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    Travel in Egypt

    In search of the Devil's Head: Rustic beach camp in Egypt's Sinai is a slice of heaven

    Victoria Harper
    Mar 27, 2016 | 9:30 am

    Editors Note: Intrepid travelers are again returning to the Egyptian Sinai, which Houston native Victoria Harper says is one of the most beautiful undiscovered places in the world. Harper, who lives in the sparsely populated desert region that is a base for diving and snorkeling, filed this report.

    I loved Ras Shitan before even seeing it because of its unusual name. In colloquial Arabic, Ras Shitan, means Devil’s Head. What exactly might one encounter on Satan’s own beach?

    The friend who told me about Ras Shitan didn’t actually know where it was. All he could tell me was that it was somewhere between Taba and Nuweiba. This seaside stretch extends for almost 50 killometers along the Red Sea’s Gulf of Aqaba and is dotted with dozens of hotels and more rustic affairs referred to as beach camps.

    Usually these are just a scattered bunch of reed huts, a main dining area and bathrooms tucked in the back. Hammocks often swing under a shady structure of palm trees close to the water, where people of several different nationalities hang out, sometimes chatting, but mostly reading or just staring at the sea and gazing into the distance towards the pink-and-orange mountains of Arabia beyond.

    Mostly quiet

    Security in the area is tight and has been since 2010 when a hit-and-run battle ensued between government troops and a branch of ISIS way up north close to the Mediterranean Sea. But along the Gulf of Aqaba, 200 miles to the south, things are mostly quiet, except that officers in the army-run checkpoints may want to see your papers and find out where you’re going.

    At the first checkpoint, I asked for directions to Ras Shitan. The officer didn’t hesitate, “It starts here and goes all the way up to Sonesta Taba.”

    “Tell people it’s completely safe, nothing to worry about,” he added, remembering his civic duty to put in a good word for the country.

    Twenty years ago or so, this exceptionally charming stretch of beach was a mecca for Israeli tourists. But since then the tourist population has shifted. First the Italians came, then the Germans, and now the Russians rule the roost.

    A few miles on, I spotted a quad bike rental establishment called Gammal, or Camel Man, perched on a hill on the left side of the road, sporting flags from several countries. A dog, a cat and two men were napping in the front room. But in the back of the building, I came across a tall, dark and ruggedly handsome young man tinkering with a broken bike.

    “Ras Shitan is just over there,” he pointed across the road to a sign marked Castle Beach.

    “It’s a rocky formation that looks exactly like a skull,” he said. “You can’t see it from the road, because it’s about 20 meters under water, so you’ll need diving gear to get to it.”

    So I crossed over to Castle Beach and spoke to the owner, a man from the Bedouin tribe of Tarabeen, who soon contradicted this information.

    Secret code name

    Mutawea was in his mid-twenties when he set up his camp on this spot, nearly quarter of a century ago. After strolling around a cluster of bougainvillea-clad huts, we stopped in a palm-frond pergola for a chat over cups of aromatic Bedouin tea.

    “Is there really a skull-shaped rock in the sea?”

    “Nonsense,” Mutawea told me, shaking his head.

    According to Mutawea, a group of teenagers, including him, came up with the name years ago.

    When they were young they needed a private place where they could meet and escape the prying eyes of their parents, so they invented this secret code name.

    “Let’s meet at Ras Shitan,” they would say to each other, referring to a spot known only to them. Ras Shitan wasn’t a rock formation, it was freedom.

    “Over time, the name became associated with the big rock over there.” He pointed at a bluff near the edge of the water a hundred meters away.

    Selim, who works at a nearby camp called Ras Sinai, later on filled me in on the history of this area.

    Long ago, this part of the beach was called Ras Shattain, which in Arabic means Head of Two Beaches. With time, the name was shortened to Ras Shittan, or Devil’s Head, catchier and easier to remember.

    Little Head

    Further down the beach, I found another collection of huts scattered on the side of a small hill. Lene, a suntanned blonde from Oslo, to whom I had given a ride from the market earlier, invited me to meet her friends back at the camp.

    Four women were relaxing on hammocks near the beach, some reading paperbacks, others simply gazing at the glittering silvery-blue surf rippling quietly with the breeze. You get some waves here on windy days, but usually the Gulf of Aqaba is like a big lake. Northwards, it leads to Jordan and Israel, but for the most part it’s a 20-mile wide body of water squeezed between Egypt on the west and Saudi Arabia on the east.

    This camp, called Little Head, has a devoted clientele of Northern Europeans with a taste for alternative life styles. One of the women, Jikke (pronounced Yikka) owns a Dutch travel company, Zinai Travel, which runs tours for people interested in a mix of desert travel and meditation. "Zinai Travel arranges journeys, not just trips. We want people to have the chance to travel within," she told me.

    There are hardly any barriers between the half dozen, mostly Bedouin-run camps nestled along this coast. You can visit them all by walking along the edge of the water for half an hour or so, striking up conversations with strangers, or just zigzagging along the beach, inspecting calcified remnants of ancient-looking rock formations.

    Meditation Camp and Bedouin Star

    Meditation Camp is another in this beachfront group considered part of Ras Shitan. Owned and run by an Egyptian couple, Ahmed and Dina, the camp began as a destination for meditation groups from Switzerland, Germany and Norway, but now attracts visitors from all over. Room structures vary from Thai-style huts on stilts right on the beach, to self-catering chalets with ACs further back towards the restaurant.

    A few steps away is Bedouin Star, owned and run by Hassein, a local Bedouin, and his Dutch wife Patricia. The bungalows are spread out on the beach among palm trees and a lush growth of bougainvillea.

    Patricia was tending her flower and vegetable garden, but took the time to show me her best bungalow, a plywood and reed hut, complete with an en suite open-air bathroom in the back where you can shower with a full view of the imposing granite mountains nearby. The hut’s door opens onto a gravel-lined yard with an unobstructed view of the sea.

    My journey ended, an hour later, in Sawa Camp, which my friend had insisted has the best fish dish in all of Sinai. It was not among the group of camps near the rock (underwater or above water) known as Ras Shitan. It was almost 30 miles up north, toward Taba.

    “Who told you we were in Ras Shitan?” said Salama, the owner, obviously puzzled when told him that I scoured miles of beach looking for his establishment.

    His camp wasn’t even close to Ras Shitan, although a little mental confusion is to be expected after a few days of mesmerizing sand and surf.

    Salama showed me around his reed huts. This is what all camp owners do even if you don’t ask. And it is usually done with an air of pride. Pride in the reed huts, in the simple sponge mattress laid directly on the floor, and in the hammocks pulled across the porch.

    But above all, pride in the open skies above, the undaunted rock mountains that stand guard on both sides of the gulf as they have done for millennia, and in the star-studded skies that will enshrine the place after dark. It was sunset, and the sea was glowing a violet shade of pink, reflecting the color of the mountains.

    It was hard to tell where the sea ended and the mountains of Arabia began, a panorama of soft pastels combining both, the colors shifting every minute or so, from silver to pink, from pink to bluish grey, before the tints of the night approached with their calming effect.

    The sands of international travel continue to shift on this ancient landscape. On October 31, 2015, a Russian charter plane crashed in central Sinai, killing all 224 persons on board, the outcome of a terrorist bomb. Since then, tourism in Sinai has dwindled to a near halt.

    But Ras Shitan, is still there, quieter than usual, but beautiful as ever. And when enough time has passed for frayed nerves to recover, chances are the enchanting beach-front camps will thrive once more. Visitors will once again enjoy the approaching night to the sound of the lolling waves, first star rising above the distant mountains, then followed by another and another, until the sky is filled with more shining dots than all the troubles of our past, than all the uncertainties of our future.

    Over the distant mountain, a tiny crescent glimmers, beckoning us like it did so many itinerant travelers before, shining on a land that long ago thought of it as a talisman, a protector. And still does.

    -----------------

    Transportation
    East Delta buses (Cairo - Nuweiba EGP 70-90) — Online schedule at www.bedouinbus.com. Camp owners will arrange minibuses to and from Cairo for 6-10 passengers for around EGP 800 (about $110 US).

    Camps
    www.nuweibabeach.com offers information about all camps along the Gulf of Aqaba.

    ------------------

    Victoria Harper is a Houston native who lives and works in Egypt.

    A beach view from the Sawa Camp in Egypt's Sinai.

    Beach view at Sawa Camp Rash Sitan Sinai Egypt
    Photo by Victoria Harper
    A beach view from the Sawa Camp in Egypt's Sinai.
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    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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