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    Meatopia Wrapup

    All-star chefs give meat-eaters a lot to gnaw on at Texas-sized feast

    Eric Sandler
    Nov 4, 2013 | 1:00 pm

    This weekend San Antonio's Pearl Brewery complex played host to the first Texas edition of Meatopia, the ode to meat-eating and live-fire cooking conceived by James Beard Award-winning food writer Josh Ozersky.

    At Saturday night's kick-off event, a dinner for 300 called The Beefsteak, Ozersky neatly summed up the motivation for and philosophy behind the two-day event. "I came to Texas to eat meat with people who like to eat meat," Ozersky proclaimed to cheers and applause.

    Indeed, the meat did flow. Three chefs, Tim Rattray of San Antonio's The Granary, Tim Byres from Smoke Restaurant in Dallas and New York chef Andrew Toscano prepared steak dishes that came out sliced and ready to eat to the communal tables. To quench their thirst, diners had their choice of wine, beer and cocktails from the event's sponsors. Together with live music, excess was the theme; even the small, token bowl of vegetables present to each table had a root beer glaze.

    "I came to Texas to eat meat with people who like to eat meat," Ozersky proclaimed to cheers and applause.

    Of the dishes, Rattray's steak with barbecue butter had the best crust, which made for an excellent contrast with the fatty, properly medium rare meat. But everything was delicious. Sitting next to a couple other Houstonians, we immediately began plotting our dream team of chefs for an all-steak fest.

    Two quibbles. First, there didn't seem to be a system in place for evenly distributing the entrees. After checking in with friends, they never received Tim Byres's coffee-cured steak with relish; since our table had an extra plate, we sent it their way. At my table, we only received one plate of Andrew Toscano's Calabrian-chile rubbed steak. Second, for an event which is inspired by Gilded Age excess, none of us reported being as ridiculously over-the-top full as we expected. A couple more plates of meat per table would have finished us off, although our cardiologists probably approve of the organizer's relative restraint.

    Choosing from among 32 chefs

    With an extra hour of sleep, I arrived at Meatopia Sunday morning ready to attack the 32 chefs who were serving meat in all its forms across the Pearl complex. For a first-time event, I thought it was extremely well-organized. Only the highest profile chefs, like Austin's Paul Qui, Dallas's John Tesar and San Antonio's Johnny Hernandez, attracted significant lines, and they moved quickly. Also, the model of paying one price that includes all food and beverages is a welcome respite from other festivals that require constantly paying additional money for food or coupons.

    Although I made a heroic effort to sample all 32 options, I gave up with five or six to go. Sadly, that meant I missed San Antonio chef Jason Dady's porchetta, which looked absolutely spectacular and attracted a consistent crowd. I also didn't try cookbook author Adam Perry Lang's barbecue sandwich, but his rig and setup were among the most impressive looking displays of the day. There's always next year.

    Underbelly was Houston's sole representative, but Chris Shepherd and his crew acquitted themselves well with a whole roasted pig prepared with Korean spices. The restaurant brought enough people, including sous chefs Ryan Lachaine and Lyle Bento and pastry chef Victoria Dearmond, that they were able to sample some of the other dishes between tending to the booth. In particular, Shepherd enjoyed the lamb neck gyro prepared by California chef John Fink.

    My Top Six dishes of Meatopia

    Johnny Hernandez of La Gloria in San Antonio: There was something almost medieval looking about Hernandez's stretched out, roasted cabrito. He served the tender goat meat on freshly made tortillas with an array of salsas. "Best taco I ever had," Ozersky tweeted.

    Rene Ortiz, formerly of Sway in Austin & Ford Fry of The Optimist (among others) in Atlanta: Amidst the beef heart, lamb necks and bison, anyone preparing chicken has to be pretty impressive to be memorable. Ortiz's grilled chicken with chile paste and other spices delivered in a big way: moist, flavorful, spicy. If not for this tweet from Eater National's Paula Forbes, I might have missed it. Although Fry has made his name in Atlanta, he's a Houston native who graduated from Lamar High School. His chicken parts included feet and breast. Asked about how to eat it, Fry told one diner "just gnaw on it." Yes, chef.

    Geronimo Lopez of Nao in San Antonio: Lopez serves as both executive chef and instructor at this restaurant that's part of the Culinary Institute of America's campus at Pearl; he made the most of his home field advantage. The large, hanging veal legs cooked at Nao's outdoor kitchen was among the day's most impressive displays, and the side of creamy polenta was so delicious I briefly pondered a second helping.

    Andrew Weissman of Il Sogno Osteria in San Antonio: The chef's braised, stuffed breast of veal was tender, juicy and beautifully cooked. Amidst a lot of chefs with bold flavors, Weissman stood out with his subtlety. Well played.

    Ned Elliot of Foreign & Domestic in Austin: Which isn't to say there wasn't a place for bold flavors. Elliot's crispy lamb ribs were spicy, intensely flavored and a total mess to eat. Isn't that half the fun of attending an event called Meatopia?

    Salt-cured, whole roasted pig by San Antonio chef Steve McHugh.

    1 Meatopia in San Antonio November 2013
    Photo by Eric Sandler
    Salt-cured, whole roasted pig by San Antonio chef Steve McHugh.
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    Oh, Donna

    New Houston cocktail bar serves up a house party fueled by music and martinis

    Eric Sandler
    Dec 15, 2025 | 5:30 pm
    Donna's cocktail bar interior
    Courtesy of Donna's
    People are flocking to Donna's.

    It hasn’t taken long for Houston cocktail fans to discover Donna’s. Ever since it opened Thanksgiving weekend, the new cocktail bar in the Heights has been packed with people eager to check out the new project from Anvil owner Bobby Heugel and veteran Houston bartender Jacki Schromm.

    Named for Schromm’s grandmother, both partners use the word “house party” to describe the kind of atmosphere they want to create at Donna’s. That party can be very energetic on busy weekend nights and a little quieter and more intimate during the week — allowing patrons to choose what kind of experience they want to have.

    Heugel and Schromm worked with collaborators on the design, music, and art for Donna’s. So far, people seem to be enjoying themselves.

    “It’s really f---ing awesome,” Schromm tells CultureMap. “It has been really remarkable to have people in this building. To see the room full is a rewarding experience. The feedback we’ve received has just been really positive.”

    To transform the former Ready Room into Donna’s, the partners collaborated with Brittany Vaughn of Garnish Design. Known for her work at establishments such as Tiny Champions, Maximo, and Milton’s, Vaughn helped divide the retro-styled cocktail bar into two distinct interior spaces. The main bar area is defined by high-top, organically-shaped tables that allow large groups to congregate or smaller groups to share without being on top of each other. The more intimate living room section features a large couch and a spacious booth.

    “There’s a lot of smart utility in the space,” Heugel explains. “We kept talking about how it’s a small space. We want to find a seat for everybody as much as possible.”

    To honor the space’s history of hosting live music, the partners worked with Chicago-based firm Uncanned on a powerful vintage stereo that includes both a reel-to-reel tape deck and a turntable. Known locally for their work at restaurants such as Nancy’s Hustle and Nobie’s, the Uncanned team gave Donna’s the ability to kick out the jams with ultra-clear sound while not being so loud that people can’t talk to each other. It also opens up the possibility of people playing their favorite albums on select nights.

    “Jacki and I both had the bold opinion when we started talking about Donna’s that cocktail bars were boring. We wanted to add more layers to the onion,” Heugel says. “Having music be here as an additional component to the bar makes the room feel really good. That’s important to us, and we’ll have some programming related to that.”

    Keli Hogsett of Austin’s CoCollect helped Schromm and Heugel select the room’s distinctive art on its walls. Heugel describes the works as museum-quality, contemporary pieces from regional artists that are a cut above what’s usually seen in bars. Hogsett will also source the art for the new restaurant Heugel and chef Justin Yu are opening next year in the former Vibrant space.

    Schromm, who partnered with Heugel after working at Anvil and Reserve 101, created the opening cocktail menu herself. One highlight is the Jacki’s Martini, a nod to the “Bobby’s Martini” served at Refuge and the “Terry’s Martini” served at Squable. It’s a 50-50 mix of gin with Cocchi Americano and Dolin Blanc vermouth. She describes it as more “sessionable” than a traditional martini.

    “I think this cocktail menu has a lot of personality,” she says. “Some of my flair, whether it’s a spirit I chose or a flavor I like.”

    Although parking on the property is limited, Heugel notes that street parking on White Oak is relatively plentiful. A nearby pay lot is available, or people can skip the issue altogether by using their favorite rideshare service.

    Of course, the adjacent restaurant space won’t stay empty for long. As CultureMap has previously reported, Austin-based pizzeria Home Slice has claimed the building for its second Houston location that will open in fall 2026.

    -----

    Donna's, 2626 White Oak Drive. Open daily from 2 pm-2 am

    Donna's cocktail bar interior

    Courtesy of Donna's

    People are flocking to Donna's.

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