name of its space, Kaleidoscope Theatre, around the same time that they announced that Bruce Lumpkin, former TUTS artistic director, would be joining the creative team. Unfortunately, that stage they made their own on Main Street seems to recently put up for rent. No word yet on whether Kaleidoscope will also soon be space hopping.

    A Little Needed Continuity

    With all the renovations, relocations and rebranding, a few theater companies are thankfully staying put for the immediate future, or at least the 2016-2017 season. So special kudos to Stages, Ensemble, Mildred’s Umbrella, Broadway at Hobby and Theatre Southwest for remaining (always musically, dramatically or comically as the play maybe) in their fine theaters with their well known names.

    We love you guys, so please no major transformations for at least a year.

    Surprise! The renovated Hubbard Stage at the Alley Theatre allows for comically timed entrances and exits.

    Alley Theatre: Around the World in 80 Days
    Photo by John Everett
    Surprise! The renovated Hubbard Stage at the Alley Theatre allows for comically timed entrances and exits.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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