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    New Cutting-Edge Performances

    Houston hits the arts jackpot as new entertainment company showcases cutting-edge performing artists

    Tarra Gaines
    Nov 19, 2015 | 12:45 pm

    Several hours before Bridget Everett, one of New York’s hottest cabaret stars and an Inside Amy Schumer frequent guest, took the stage at the MATCH, Kathryn Lott and Allison Lott, founders of Lott Entertainment Presents, were supervising the pre-show preparations of Matchbox 3, worrying over a string of light bulbs falling and a logo misprint in the programs. Of course, once showtime arrived and Everett entered singing songs of all-sized titty pride and using her own ample bra-less breasts as weapons of cabaret comedy terror, no one in the audience was paying much attention to the logos in the programs.

    There’s a new performing arts presenting company in town and with Everett as their first show, beautifully bellowing for us all to “Fuck Some Shit Up” as a kind of rallying cry, the Lott partners are making it clear that this is definitely not your grandma’s performing arts series, unless Gammy is really into bizarre and sexual explicate cabaret and off, off Broadway innovated and interactive plays.

    A Houston void?

    I went to talk with Allison and Kathryn as they did their debut show preparations, and soon found their fill-the-void philosophy for bringing acts to Houston was more than a motto.

    “Our goal is to be different and our goal in programming is to bring something that wouldn’t be here otherwise. That’s the first question we ask ourselves when we’re looking at shows,” explained Allison Lott.

    No, they’re not related, but the women became friends while working at Society for the Performing Arts. They later left to start their own consulting and special events firm, but still their performing arts experience kept calling them to do something alongside Lott Entertainment. A trip to New York to see the off Broadway play The Other Mozart and to catch shows at the iconic Joe’s Pub nightclub at the Public Theater made them realize that Houston is missing out on some great performing art.

    “We just couldn’t stop talking about how Houston doesn’t have this sort of thing,” described Allison Lott. After wondering why no one was bringing these kind of cutting-edge acts to Houston, they began to ask: Why not them? And so was born the non-profit offshoot of Lott Entertainment, Lott Entertainment Present.

    They were first determined to bring the one-woman play The Other Mozart, the little known true story of musical prodigy Nannerl Mozart, the sister of Wolfgang Amadeus. But early on they also started talks with some of the people behind the programming of Joe’s Pub.

    Opening their own pub

    Joe’s Pub has brought so many international-know and up and coming singers and performing artists to its intimate stage, while cultivating new acts and helping them to develop their work, that its gained a reputation as THE showcase for new talent. What Joe’s Pub does has never been completely duplicated outside New York, but now Allison and Kathryn are ready to see if it could possibly be loosely franchised with their Joe’s Pub Series. They’ll bring in some of the venue’s staple artists within the Lott Entertainment Presents season.

    “We started the conversation with Joe’s Pub thinking: No Way. But they actually bit really easily. They were really excited about it, and thought Houston was a great market,” explained Kathryn Lott, and adding “I think it’s going to a huge claim to our company and to our city to have the first Joe’s Pub outside from New York City.”

    The new year will bring the rest of this debut season, starting with The Other Mozart on January 7 and continuing with two more from the Joe's Pub Series with Daniel Koren (Feburary 18-20) and Bridget Barkan (April 7). The Method Gun (May 26-28) rounds out the 2015-2016 lineup. The shows of this first season don’t have any striking themes in common, but Team Lott promises they’ll all be “high quality art.”

    “The thought behind the first season is go really big and bold and show you what the brand is from the very first show, hoping you’ll trust me after that and you’ll have such a good time you’ll take even more risks with me,” said Kathryn Lott of her programming strategy.

    A Texas Method to the Madness

    They’ll end this inaugural season in May not looking to New York for inspiration but to some real Texas grown theater with the Austin based Rude Mechs and their joyous comedy The Method Gun, a work that’s part play, part dance and all weird tribute to acting and the volatile and inspirational student/teacher relationship. (I saw The Method Gun in Austin in 2014 and it was my favorite live performance of that year.) This last production will take place on the larger and more traditional Matchbox 4 stage.

    The Lott not-sisters are pleased with their fit into the MATCH and how easily Matchbox 3 could be turned into a Joe’s Pub-inspired space. Of the MATCH Kathryn Lott finds, “It was new. We were knew. They had this space which was just perfect, and we knew we could turn it into Joe’s Pub.”

    Still, the team is committed to “fluidity” in the future, explained Allison Lott. They want the freedom “to add and not be tied to that traditional model” of a set season like many performing arts organizations. Looking, hopefully, to coming years, they plan to explore putting shows in other venues around town.

    “There are going to be times when you won’t know where we’re going to pop up next. There eventually will be a big element of surprise,” promises Kathryn Lott, the woman who has just brought Houston a brimming eye-full of the faux-leopard-skin panty covered crotch of Bridget Everett. Here’s to seeing what’s next.

    The season resumes in January with The Other Mozart.

    The Other Mozart
    Courtesy Photo
    The season resumes in January with The Other Mozart.
    theatercomedy
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    Best September Art

    12 must-see September art openings at Houston museums and galleries

    Tarra Gaines
    Sep 8, 2026 | 12:45 pm
    Patricia Domínguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galería Patricia Ready.
    Photo courtesy of Moody Center for the Arts
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    The big fall art season arrives this month with mammoth magical creatures, geometric explorations, and extraordinary painted and cinematic landscapes from the heights and depths of the Earth. A “Big Bang” creates anime worlds at the Asia Society, while the Museum of Fine Arts, Houston wears street fashion jewelry, sometimes literally. Then at the end of September, Houston gets ready for an art fair to remember.

    “Radiant Geometries” at Rice Moody Center (now through December 19)
    Art, history, and science intersect and converge in this exhibition of work by contemporary Indigenous and Latin American artists. Working in a diverse set of mediums and media, including paintings, sculptures, textiles, video, and site-specific commissions, these artists draw threads between ancient knowledge and our current understanding of the world. It features renowned national and international artists, including Nanibah Chacon, Melissa Cody, Jordan Ann Craig, Patricia Domínguez, Sara Flores, Natalia Montoya Lecaros, Patrick Martinez, Cisco Merel, Caroline Monnet, and Eamon Ore-Giron, among others.

    “By reconsidering the histories of mathematics, architecture, and science through Indigenous perspectives, the exhibition invites viewers to consider the enduring connections between cosmology, technology, and the living world,” explains Noor Alé, Moody Center associate curator.

    “Going Underground: The Jewels of Bernhard Schobinger” at the Museum of Fine Arts, Houston (now through January 3, 2027)
    Jewelry gets punk in this first U.S. exhibition to examine the career of Swiss avant-garde artist Bernhard Schobinger. “Underground” will showcase 53 pivotal pieces of Schobinger’s experimental jewelry and selected sculptures from 1968 to the present. During that time period, Schobinger redefined ideas of what jewelry can be by using scavenged and alternative materials to reveal their hidden histories. From diving to the bottom of Lake Zürich for fishing lures and wedding rings to picking up metal and asphalt shards on the streets of New York City, Schobinger used material from the world around him to create the most radical of wearable art.

    “His works operate as complex assemblages in which found and precious materials coexist, challenging traditional hierarchies of value and inviting critical reflection on the cultural and physical histories embedded within each object,” explains MFAH curator Cindi Strauss.

    “Fragility" at Menil Drawing Institute (September 10-January 24, 2027)
    The beauty and versatility of paper is the focus of this exhibition featuring an array of artists who found possibility and inspiration from paper’s dynamic nature. The exhibition will highlight work that illustrate paper’s fragility and resilience.

    Look for pieces from mid-20th century artist Lee Krasner, who sometimes destroyed her own drawings on paper to then reconstruct them into abstract collages, and Czech artist Adriena Šimotová, who during the height of Soviet censorship layered tissue paper into sculptures by pressing and smoothing the material against her body. Also on view will be Ann Hamilton’s collaborative piece “poche,”consisting of soft wool stitched between sheets of handmade paper to reflect on the pocket as both storage and protection for the body, and artist Zarina’s compositions created from puncturing paper with needle to represent loss.

    “Lorenzo Pace: Never Forget Life and Art is to Play” at Houston Museum of African American Culture (September 11-December 10)
    This first institutional solo presentation of the multidisciplinary artist, musician, and storyteller will examine Pace’s mixed-media textile work within the broader tradition of Black quilt-making in America. Working with textiles and found materials, Pace extends the language of quilting through cutting, layering, piecing, and assemblage. The title of the exhibition comes from Pace’s creative practice and his role as an artist and musician. Engaging with textiles and found materials, Pace allows objects and fragments to accumulate, shift, and take on new meaning. The exhibition will also showcase quilts made by Pace’s mother, Mary Alice Pace, in order to offer an intergenerational conversation about Black quilt-making, inheritance, and invention.

    “Fantastic Animals from Mexico: Nahuales and Alebrijes” at Discovery Green (September 15-October 11)
    As part of its celebration of Hispanic Heritage Month, Discovery Green welcomes visitors to this monumental installation of eight towering, 20-foot sculptures. Whether a giant coyote, armadillo, catbird, or happy alien, different contemporary Mexican artists created each sculpture that represents powerful animal guardian spirits rooted in Mesoamerican folk literature. The artists drew initial inspiration from the work of Mexico City artist Pedro Linares, who is credited with popularizing the fantastical creatures known as alebrijes. Look for special events and programming in conjunction with the installations this month.

    “Texas Contemporary” at Opera Gallery (September 17-October 8)
    Last spring, the international network of galleries specializing in Modern and Contemporary art, Opera Galley, made a big Texas splash by opening its second U.S space in Houston. Now, perhaps in celebration of putting down Lone Star roots, Opera Galley has organized a new exhibition focused on Texas as one of the most compelling sites of artistic production in the country.

    The show will offer works from eight of the most exciting contemporary artists with Texas connections, including: Rick Lowe, Mark Flood, Preston Douglas Boyer, Bradley Kerl, Virginia L. Montgomery, Lovie Olivia, Eric DePan, and Reynier Leyva Novo. Several of the artists also have significant Houston links. Lowe, of course, is one the founders of and igniting force behind Project Row Houses. Reynier Leyva Novo’s “Dust Paintings” transform collected dust from culturally significant sites, like the Astrodome, into meditations on memory, history, and place.

    “Texas has become one of the most compelling places in the country for artists to develop ambitious, deeply considered practices,” states Kara Przybyl McIver, deputy director of Opera Gallery Houston. “Rather than presenting a singular narrative, this exhibition brings together artists whose work is rooted in place while engaging universal conversations around memory, identity, landscape, architecture, and social change.”

    “Twilight Zone: Hidden Wonders of the Ocean” at Artechouse (September 18 through fall)
    Dive into this latest interactive exhibition at Houston’s home for immersive art. Collaborating with Woods Hole Oceanographic Institution (WHOI), the world’s leading ocean research organization, Artechouse once again blends art, technology, and nature for an exhibition with multiple installations and digital projects, all exploring the Earth’s oceans and especially those hidden “twilight zone” realms, located approximately 650-3300 feet below the ocean’s surface. Though receiving so little sunlight they lie beyond human vision, these zones also teem with life.

    A star(fish) of the exhibition will be a 24 minute filmed descent into these deep water worlds that will be projected within Artechouse's immersive, cinematic space. But also look for interactive installations and exhibits, including “Weird and Wonderful Creatures,” an aquarium-like encounter where guests activate individual twilight zone animals to learn what makes them so remarkable, and “Abundance & Bioluminescence,” where bioluminescent fields of lanternfish drift across the floor and multiply infinitely across the horizon.

    “Yoshitaka Amano: Big Bang” at Asia Society (September 23-February 7, 2027)
    The Asia Society journeys into the art of anime with this survey of art by pioneering animator and painter Yoshitaka Amano. Early in his career, Amano created characters for Speed Racer and later become the principal concept artist for the Final Fantasy video game franchise.

    The exhibition will showcase approximately 40 of Amano’s works in oil paint, ink, and automotive paint, giving insight into his ethereal paintings, illustrations, and character designs. Highlights of “Big Bang” include the over 50 feet long, insomniac fantasy “New York Nights II,” one of Amano's first oil paintings, and the series “Mozart,” works painted onto gold leaf panels that pay homage to the famed composer. The title of the exhibition takes its name from “Big Bang,” a massive painting that emerged from his Final Fantasy XV concept art, a swirling maelstrom of characters, creatures, and worlds.

    “Terry Winters: Vitalized Geometry” at Menil Collection (September 25-April 4, 2027)
    For Houston's second geometry titled exhibition of the month, the Menil Collection will present a show of 44 career-spanning graphic works by Abstract painter, draughtsman, and printmaker Terry Winters. He employs woodcut, silkscreen, lithography, and a variety of other methods to depict and examine mathematical systems and nature’s structures.

    The exhibition is possible because of two important selections of Winters’s work gifted to the Menil. In 2024, photographer Jack Shear and the estate of his late husband, artist Ellsworth Kelly, gifted 51 works by Winters to the museum. Earlier this year, Winters added another gift of seven additional works to the museum, and he has worked closely with curators on this presentation.

    “The artist’s commitment to exploring abstraction and his inventive approach to material makes his work a vital touchstone of contemporary printmaking,” describes Menil curatorial associate, Sophie Asakura.

    "What We Inherit: The Art and Legacy of Big Bend” at Foltz Fine Art (September 26-October 31)
    One of Texas's most majestic landscapes is the focus of this vivid and timely gallery exhibition. Featuring the work of artists inspired by Big Bend, the show also explores human connections with this very special place and what the future may hold for that relationship. “What We Inherit” features paintings, photographs, and works on paper by acclaimed contemporary artists, but the show will also offer a selection of works by earlier artists inspired by Big Bend.

    “Art teaches us to look carefully and to recognize why places matter. Through the work of these artists, we hope visitors will leave with a deeper connection to Big Bend and a renewed sense of responsibility to the places that shape our lives,” explains gallerist Sarah Foltz.

    "Roaming Gnomes" at City Place Houston (September 26-November 8)
    Created by internationally acclaimed, Sydney-based design studio Amigo & Amigo, this large-scale public art installation features eight, giant, illuminated gnomes. Each of these larger-than-life characters has its own name, personality, expressive pose and "fashion-forward attire," according to press materials. Already a hit from stops at the Napa Lighted Art Festival in California and the World of Winter Festival in Grand Rapids, Michigan, attendees experience the characters by walking throughout the area, taking them in from different angles and noticing details the closer they get.

    “At Amigo & Amigo, we love creating artworks that spark imagination and bring people together. Roaming Gnomes transforms everyday spaces into a playful adventure, inviting visitors to roam, explore and uncover delightful surprises along the way,” the art collective said in a statement. “We’re thrilled to see these oversized gnomes find a new home at City Place and become part of the community’s shared experiences.”

    Untitled Art, Houston at George R. Brown Convention Center (October 2-4)
    While this list is focused on September, art lovers should get ready for the return of this fair. After its successful debut in 2025, Untitled expands to include 95 galleries from 20 countries and territories, including 17 Texas exhibitors — with 13 new and returning presenters from Houston, including Moody Gallery, Barbara Davis Gallery, Laura (the gallery), David Shelton Gallery, Mitochondria Gallery, Dimmitt Contemporary Art, Seven Sisters, F Magazine, and the Lima-based Revolver Galería.

    Untitled will also bring back and expand Nest Sector, their subsidized selection of emerging galleries and first-time fair participants. Attendees should also look for 25 solo presentations and 35 two-artist presentations, including a collaborative presentation by Houston Art Car Parade legends Harrod Blank and Cody Ledvina with Nature of Things.

    The fair officially kicks off with a VIP special preview on October 1, followed by another three days of events and programming. VIP ticket holders can expect additional talks and special tours in collaboration with some of the city’s leading art institutions.

    “What makes this fair distinct is that it has been developed in close dialogue with the local arts community from the very beginning,” explains Untitled Art's Houston director Michael Slenske. “As we continue to expand our international reach, we remain committed to creating meaningful opportunities for galleries at every stage while highlighting the energy, diversity, and spirit of discovery that define the city of Houston itself.”

     Patricia Dom\u00ednguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galer\u00eda Patricia Ready.
    Photo courtesy of Moody Center for the Arts

    Moody Center for the Arts presents "Radiant Geometries: Vectors of Knowledge from the Indigenous Americas"

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