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    Immersive Art in the Heights

    New art venue lights up the Heights with immersive technology

    Tarra Gaines
    Jun 26, 2024 | 10:30 am

    When art and technology meet, they’ll find a dazzling new find a home at Artechouse, the 26,000-square-foot exhibition space that just landed in Houston. The name gives many clues to the concept that's both a production studio that brings art and technology together to create digital experimental exhibitions and a high tech venue to show these groundbreaking artworks that simply can’t be hung on a traditional gallery wall.

    During a preview of the space, co-founder and chief creative officer Sandro Kereselidze tell CultureMap he believes one of the latest and perhaps greatest tools for the 21st century artist is technology. While this Houston Artechouse isn’t the first of its kind — it joins the Washington D.C, New York City and Miami venues — it is the biggest, according to Kereselidze and can support multiple exhibitions at the same time.

    For their inaugural presentation, Artechouse unveils three distinct exhibitions into one show they're calling "Time and Space," as each one explores in its own unique way one of the most integral inspirations of artists throughout time, light.

    Kereselidze explains that when we view the exhibitions together, they do tell a story.

    “The story is of our relationship with light. Sometimes we don’t appreciate the light, but without light, life doesn’t exist. We would not be able to survive,” he says.

    Intangible Forms by Shohei Fujimoto

    Photo by Tarra Gaines

    "Intangible Forms" by Shohei Fujimoto is one of the inaugural exhibitions at Artechouse Houston.

    And while in the past artists took up paintbrushes to try to capture light, contemporary artists can use images of galactic nurseries nurturing new born stars or even a programmed array of lasers to explore the many dimensions of light.

    “It’s exciting when we’re using the latest technology to tell that story,” Kereselidze says.

    Once entering the exhibition space, the first immersive art piece visitors will encounter is “Eternal Life.” Designed by Artechouse Studio, the installation was originally commissioned by the Nobel Prize Museum in Stockholm and makes its U.S debut in Houston. Inspired by T.S. Eliot’s Four Quartets and touching on Nobel Prize winning discoveries from gene-editing technology to the physics of cosmic orbits, the audio-visual work screened on a large, circular, overhead canvas draws viewers into an abstract realm that feels like it holds the patterns of creation.

    The second and largest of the exhibitions is “Beyond the Light,” another Artechouse Studio creation that was made in collaboration with NASA. Here, the designers and artists translate real NASA data and technology into multimedia exhibits and installations. For example, 20 years of data on global chlorophyll concentration (a.k.a the stuff of plant photosynthesis) becomes OLED screens of swirling leaf-like patterns. Nearby in the same gallery, a dynamic hanging LED light sculpture represents the balance between light and gravity in the cosmos.

    The centerpiece of “Beyond the Light" is an immersive cinematic room of the same name that takes travelers on a journey through space-time, beginning with the latest images from the James Webb Space and Hubble Space Telescopes and diving into the vastness of human imagination.

    The third exhibition, “Intangible Forms” is a survey of work from award-winning Japanese multimedia artist Shohei Fujimoto. Using choreographed lasers, strobes and moving lights, Fujimoto seems to have discovered ways to sculpt light itself into tangible shapes and objects. Fujimoto’s artworks play with our understanding of solid matter, light, the real and illusionary.

    Kereselidze describes“Intangible Forms” as a kind of performance of lasers. “It’s a beautiful experience of seeing how an artist uses light to create these types of forms. The intangible becomes tangible in a sense.”

    While all three exhibitions use the latest tools in sensory and especially visually technology to create kinetic art pieces and sometimes even installations filled with wild motion, they also paradoxically invite viewers to slow down and contemplate. The floor of the “Eternal Life” space is littered with comfortable beanbag chairs to hold the body as the video takes the mind on a journey. Visitors are also encouraged to sit on the floor or on a viewing platform to watch the 26 minutes immersive “Beyond the Light” cinematic piece. And the large room housing Fujimoto’s monumental laser installation “Intangible #Array,” provides long benches for us to sit and experience the work almost as a meditation on light and darkness.

    While Kereselidze wasn’t prepared to give a timeframe on how long the three exhibitions will be in place, he explains that Artechouse Houston will host many shows in this new Houston home.

    “Artechouse is a space where we dynamically change exhibits all the time,” he asserts and adds that they already have many plans for future shows to bring to Houston.

    “As we speak we’re creating another 12 exhibits that we’re going to bring here. That’s what makes me excited that now we have another home to bring these exhibits to the public. When we create them, it’s sad when it’s not seen. This something like a print or a painting that be hung just on a wall. It has to be put together as a show.”

    And as these shows go on they will continue to take art into a technological future.

    “It’s a new medium. That’s what Artechouse is. We try to inspire the next generation. We try to empower the artists and educate the public.”

    ----

    Artechouse is located in the Heights at 600 W. 6th Street. For tickets and more information, visit the Artechouse website.

    technologyartechousevisual-artthe-heights
    news/arts

    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
    news/arts

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