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    The Perfect Match?

    The perfect MATCH? New performance center promises to be a Midtown game changer

    Tarra Gaines
    Jan 14, 2016 | 12:30 pm

    With a new year, it’s time to once again to head out to the theater as we at CultureMap continue our tryout of all the new performing arts spaces in town. While the many renovations have brought new theatrical life to some historical and acclaimed companies, 2016 brings in a whole new way to experience Houston’s multitude of artistic performances.

    In fact, we might have just found our perfect performance space MATCH.

    What’s a MATCH?
    Though its website is a bit coy on the subject, MATCH stands for Midtown Arts and Theater Center Houston, and in several ways that Mid in the name acts as a kind mission statement for the whole enterprise. Snug in Midtown, at 3400 Main Street right on the METRO rail line, midway between the theater and museum district, since its sleeper fall opening, the MATCH has become a new, comfortable-fit, mid-size home for many a mid to small arts organization.

    The History
    Mid might also be the inspirational word for its development when several performing and visual art non-profit organizations informally came together in 2003 to think about building one, central space for dance, music and theater companies to perform.

    More than a decade later, after talk led to actual organization, a board of directors, business plan and a 25 million dollar capital campaign, the MATCH is now set on Friday (January 15) to officially and grandly open its doors, or in this case its breezeway, for all of Houston to come and celebrate.

    Inside the Spaces
    Along with all its Mid-ness, diversity seems to lie at the philosophical core of the MATCH from the initial vision to the design by Lake/Flato and Studio Red, to the multitude of Houston art organizations and institutions set to and already using the facility. And with that diversity comes adaptability especially when it comes to the performance spaces.

    The MATCH is really two building connected by a large breezeway. The South Building contains office space on the second floor, rehearsal studios on the first floor as well as 3000 feet of gallery space.

    The North Building houses four performances spaces, numbered as Boxes 1-4, which range in size and audience capacity. Box 1 and 3 are blackbox spaces with seating risers that can be configured in many different ways according to the needs of the performance. Box 2, which is intended mostly for dance companies, is larger and contains a set, sprung stage floor for those dance performances.

    Box 4 is the largest and most traditional theatrical space with a proscenium arch, wide stage, and permanent seating for 329.

    The Performances
    During its soft opening last fall, I had the opportunity to see several shows, starting with a play reading during ReadFest in Box 3. A little later in the fall, I saw the multi-talented and rather terrifying Bridget Everett’s cabaret show. For that performance, Box 3 which worked well as utilitarian box space for play readings, became a darkened and moody nightclub with tables and chairs as part of the Lott Entertainment Presents Joe’s Pub Series.

    Most recently, I came out for the Musiqa New Music from Near and Far II concert in Box 4. The one commonality I’ve found in all the performances I’ve sampled so far is a sense of intimacy. Even in the larger space of Box 4 where stage and audience are separated like they are in thousands of traditional proscenium arch theaters around the world, I found half the fun of listening to the beautiful Musiqa music was watching the very expressive faces of the musicians who seemed so close in front of me.

    The Future
    MATCH’s immediate future, January 15 and 17 to be precise, involves a really big party. On Friday, come on down to Midtown for the Light Up the Night Block Party. The ticketed event includes music by DJs Noey Lopez and Vanessa Styvër, food from Lemond Kitchen, Karaoke Cabaret, comedy from BETA Theater’s improv troupe, experimental cinema from the Art in Motion Film Festival and several art exhibitions, including What Shall We Do Next? from Diverse Works.

    Sunday is the a free family day with more music, art, and performances by Main Street’s Theater for Youth.

    As for the coming months and even years, I have a bit of a prediction. Because of the size of the facility and the number of organizations signing up to be a part of the place, I foresee going to the MATCH will be less like seeing a show at the Alley or Hobby Center and more like catching a movie at the cineplex, when it comes to the range of choices.

    Feel like just winding the workday down by taking in some contemporary art? Diverse Works will likely have a show in the gallery space. Want to hear a reading by a Nobel Prize winning writer? Brazos Bookstore has already started programming some visiting authors into the MATCH. Feel like some avant garde theater? Catastrophic Theatre is getting set to move in as well.

    There might come a time, quite soon, when we can decide at the spur-of-the-moment what kind of art we’re in the mood for–dance, music, drama or comedy — and know we can find it some time that week at the MATCH.

    The Light Up the Night Block Party begins at 8 pm, Friday, January 15 at the MATCH. Tickets are $20 in advance and $25 at the door. The free Family Fun Day is Sunday, January 17 at 1:00.

    The MATCH officially opens.

    The MATCH in Houston
    Photo courtesy of Jud Haggard Photography
    The MATCH officially opens.
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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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