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    A CultureMap Exclusive

    Meet the ex-Killen's employees opening a new barbecue joint in EaDo

    Eric Sandler
    Aug 28, 2025 | 5:25 pm
    Eastbound Barbecue Jake Granville Luis Lopez Ryan Penn Ryan Powell

    Meet the Eastbound Barbecue team: Jake Granville, Luis Lopez, Ryan Penn, and Ryan Powell.

    Photo by Eric Sandler

    A new barbecue joint is ready to introduce itself to Houstonians. Let’s meet the four men behind Eastbound Barbecue.

    Partners Ryan Penn, Ryan Powell, Luis Lopez, and Jake Granville all worked in senior roles for Ronnie Killen at his various restaurants across Houston. Lopez was the executive chef of Killen’s Steakhouse in The Woodlands, and Granville rose through the ranks from pitmaster of Killen’s Barbecue in Cypress to overseeing operations for the other two locations. Powell is a front of house specialist, and Penn was Killen’s most trusted lieutenant, overseeing operations and maintaining standards company-wide.

    Together, they’ve leased the former East End Backyard space (1105 Sampson Street) for Eastbound’s brick-and-mortar outpost. They’ll begin introducing themselves to the neighborhood with a pop-up this Sunday, August 31 from noon until sold out.


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    A post shared by Eastbound Barbecue (@eastboundbarbecue)


    For Penn, leaving the Killen’s organization after almost 20 years was a difficult decision, but one he felt he had to make. “I could have worked for [Killen] forever and been happy. It was more along the lines of, if I don’t do this now, I don’t want to be 70 and wish that I had,” he says.

    He asked Powell, the best man at his wedding, to jon the project. Together, they recruited Lopez and Granville for their culinary skills.

    “It was a no-brainer for me,” Lopez says. “Barbecue is something I’ve had my hands in for a bit. It’s the four of us cooking what we want. Working with these guys has been a fun challenge.”

    While they contemplated finding beginning their collaboration with a fine dining restaurant, the East End Backyard space lended itself to showcasing their skills with Texas barbecue. Once the group receives all the necessary permits, they’ll close in the bar’s covered patio to have climate-controlled seating. Rather than build a kitchen from the ground up, they’re installing converted shipping containers to give Eastbound a place to serve people. A separate enclosure will be built to house two, 1,000-gallon offset smokers and two rotisserie smokers. The property’s small bar will continue to serve cocktails and be the focus of plans to operate into the evening.

    These choices are designed to allow Eastbound to open as soon as October or November. Until then, look for them to do more pop-ups both onsite and in the neighborhood.

    Eastbound's Barbecue

    The obvious question for this quartet is — how do they create barbecue that tastes different from what they served while working for chef Killen? The answer is different seasonings that bring a fresh perspective to the Texas trinity of beef brisket, sausage, and pork ribs.

    Eastbound’s brisket uses rosemary salt in its rub for a herbal flavor that’s distinct from traditional Texas ‘cue. Similarly, the chefs decided to smoke baby back ribs rather than pork spare ribs and glazes them with a miso-caramel sauce for a sweet and savory bite.

    “It’s a smaller rib, so we’re able to give guests a couple more ribs per order. At the very least, it looks like more on the plate,” Lopez says.

    “One rib on a three meat plate is a problem we’re trying to avoid,” Granville quips.

    Instead of a traditional Carolina-style vinegar sauce, Eastbound’s pulled pork takes inspiration from Cuban-style mojo pork with a citrus component that’s bright and fresh. Instead of jalapeno-cheddar sauce, the team looks to Italy for with mozzarella and Calabrian chiles.

    Eastbound barbecue food A three-meat plate from Eastbound's first pop-up.Photo by Eric Sandler

    The sides are similarly distinct — herbed potato salad, stewed beans with Spanish chorizo, and a hatch chile lasagna that seems poised to become as essential to Eastbound’s identity as creamed corn is to Killen’s.

    For Sunday’s pop-up, they’re adding a beef cheek cheesesteak that occupies a space between the classic Philly favorite and a Mexican torta.

    After a successful trial run at Winnie’s, word about Eastbound is already spreading. They’ve picked up some catering jobs and are expecting a good crowd for Sunday. Since the restaurant is still in development, the quartet has had an opportunity to learn more about some of the bars and restaurants that have helped make EaDo and the East End a rising culinary destination.

    “I’d like to mention how excited we are to be part of East Downtown,” Lopez says. “Neil’s Bahr is down the road. We come here to work. When it’s time to go, we’re getting to know our neighbors. Nickel City and Eight Row are the main two.”

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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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