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    TV Wonderland

    Behind the scenes with Joan Rivers at Fashion Police — and Jimmy Kimmel, too!

    Clifford Pugh
    Nov 4, 2013 | 12:11 pm

    HOLLYWOOD — It's barely 8:30 in the morning, but a perfectly-coiffed Joan Rivers, in a tailored metallic gold jacket with fur collar and dripping in jewelry, looks like an affluent, plastic-surgery lovin' lady-who-lunches on her way to lunch.

    Until she opens her mouth. Then the Joan we know and love comes forth.

    At 80, Rivers remains one of the hardest-working entertainers in show business, so it's not surprising that she's first on the set of Fashion Police, sitting in her customary chair, rehearsing lines as she looks into a teleprompter before the panel — Kelly Osbourne, George Kostiopoulos and Dancing With The Stars contestant Christina Milian, who is subbing for regular Giuliana Rancic on this episode — arrive.

    Why has Fashion Police been so successful? "We love each other as a group," Rivers explains. "And E! lets us say just about anything."

    For the next two-and-a-half hours, during a recent taping of the hit E! show, Rivers is all business, with a lot of laughs in-between. Make no mistake: It may be called Fashion Police, but it's the Joan Rivers show. Without her sometimes tasteless, always acerbic putdowns of foolishly-dressed notables, the show would be a real snoozefest.

    During a break Rivers engages in conversation with the 30 or so "guests" on the set. Because the studio located in a nondescript office building that houses most of the E! operations is so tiny, there is not room for much of an audience. Since the show has become a hit in the U.S. and is shown in 160 countries, parent company NBC Universal has offered a much bigger studio on the Universal lot, Rivers says, but she won't move from this studio where the show has been taped for three years. "I'm superstitious," she says.

    CultureMap was allowed to observe a recent taping, with a plea not to reveal too much about how the magic happens. A TV taping can be tedious and a bit messy — it's a bit like watching sausage being made — but Fashion Police proceeds crisply, although the segments are shot out of order and, occasionally someone muffs a line, so it has to be re-shot.

    The "guests" on this day are predominately gay, as are many of the show's regular viewers, and the show's warm-up comic Nina Manni and head writer Tony Tripoli urge us to laugh heartily, which isn't that hard to do. "I need you to all embrace your inner gay man and get rowdy like you're at the Abbey after three martinis," Manni says, refering to a popular Los Angeles bar.

    (Upon hearing we're from Houston, Tripoli reveals that relatives started the Truluck's chain of seafood restaurants. "I'm in the wrong line of business," he laments.)

    To keep our stomachs from growling at the early hour, a large basket filled with chocolate bars and assorted candies is passed around, and as a reward for attending the show we receive a plastic sheriff's badge, officially designating us as a member of the "Joan Rangers."

    As any viewer of the show knows, many of Rivers' jokes skirt the edge, and we are told to laugh even if we find a joke shocking. On this show, Rivers picks on regular targets Anne Hathaway, Tom Cruise, Peter Dinklage, Paula Deen, Oprah Winfrey, Betty White and the Kardashian clan in an especially funny joke about Kim and Kanye that is too R-rated to recount here.

    Overseeing it all is Rivers' daughter Melissa, who stands behind a camera and communicates with the control room while finding time to banter with the audience about her tattoos, boob jobs and love of shoes. Melissa is wearing a killer pair of Chloe ankle booties, which she proudly shows us during a break.

    It's our lucky day because instead of featuring a no-name starlet, a staple of the show as it expanded to an hour, comedienne Margaret Cho is a guest and she and Rivers easily exchange jokes like the pro's they are for a good 10 to 15 minutes. Only about three minutes of their conversation makes it into the televised show. (Off camera, Cho and Osbourne, who are both heavily tattooed, show off their favorites.)

    During a break, Rivers takes questions for the audience, talking about Michael Jackson, Cher, what she wears and why the show has been so successful. "We love each other as a group," she explains. "And E! lets us say just about anything."

    Jimmy Kimmel's world

    I was hoping to also get a behind-the-scenes look at Jimmy Kimmel Live! and made that clear with the show's publicity team. But when I arrived for the 4:30 p.m. taping of the popular late-night ABC show, a publicist escorted me and a guest to the green room, where drinks and food were available, along with an adjoining game room, with pool table and old-fashioned video games. She told us to watch the show here and about 15 minutes before it ended, she would escort us to an outdoor stage to watch John Mayer perform.

    Even though we were disappointed, it's hard to complain when you're in a room with free food and booze — along with a TV that shows NFL football games on a rival network.

    When I protested, she explained there were only 180 seats in the auditorium. Then she disappeared and we never saw her again.

    Even though we were disappointed, it's hard to complain when you're in a room with free food and booze — along with a TV that shows NFL football games on a rival network. By the time the Kimmel show started taping at 6 p.m. (despite the title, it's not "live," although it is taped as if it is) and the TVs in the green room switched to his show, nobody was paying attention. Which is just as well, because it seemed like an off night for the talk show host, with an opening monologue that fell flat and only the charisma-challenged Mayer and a supporting actress in the ABC soap, Scandal, on hand as guests.

    We stayed around to watch Mayer perform on the Sony Studio Stage. On TV, it looks like the stage is on a cool rooftop, but it's actually in a depressing asphalt parking lot behind the Kimmel studio on Hollywood Boulevard. Kimmel introduced Mayer and then quickly disappeared (it was a Thursday night and Kimmel doesn't work on Fridays) and, after two Mayer songs, we vanished, too.

    Guest Christina Milian, left, joins Kelly Osbourne, Joan Rivers, Margaret Cho and George Kostiopoulos on Fashion Police.

    Fashion Police cast Christina Milan, Kelly Osbourne, Joan Rivers, Margaret Cho, George Kosptiopoulous
    Courtesy photo
    Guest Christina Milian, left, joins Kelly Osbourne, Joan Rivers, Margaret Cho and George Kostiopoulos on Fashion Police.
    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment

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