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    Sundance Film Festival 2013

    What slump? Jeremy Lin rules at Sundance with crowd-pleasing documentary on his NBA ride

    Clifford Pugh
    Jan 21, 2013 | 10:13 am

    PARK CITY, Utah — Houston Rockets point guard Jeremy Lin is in something of a slump, having been benched in Saturday night's loss to Minnesota — the team's seventh defeat in a row. His numbers thus far this season have been less than impressive: He’s only averaging 12.2 points, 6.1 assists and 3.9 rebounds per game.

    But at the Sundance Film Festival, Linsanity continues to rule.

    An audience of diverse moviegoers — with many more Asian and African-American faces than at most other Sundance venues this week — laughed, cheered and even cried as director Evan Leong chronicled Lin's amazing story in an 88-minute documentary that had its world premiere at the festival on Sunday. One coach in the audience told the film's producers he can't wait to show the inspirational film to his players.

    As most basketball fans know, Lin, the first American-born NBA player of Chinese or Taiwanese descent, had been cut from several teams, including the Rockets, and was on the verge of seeing his major league dreams vanish almost exactly one year ago when he went on a tear.

    "To have it turn out like this is a dream for any documentary filmmaker. We kept shooting. We didn't have an ending. Last February gave us an ending."

    He led the Knicks to eight wins in his first nine starts, scoring at a amazing rate (25 points and nine assists against the then New Jersey Nets in his first significant action; 38 points against the Los Angeles Lakers and Kobe Bryant, who told reporters beforehand he didn't know who Lin was), and became a worldwide phenomenon.

    "To have it turn out like this is a dream for any documentary filmmaker. Just to get into the NBA was a great story; It was amazing he got that far," Leong told the audience in a question-and-answer session. "We kept shooting, but we didn't have an ending. Last February gave us an ending."

    But even years before that, Leong thought that Lin made a great story.

    Often overlooked

    In a sport where there are virtually no players of Asian-American descent, Lin had led his team at Palo Alto High School to the California state championship and excelled on the basketball court at Harvard, which he attended when no Pac-12 university offered him a basketball scholarship.

    He was overlooked again in the 2010 NBA Draft, but he was later signed by the Golden State Warriors, in part because the team owner had seen him play basketball against his son in high school.

    Leong and producers Chris Chen and Brian Yang first approached Lin about doing a documentary when he was a Harvard student, but he wasn't interested. "He didn't really want the cameras on him. He didn't want to be a reality star," Leong said. "But we persevered and kept talking to him and basically he let us do it."

    They reached an agreement to follow Lin when he was with the Warriors with the understanding that if no meaningful story developed, his family would at least have some nice home video.

    The documentary traces Lin's childhood in Palo Alto, where he broke Asian stereotypes by failing at piano concerts and excelling in basketball, and emphasizes his hard work, deep religious faith and dedication to the sport throughout his life. (Only 24, he is a rich man, having signed a three-year, $25 million contract with the Rockets after the Knicks refused to match the offer.)

    Lin acknowledges racist taunts on the court practically from the time he first started playing basketball, and, at one point in the documentary, says flatly that if he were an African-American player he would not have been overlooked by colleges and NBA scouts. But as a devout Christian, he is remarkably free of any bitterness.

    Part of God's plan

    He credits his incredible rise, along with injuries and other setbacks that have occurred, as part of God's plan. After outdueling Bryant in the big Knicks win last season, Lin says he was tempted to do some trash talking but thought, "What Would Jesus Do?" when reporters asked if Bryant knew who he was now, and instead humbly said they would have to ask the Lakers star.

    Toward the end of the film, in a segment that was shot in his Houston high-rise apartment, Lin said he often learns more about himself during times when things aren't going well. "I have a different perspective. You look at yourself more when you lose," he said.

    With a vow, no doubt, to come back stronger.

    So perhaps Rockets fans shouldn't give up on Lin just yet.

    As for Lin's adjustment to the Bayou City, a speaker during the Q&A — I think it was one of his brothers — says he's doing just fine.

    Houston is "a little quieter and a slower pace — and it suits his personality," he said.

    Leong added that Lin has seen the movie and "has enjoyed every cut we have shown him. He's quite trusting."

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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