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the stones return

The Rolling Stones rock Houston with unforgettable, satisfaction-filled show

Johnston Farrow
Johnston Farrow
Jul 28, 2019 | 3:00 am

The question of the night loomed over the proceedings with well over 50,000 packed into NRG Stadium: Can a band — all members over the age of 70 — still rock a huge crowd?

The answer: yes.

The Rolling Stones are well past their expiration date and defiantly so. They have been a going concern for over 50 years, the former rivals to The (freaking) Beatles and have assuredly turned their many hits into becoming the biggest band in the world, no questions asked. At this point, they are only on the road to prove they can outdo any young band that might think they can take on their mantle.

Lead singer Mick Jagger recently had heart valve replacement surgery, and he even acknowledged the postponement of the show that was supposed to be months ago, apologizing, in saying that he “f*cked everyone’s plans.” Drummer Charlie Watts is 78 years old, Ronnie Wood looks way better than he should, and Keith Richards, well, he is still walking.

Jokes aside, the Stones almost thrive on these thoughts to make converts anew, something they've been doing for decades. This was one helluva show and one that the Bayou City won't soon forget.

After a set by Bishop Gunn that would have made Black Crowes fans happy, the Stones came out to "Jumpin' Jack Flash," the 1968 hit that still had the resonant, exciting charge as the day it was released. A huge bank of video screens mostly focused on the big four — Jagger, Richards, (Ronnie) Wood, and Watts — and showed that they still had the goods. Any concerns that Mick would be able to give his nimble best were destroyed as he pranced across the huge stage, his iconic moves still as vibrant as ever.

Between songs, Jagger alluded to their history at NRG Stadium, noting that they were the first band to ever play the venue after it opened in 2002. Later, he pointed out it had been 55 years since they had first played Houston, a mind-boggling fact to anyone born years after their start.

Fans of all ages showed their approval for their biggest songs — “Let’s Spend the Night Together,” a killer “Sympathy for the Devil,” and “Paint It Black” was everything and more that a fan could expect.

Significantly changing the setlist up from earlier in the tour made a statement and kept the audience on their toes. The early ’80s hit, "Start Me Up," that launched the modern Stones was a welcome addition. “Brown Sugar” and its extended jam closed out a killer first set.

The Stones pulled off the perfect one-two shot encore with the mind-blowing “Gimme Shelter,” back-up singer Sasha Allen stealing the spotlight. “(I Can’t Get No) Satisfaction” had the entire stadium up and dancing, proving that good songs can never die, that people will continue to pay to see one of the most legendary acts to ever take the stage.

Setlist
"Jumpin' Jack Flash"
"Let's Spend The Night Together"
"Tumbling Dice"
"Out of Control"
"Doo Doo Doo Doo Doo (Heartbreaker)"
"You Can't Always Get What You Want"
"Sweet Virginia"
"Dead Flowers"
"Sympathy For The Devil"
"Honky Tonk Women"
"Slipping Away"
"Before They Make Me Run"
"Miss You"
"Midnight Rambler"
"Paint It Black"
"Start Me Up"
"Brown Sugar"

Encore:
"Gimme Shelter"
"(I Can't Get No) Satisfaction"

Fearless frontman Mick Jagger bounced through "It's Only Rock 'n' Roll (But I Like It)."

Rolling Stones Houston concert 2019 NRG Stadium
Photo by Jacob Power
Fearless frontman Mick Jagger bounced through "It's Only Rock 'n' Roll (But I Like It)."
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Lainey Wilson Review

Lainey Wilson brings rock ‘n roll swagger to sold-out RodeoHouston concert

Craig Hlavaty
Mar 20, 2026 | 12:01 am
Lainey Wilson RodeoHouston
Photo courtesy of the Houston Livestock Show & Rodeo
Lainey Wilson delivered a standout performance

Despite being one of the weirdest and most talked-about rodeo seasons in recent memory — marked by county government sideshows and barenaked carnival crowds — 2026 has been a great year for female artists at RodeoHouston, all things considered.

Houston’s own Lizzo (69,362), Kelly Clarkson (70,007), Megan Moroney (69,125), and now Lainey Wilson (70,130) have drawn huge numbers compared to some of the male acts. Wilson’s debut RodeoHouston appearance in 2024 was a verified sold-out Saturday matinee, attracting 74,940 fans.

Slightly surprising, Christian artist Forrest Frank has been the biggest draw so far in 2026 with 70,707 fans packing in for his Sunday matinee on March 8. Russell Dickerson, who rode into Times Square to introduce RodeoHouston to the world, pulled in 53,063 folks off the street for his debut. Stalwart Chris Stapleton’s all-too-brief show on March 12 pulled in a reliable 70,077.

Creed and Clarkson are tied at 70,007, which bodes well for even more millennial nostalgia acts waiting in the wings.

Will anyone next year beat the 75,600 Jonas Brothers fans that invaded NRG Stadium in 2024? Don’t worry, we’ll have our RodeoHouston 2027 wishlist online in the next few days.

Coming into the last Thursday of the season, Wilson’s face could be seen everywhere at NRG Center, from huge banners above the Ford activation near the carnival, inside the Cavender’s booth touting her Wrangler western wear collaborations, not to mention her pitchwoman work for Whataburger and Tractor Supply.

Wilson is also the subject of a new Netflix documentary, Lainey Wilson: Keepin’ Country Cool, which premiered at SXSW this past week. It chronicles the making of the Whirlwind album and features scenes from the road and the recording studio as the last few years of her life unfolded. Produced by Houston native Kent Kubena, Lainey fanatics will have to wait until it officially premieres on the streamer on April 22.

The 33-year-old’s hippie-billy evolution from 2021’s Sayin’ What I’m Thinkin, 2022’s breakout Bell Bottom Country, and into 2024’s Whirlwind has seen her stretch her distinctive voice into bombastic new territories, into some late ‘80s Lita Ford vibes. When’s the power ballad duet with Dave Grohl happening?

Wilson kicked off Thursday night with the punchy brand-new single “Can’t Sit Still,’ which just dropped on streaming services last Friday, riding onto the dirt in the back of a Ford truck, naturally. Nerdy music writer note: the song lifts a little bit of lyrical flavor from Taking Back Sunday’s “Liar (It Takes One To Know One).” Who knew 2000s screamo was still giving us gifts?

The AC-D-She stomp of “Wildflowers and Wild Horses” got a big-budget stadium makeover. "4X4XU," which sounded like it was straight from a classic ‘80s Spotify playlist, was the first major singalong of the evening. In another lifetime, she would be the world's greatest frontwoman of a Guns N’ Roses tribute band. There’s a revival of harder-edge ‘90s female rock in the wind lately, so its probably not a coincidence that Wilson might be drinking from that well for the new album. On “Dreamcatcher,” her band went into full Rock & Roll Hall of Fame All-Star Jam mode.

Recent #1 hit "Somewhere Over Laredo” (“caught me a red eye flight outta Houston” got a huge roar) saw Wilson taking flight on one of the starred stage’s pointed lifts. During “Atta Girl,” Wilson pulled a lucky little girl named Presley out of the chute seats to be crowned her “cowgirl of the night” to a wall of cheers, gifting her one of her signature Charlie 1 Horse cowboy hats. It’s become a tradition at Wilson shows.

As closer "Heart Like a Truck" hit maximum altitude and Wilson hit the highest highs, her horse for the night was led out to the stairs next to the stage for Wilson’s now-customary victory lap around the stage and ride off into the bowels of NRG, leather fringe and all.

Setlist

Can’t Sit Still
Wildflowers and Wild Horses
4X4XU
Smell Like Smoke
Dreamcatcher
Watermelon Moonshine
Hang Tight Honey
Somewhere Over Laredo
Atta Girl
Good Horses
Things A Man Oughta Know
Heart Like A Truck

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