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    Sundance Film Festival 2013

    What slump? Jeremy Lin rules at Sundance with crowd-pleasing documentary on his NBA ride

    Clifford Pugh
    Jan 21, 2013 | 10:13 am

    PARK CITY, Utah — Houston Rockets point guard Jeremy Lin is in something of a slump, having been benched in Saturday night's loss to Minnesota — the team's seventh defeat in a row. His numbers thus far this season have been less than impressive: He’s only averaging 12.2 points, 6.1 assists and 3.9 rebounds per game.

    But at the Sundance Film Festival, Linsanity continues to rule.

    An audience of diverse moviegoers — with many more Asian and African-American faces than at most other Sundance venues this week — laughed, cheered and even cried as director Evan Leong chronicled Lin's amazing story in an 88-minute documentary that had its world premiere at the festival on Sunday. One coach in the audience told the film's producers he can't wait to show the inspirational film to his players.

    As most basketball fans know, Lin, the first American-born NBA player of Chinese or Taiwanese descent, had been cut from several teams, including the Rockets, and was on the verge of seeing his major league dreams vanish almost exactly one year ago when he went on a tear.

    "To have it turn out like this is a dream for any documentary filmmaker. We kept shooting. We didn't have an ending. Last February gave us an ending."

    He led the Knicks to eight wins in his first nine starts, scoring at a amazing rate (25 points and nine assists against the then New Jersey Nets in his first significant action; 38 points against the Los Angeles Lakers and Kobe Bryant, who told reporters beforehand he didn't know who Lin was), and became a worldwide phenomenon.

    "To have it turn out like this is a dream for any documentary filmmaker. Just to get into the NBA was a great story; It was amazing he got that far," Leong told the audience in a question-and-answer session. "We kept shooting, but we didn't have an ending. Last February gave us an ending."

    But even years before that, Leong thought that Lin made a great story.

    Often overlooked

    In a sport where there are virtually no players of Asian-American descent, Lin had led his team at Palo Alto High School to the California state championship and excelled on the basketball court at Harvard, which he attended when no Pac-12 university offered him a basketball scholarship.

    He was overlooked again in the 2010 NBA Draft, but he was later signed by the Golden State Warriors, in part because the team owner had seen him play basketball against his son in high school.

    Leong and producers Chris Chen and Brian Yang first approached Lin about doing a documentary when he was a Harvard student, but he wasn't interested. "He didn't really want the cameras on him. He didn't want to be a reality star," Leong said. "But we persevered and kept talking to him and basically he let us do it."

    They reached an agreement to follow Lin when he was with the Warriors with the understanding that if no meaningful story developed, his family would at least have some nice home video.

    The documentary traces Lin's childhood in Palo Alto, where he broke Asian stereotypes by failing at piano concerts and excelling in basketball, and emphasizes his hard work, deep religious faith and dedication to the sport throughout his life. (Only 24, he is a rich man, having signed a three-year, $25 million contract with the Rockets after the Knicks refused to match the offer.)

    Lin acknowledges racist taunts on the court practically from the time he first started playing basketball, and, at one point in the documentary, says flatly that if he were an African-American player he would not have been overlooked by colleges and NBA scouts. But as a devout Christian, he is remarkably free of any bitterness.

    Part of God's plan

    He credits his incredible rise, along with injuries and other setbacks that have occurred, as part of God's plan. After outdueling Bryant in the big Knicks win last season, Lin says he was tempted to do some trash talking but thought, "What Would Jesus Do?" when reporters asked if Bryant knew who he was now, and instead humbly said they would have to ask the Lakers star.

    Toward the end of the film, in a segment that was shot in his Houston high-rise apartment, Lin said he often learns more about himself during times when things aren't going well. "I have a different perspective. You look at yourself more when you lose," he said.

    With a vow, no doubt, to come back stronger.

    So perhaps Rockets fans shouldn't give up on Lin just yet.

    As for Lin's adjustment to the Bayou City, a speaker during the Q&A — I think it was one of his brothers — says he's doing just fine.

    Houston is "a little quieter and a slower pace — and it suits his personality," he said.

    Leong added that Lin has seen the movie and "has enjoyed every cut we have shown him. He's quite trusting."

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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