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    best april theater

    10 best Houston plays and performances in April showcase world-class opera, mean girls, and timeless classics

    Tarra Gaines
    Apr 11, 2022 | 2:10 pm
    See beloved Broadway musical Fiddler on the Roof at Majestic Theatre this weekend only.
    See beloved Broadway musical Fiddler on the Roof at Majestic Theatre this weekend only.
    Photo by Joan Marcus

    Houston theaters get serious — and seriously funny — this April with quite the range of onstage dramas, comedies, and musicals.

    Stellar works from award-winning contemporary playwrights are all the rage across Houston theaters, but also look for as one world premiere from an up-and-coming Houston writer at Stages.

    Meanwhile, Houston Grand Opera continues to go bold in the grandest of finales of its 2021-2022 season.

    The Book of Grace from Catastrophic Theatre (now through April 24)
    After a COVID cancellation, Catastrophic Theatre is finally back at the MATCH to begin their spring season with some sharp drama from the Pulitzer Prize winning playwright Suzan-Lori Parks.

    The company founders have a long creative history and friendship with Parks, and say there are “thrilled” to bring her work back to town. Co-directed by two Houston favorite actors, Jeff Miller and Luis Galindo (Galindo also stars), the play tells a Texas border tale of a family torn by history and clashing beliefs.

    Grace is a waitress who lives in a small border town in south Texas with her husband Vet, a border patrol agent. She encourages Vet’s estranged son Buddy to return home and reunite with his father in time for a celebration honoring Vet’s service. What ensues is a battle for power and revenge.

    Single Black Female at Ensemble Theatre (April 9-May 8)
    This adult-focused show about finding love in urban America explores the lives of thirty-something, Black, middle-class women in urban America as they search for love, clothes, and dignity — often in a world that fails to recognize them among a parade of stereotypical images.

    But, after reviewing their escapades in past relationships and confessing mounting anxieties about future commitments will they realize their best chance at love may be found closer than they ever imagined?

    John, His Story by A. D. Players on Tour (April 13 and 15)
    For those who observe, John, His Story offers a fun way to celebrate the Easter Holy Week season. Created by the legendary Jeannette Clift George, founder of A.D. Players, the story retells the miracles of Jesus recounted in the Bible’s Gospel of John.

    More than a historical drama, this John centers on a perspective by John the disciple and common people, with moments of tense drama and light-hearted comedy. The intimate show runs at Bethany Christian Church (3223 Westheimer Rd.). The limited tickets are pay-what-you can (suggested minimum is $10) and can only be purchased via phone (713-526-2721).

    You Are Cordially Invited to Sit In at Stages (now through May 22)
    The Gordy really gets rocking in April when the world premiere of this jukebox musical from local playwright ShaWanna Renee Rivon opens the Rochelle and Max Levit Stage.

    This show will finally put all three Gordy stages in use, something that only happened before for one week before the pandemic shut down stages across the city. Rivon bases the musical on a real piece of Houston civil rights history, when in 1960, 13 students from Texas Southern University demonstrated with the first local sit-in, at Weingarten lunch counter in the Third Ward.

    Weaving in ’60s hits like “Heat Wave,” “Ain’t Too Proud to Beg,” and “Say a Little Prayer for You” — plus a show-stopping rendition of the gospel standard “His Eye Is on the Sparrow” — the musical tells the story of four college friends whose most dangerous and courageous act to fight the power is to sit down.

    Dead Man’s Cell Phone at Alley Theatre (April 15-May 8)
    Acclaimed contemporary playwright, Sarah Ruhl, brings a unique perspective to any subject and genre. Her work has become a favorite with Houston theater companies for many years.

    Now, the Alley sets out to break some comedy rules with Ruhl in this show that begins with a call on a dead man’s cell phone that changes an innocent, by-standing woman to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.

    The Alley resident company once again spin into comedy with Alley associate producer Brandon Weinbrenner directing. This was another COVID-cut production scheduled for 2020 that the Alley loved so much, they had to bring it to Houston audiences.

    Turandot from Houston Grand Opera (April 22-May 8)
    In another visually stunning production from HGO this season, Texas director Robert Wilson gives new vision to Puccini’s masterpiece, the fantastic tale of a princess who goes to great heights and tricks to avoid matrimony.

    Internationally acclaimed soprano and HGO Studio alumna Tamara Wilson stars as Turandot, with celebrated tenor Kristian Benedikt making his HGO debut as Calaf.

    Principal guest conductor Eun Sun Kim, who made her U.S. debut in 2017 with HGO’s La Traviata, takes the podium. The production will surely prove to be opera on a global scale, as a co-production with Teatro Real of Madrid, Lithuanian National Opera and Ballet Theatre Vilnius, Canadian Opera Company of Toronto, and Opéra National de Paris.

    Black Super Hero Magic Mama from Stages (April 22-May 8)
    Magic Mama is yet another show originally scheduled during our lost pandemic years, this one from acclaimed playwright Inda Craig-Galvà. In this comic (as in superhero) take on national tragedies, a mother loses her son to a police shooting and retreats inward to a powerful technicolor universe.

    Sabrina creates a heroic alter ego named Maasai Angel. Compared to the pain of the real world, this battle is one Sabrina can handle. But will Sabrina stay in this dream world or return to reality and mourn her son?

    Fiddler on the Roof from Broadway at the Hobby Center (April 26-May 1)
    Another acclaimed revival of a Broadway classic that took a pandemic detour on its way to the Hobby finally arrives in Houston with its wealth of immortal songs like “If I Were a Rich Man” and “Sunrise, Sunset.”

    Tony-winning director Bartlett Sher brings a new vision to this story of family and faith. Look for Israeli choreographer Hofesh Shechter’s new dance and movement contributions, based on the original staging by Jerome Robbins.

    Romeo and Juliet from Houston Grand Opera (April 29-May 11)
    HGO’s new production of Charles Gounod’s opera, based on Shakespeare’s most famous and tragic young lovers, will transport audiences back in time to an evening at the London Globe.

    With a large chorus, big, rich harmonies, intricate dance numbers, and sumptuous costumes, this promises to be the grandest evening of French opera. Artistic and music director Patrick Summers conducts and soprano Adriana Gonzalez, the first-prize Operalia winner in 2019, makes her HGO debut as Juliet — with phenomenal tenor Michael Spyres as her Romeo.

    School Girls; Or, the African Mean Girls Play from Garden Theatre (April 29-May 8)
    Houston’s newest theater company tackles this biting satire from Ghanaian-American playwright Jocelyn Bioh that proves teen girls hierarchy games are an international and timeless phenomenon.

    In this comedy set in a Ghanan boarding school in the ’80s, the reigning queen of the school has her sights set beyond her the classroom to the Miss Universe Pageant. That is, until an American, smart, and pretty face transfers into the school and threatens her social empire. Which queen will reign supreme?

    HGO's Turandot takes Puccini to great heights.

    HGO's Turandot
    Photo by Michael Cooper
    HGO's Turandot takes Puccini to great heights.
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    Best June Theater

    The 10 best plays, musicals, and ballets to see in Houston this month

    Tarra Gaines
    Jun 3, 2026 | 10:35 am
    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade
    Broadway at the Hobby Center presents Clue

    Musicals take the mic across Houston stages this June. From the tragic to the silly, everyone’s got a number, or dozen, to sing. Ironically, the one play exception is from the presenter Houstonians rely on to bring us the hottest Broadway musicals, Broadway at the Hobby Center, who instead gives us a Clue to solve a madcap summer mystery. We’re also highlighting some theatrical dance shows this month bringing us kinetic stories of love and life.

    Spamilton: An American Parody at Stages (now through June 21)
    Parodies of cultural phenomenons are as American as the founding fathers and Broadway itself, so if any musical deserves a gentle satire, it’s Hamilton. Written by Gerard Alessandrini, who created the long-running Forbidden Broadway, Spamilton spreads its comedy wide, taking on the show Hamilton, as well as Lin-Manuel Miranda’s journey to write a revolutionary new musical and save Broadway. Along the way, Spamilton takes shots at other big musicals like Book of Mormon, Lion King, and Cats.

    To top it off, Stages also adds a mini musical, 21 Chump Street, to the end of every performance. Running under 20 minutes, Chump Street was created by Lin-Manuel Miranda based on an episode of This American Life. While the musical is rarely performed by itself because of the short length, Stages is adding it on as a special treat for Miranda fans.

    Clue presented by Broadway at the Hobby Center (June 9-14)
    While Broadway at the Hobby Center usually presents touring musicals, they occasionally slip in the odd play, and this looks to be great fun. Clue is the ultimate comic whodunit based on the cult '80s film and classic board game. Six mysterious guests, who may or may not know each other, assemble at Boddy Manor to dine on red herrings and then play a little after dinner game of blackmail, threats, and murder. Was it Mrs. Peacock in the study with the knife, Colonel Mustard in the library with the wrench, or Miss Scarlet in the conservatory with a candlestick? Did the butler do it all along? Or perhaps the twisty ending only leads to more twists.

    Giselle from Houston Ballet (June 11-21)
    With an emotional story that brings audiences to tears even while awed by the dance, Giselle has been embraced by ballet companies and choreographers for almost two centuries. Just a decade ago, Houston Ballet artistic director Stanton Welch brought his own interpretation of this tragic story of a beautiful peasant girl who falls in love with a duke, but he later betrays her. Welch used composer Adolphe Adam’s unedited score to expand the drama and allow the cast to explore the complexities of their roles.

    Ballets Jazz Montréal, Dance Me: The Music of Leonard Cohen presented by Performing Arts Houston (June 12-13)
    Poetry and deep storytelling were always inherent in the songs of Canadian songwriter and singer Leonard Cohen. Ballets Jazz Montréal, the acclaimed dance company from Cohen’s hometown, put its bodies into those stories told in some of his most iconic songs like, “Suzanne,” “So Long, Marianne,” “Dance Me to the End of Love,” and of course, “Hallelujah.” Three international choreographers collaborated on this “dance concert,” including Andonis Foniadakis, Ihsan Rustem, and Annabelle Lopez Ochoa, whose stunning Broken Wings Frida Kahlo ballet just wowed Houston Ballet audiences in March. Dance Me combines scenic, visual, musical, dramaturgical, and choreographic writing to pay tribute to one of Montreal’s greatest artists.

    Songs for a New World from Garden Theatre (June 12-14)
    Calling it a musical theater extravaganza, the company is producing three musical shows in one weekend. Running June 12 and 13, the unique Songs for a New World from Tony winning composer Jason Robert Brown delivers song and characters connected by the choices humans must make and the consequences they bring. The one-woman cabaret Not Your Ingenue will also be in the lineup on June 13. Then this musical mini-festival ends with the rousing debut of Garden’s original cabaret show From Seed To Stage. Timed with the company's fifth anniversary, Seed will feature 35 returning cast members from previous Garden productions, singing some of their favorite numbers from five years of musicals.

    The Hunchback of Notre Dame from Houston Broadway Theatre (June 16-July 5)
    One of Houston’s newest theater companies will ring the bell on this Disney musical that’s been a favorite regionally and internationally but has never actually had a big Broadway run. Based on the Victor Hugo novel and the Disney animated adaptation, the musical tells the emotional tale of the orphaned and disabled Paris cathedral bell ringer, Quasimodo, and his love for the kind and independent Romani woman, Esmeralda. The musical weaves songs from the film and new music for the stage, all by Oscar winning composer Alan Menken. The lavish Houston production boasts a 21-piece live orchestra on stage, making this the first time this expanded orchestration will be performed in the U.S.

    Tamarie’s Greatest Hits, Volume 3 from Catastrophic Theatre (June 18-August 1)
    Summer brings one of Houston's longest running theatrical traditions, another new comedy from the wonderfully warped mind of Catastrophic’s cofounder, Tamarie Cooper. Every decade, Tamarie does a greatest hits compilation show with some of the best scenes, skits, and songs from the previous nine shows. According to Catastrophic, we can all look forward to a “ridiculous” new script and a few brand new songs to tie the whole thing together. Many of the company’s wild regulars, including a few we haven’t seen in the summer show in a while, will be along for the ride, likely vying for the most outrageous performance.

    Joseph and the Amazing Technicolor Dreamcoat at A.D. Players (June 24-July 19)
    Somehow this will be the first time Houston’s spiritual theater company brings to stage this early Andrew Lloyd Webber hit musical. The story follows young Joseph, favorite son of Biblical patriarch, Jacob. Left for dead by jealous brothers, Joseph sets out on a series of adventures, including a stint as a dream interpreter. He eventually rises to power as the man behind the throne of Egypt. Filled with catchy songs like “Any Dream Will Do,” the somewhat campy musical still wrestles with weighty themes like family loyalty and betrayal.

    Get Ready at Ensemble Theatre (June 26-July 26)
    Filled with nostalgia, complex comedy, and hope, the show puts us in the rehearsal room for the reunion of the fictitious Doves, a 1950s doo-wop group that might be having a resurgence after one of their old songs makes it back on the charts. Can these five former friends, now older but perhaps wiser, find that musical magic again, or will the squabbles of the past break them up once more? Ensemble won critical praise when it produced this show during the 30th anniversary season. Now as it wrap up the 25-26 lineup, this season topper will Get (Houston) Ready for Ensemble’s upcoming 50th anniversary.

    Forever Nebrada present by Voices of Arts Central (June 27)
    Houston Ballet principal dancer Karina González pays tribute to pioneering Latin American choreographer Vicente Nebrada (1930-2002) with this special production from the organization she founded last year to present innovative artistic projects that connect dance, culture, and storytelling. Featuring dancers from Houston Ballet and Oklahoma City Ballet, Forever Nebrada will give audiences rare insight into Nebrada’s repertoire, dance vision, and how Venezuelan cultural heritage influenced his work. González says she hopes the production will be both a celebration of Nebrada’s legacy but will also be a way to bring together artists and audiences from across the diverse Houston community.


    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade

    Broadway at the Hobby Center presents Clue.

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