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    Transparent Jewel

    Rice University's new Moody Center lets the light in for art, performances, and creative collaboration

    Tarra Gaines
    Mar 7, 2017 | 11:33 am

    Houstonians love having plenty of space to move about, and this seems to go double for those places we view and make art. In the past several years we’ve seen an unprecedented wave of new construction and renovations to give artist and performers lots of room to roam. And all that venue building shows no signs of slowing down in 2017. So in CultureMap’s continuing journey to explore these new spaces, it’s time to take a walk-through and closer look at the most recent addition to Houston’s arts venue landscape, the Moody Center for the Arts at Rice University.

    What’s the Moody Center?
    Perhaps an easier question to answer would be: what isn’t the Moody Center? Because with the exception of a rink for ice dancing, the Center offers space and facilities for a wide spectrum of learning, creation, exhibitions and performances.

    The 50,000-square foot, $30 million building designed by award-winning architect Michael Maltzan serves many cross purposes for Rice University and the city of Houston, and that’s a good thing. With two designated galleries spaces, a studio theater that can be configured for many types of theatrical stagings, as well as teaching and lecture rooms, the words of day, everyday, at the Moody Center will be creativity and collaboration. In fact when speaking about the space at the recent official opening, Maltzan explained one of the main goals of the building’s design was to foster collaborative and create connections between disciplines.

    “From the beginning the design challenge at the Moody was to support the goal of creating a center for true interdisciplinary and collaborative work in the creative arts,” Maltzan said.

    Alison Weaver, executive director of the Moody, defined the facility as an “experimental space for both fabrication and exhibition with an equal emphasis on process and presentation.”

    Inside the Space
    But what do all those architecture descriptions mean for students, artists, visitors and audiences? Well, when experiencing the Moody from the outside and in, even someone with little architecture knowledge can see how the building, quite literally, brings light to the creative process.

    Touring the building during its opening week, I found few areas of any darkness. With floor to ceiling windows, light and especially sunlight, steams through everywhere. Within the building, what walls there are between classrooms, fabrication workshops, offices and conference rooms are mostly made of glass. Standing outside the building, someone passing can see activity within and from many places inside the building those working and learning within can gaze across the Rice campus. There are spots all along the second floor to watch workshops and performances on the first floor and those on the first can look up to see what’s happening on the second.

    All that light and open space also creates a nurturing environment for collaboration, with lounging places throughout and even what looks like comfy places to relax along the expansive, open stairway between floors.

    Art and Presentation
    Programming for the Moody Center began as soon as its transparent-glass doors officially opened, and most exhibitions are free and open to the public. Since the Center will not be a collecting institution, art exhibitions will come and stay for a few months, a season or perhaps ever a year before the next experimental or innovative piece finds a temporary home a the Moody. So here’s just some of the events, exhibitions and performances to look for now and into the spring and summer.

    Green light — An artistic workshop from Danish-Icelandic artist Olafur Eliasson (now through May 8)
    Local asylum seekers and refugees will contribute to this collaborated project and installation, as they help to build modular green lanterns designed by Eliasson and made from recycled and sustainable material. The lamps will later be sold and a portion of the proceeds will go the project’s local partner Interfaith Ministries of Greater Houston, to benefit refugees. Rice students and the general public are invited to participate in the workshops which will also include language courses, seminars, artist’s interventions, film screenings.

    Thomas Struth: Nature & Politics (through May 29)
    
This photography exhibition in the sky-lit Brown Foundation Gallery feature very different kind of landscape photos, the colors and typography of human-made, and sometimes immense structures, like offshore oil rigs, NASA facilities and the inside of the Max Planck Institute of Plasma Physics.

    Flowers & People, Cannot be Controlled but Live Together – A Whole Year per Hour (2015) by Tokyo-based art collective teamLab (now through August 13).
    The title is also summary of this interactive installation within the Center’s Media Arts Gallery, as sensors inside the gallery respond to visitors’ movements by projecting the life cycle of flowers on the walls and on the people within.

    An Iliad (March 30 – April 2)
    As the first full productions in the Lois Chiles Studio Theater, this modern retelling of Homer’s Iliad by Lisa Peterson and Denis O’Hare emphasizes the telling aspect, with actor Leon Ingulsrud taking on the part of the wandering poet/narrator and the performance will be accompanied by original music composed and performed by students from the Shepherd School of Music.

    The exhibition spaces and café at the Moody are open to the public and free of charge Tuesday through Saturday from 10am to 5pm. Events and programs at the Moody are open to the public through a ticketed, advance-reservation system.

    The Moody Center for the Arts at Rice University.

    Moody Center-Northwest Corner
    Photo by Nash Baker
    The Moody Center for the Arts at Rice University.
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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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