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    Sexy Cocktail Bar

    New downtown cocktail bar emphasizes sexy restraint in calm, cool atmosphere

    Eric Sandler
    Sep 24, 2014 | 2:14 pm

    Moving Sidewalk, the bar that has replaced shuttered ramen shop Goro & Gun, opened quietly on Main Street last weekend. With teal walls and three antique chandeliers hanging over the bar, it's a calmer, cooler atmosphere than its predecessor. As one patron quipped during Saturday night's first official service, "It doesn't look like Josh Martinez's dorm room anymore" (referring to the ramen shop's former partner).

    For Gregg, restraint is the governing principle that guided this new venture — the first time the veteran barman, whose credits include Anvil and The Pass & Provisions, has his own place.

    Beverage director Alexander Gregg tells CultureMap the new look reflects a deliberate choice. "We wanted it to feel sexy. Dark lights, candles, nice cool color on the walls . . . Teal is a soothing color. Kinda puts people in a good mood."

    If it all feels a little bit restrained, well, that's sort of the point. For Gregg, restraint is the governing principle that guided this new venture — the first time the veteran barman, whose credits include Anvil and The Pass & Provisions, has his own place.

    "In any creative form, I feel like restraint is the hardest principle to attain. You know a great master painter by his restraint. It’s not the lines he draws. It’s the lines he doesn’t draw," Gregg explains.

    Gregg gets a little philosophical when asked to explain how restraint manifests itself in Moving Sidewalk's tidy, eight-item cocktail menu.

    There’s a couple of schools of thought on flavor balance in cocktails. I’ve seen judges in competitions tell people ‘you should be able to taste every component in your drink. Every ingredient, you should be able to taste that.’ I completely disagree. When you add ingredients, you don’t taste them all on their own.

    That’s where the restraint comes in. Maybe you can taste the chartreuse in that drink but if you dial it back a little bit and not hitting you over the head with chartreuse it’s a little more interesting . . . but if you take it out it doesn’t taste the same."

    Even the name, which is inspired by ZZ Top guitarist Billy Gibbons' first band, is a more low-key reference that replaces one taken from a Japanese cult classic movie. Beyond alluding to a local legend, Gregg cites two components of the name. "There’s this flow of people downtown. It’s becoming a bar hopping district. Basically, outside is a moving sidewalk," Gregg says. "Finally, is the name memorable? Or does it have a world-class feel to it? We think it does."

    Kitchen cocktails

    Gregg thinks that having a kitchen will help Moving Sidewalk distinguish itself from Bad News Bar, the neighbor that he cites as another world-class cocktail bar in Houston. Compared to bars that focus on classic cocktails, Gregg says that Moving Sidewalk will be "a little more modern in the approach. Having the kitchen allows us to create ingredients that don’t exist and use them in cocktails."

    Even the name, inspired by ZZ Top guitarist Billy Gibbons' first band, is a more low-key reference that replaces one taken from a Japanese cult classic movie.

    The kitchen's vacuum sealer helps with a rosehip infusion for the Lermontov Rose cocktail, and bartender Molly Pillow created a fig and marigold shrub for the All That Falls. Ultimately, Gregg cites bars like The Aviary in Chicago and Booker and Dax in New York as examples of places with kitchens that are creating modern cocktails.

    "I’m not going to say that’s the style we’re going for, but looking at some of the different techniques and some of the different lines of thought is definitely an inspiration," Gregg says.

    The bar's modern approach is best demonstrated in the White Lady -> to Corpse Reviver No. 2, in which liquid nitrogen is used to freeze Cocchi Americano and absinthe, the ingredients that distinguish the two drinks. The first sips are all White Lady, but the Corpse Reviver No. 2 emerges as the ingredients melt. The theater created by watching the liquid nitrogen pour into a glass from a thermos has an instant "gotta have it" effect that prompts nearby patrons to order the drink.

    Beyond a specific cocktail or technique, Moving Sidewalk is Gregg's first opportunity to have his own place. "It’s always been a dream of mine to have a bar. The reality is still kind of setting in," he admits.

    "It’s huge. It’s a life changing event for me for sure. It’s one thing to have a job. It’s another thing to have a bar."

    Moving Sidewalk is open Tuesday through Saturday from 4 p.m. to 2 a.m.

    Calm, sexy and illuminated by candlelight.

    Moving Sidewalk Interior
    Photo by Alexander Gregg, courtesy of Moving Sidewalk
    Calm, sexy and illuminated by candlelight.
    unspecified
    news/restaurants-bars

    what's next for chef sunny

    Exclusive: Outspoken Houston sushi chef sounds off on ghost kitchen pivot

    Eric Sandler
    Sep 3, 2026 | 4:13 pm
    Sunny Bertsch Chefs Bowls Three Fish Bowls
    Courtesy of Sunny Bertsch
    Chef Sunny Bertsch recently closed Kaisen Sushi.

    Chef Sunny Bertsch is moving on from his embattled ghost kitchen concept. On Sunday, August 30, he closed Kaisen Sushi and will soon replace it with two more affordable concepts.

    Like Kaisen, the ghost kitchen sushi restaurant that earned a Best New Restaurant nomination in the 2026 CultureMap Tastemaker Awards, Bertsch's new projects, called Chefs Bowls and Three Fish Bowls, will both be ghost kitchen concepts that operate in Third Ward’s Blodgett Food Hall. Bertsch explains that new concepts reflect the lessons learned from operating Kaisen for just over a year.

    “Ghost kitchens are really designed for a particular kind of business, which is essentially lower ticket average QSR food,” Bertsch says. Kaisen, where a standard order could run $60 or more per person, never did enough business to be sustainable, an issue that Bertsch spoke about regularly on social media.

    “Long story short, I didn't know what I was getting myself into by trying to put a really super nice concept in that my particular location. It was really difficult to overcome,” he says.

    Bertsch acknowledges that his inexperience in the restaurant business also played a role in the decision to close Kaisen. For example, he says he pays his staff more than traditional restaurants, but Kaisen doesn’t generate the same revenue a brick-and-mortar restaurant does due to factors such as its lower prices and lack of alcohol sales (among others).

    So he’s pivoting to two new concepts that will be more similar in price with the other concepts at Blodgett, roughly $15-25 per person. Although they’re similar and operate out of the same kitchen, listing them separately is necessary, because delivery platforms limit the radius of raw versus cooked concepts, Bertsch explains. Both are expected to launch the week of September 7, after Bertsch completes renovations to his space at Blodgett and gets the menus uploaded to third-party delivery services like Uber Eats and DoorDash.

    Sunny Bertsch Chefs Bowls Three Fish Bowls

    Courtesy of Sunny Bertsch

    Chef Sunny Bertsch recently closed Kaisen Sushi.

    Chef’s Bowls will serve rice bowls topped with proteins such as chicken teriyaki, salmon teriyaki, and steak, which will be cooked sous vide and seared to order. Bertsch hopes to stand out with a little more attention to detail than his competitors.

    “We've had access to rice bowl concepts that operate within our vicinity, and we see the kind of food that's being put out,” Bertsch says. “I want to see if I could do better. I'm not saying I am better, but I think there are some intangibles that are missing with the rice bowl space. I want to make my honest attempt at seeing if I can provide food at a lower price, and see if we can just make something from scratch that's of quality.”

    That same spirit will power Three Fish, which is named for the three proteins that are the top sellers at every sushi restaurant — salmon, yellowtail, and bluefin tuna. Bertsch intends to use the same fish that he used at Kaisen, just prepared differently. Using bluefin will differentiate Three Fish from similar concepts that use less expensive yellowfin tuna, Bertsch explains.

    “I'm really not a personal fan of yellowfin tuna. It's tasteless, and you’ve got to do a lot of dressing up of yellowfin tuna to make it taste interesting,” he says. “I'd rather have bluefin tuna. We've been testing it in the kitchen here and there when we have time, and it's so much tastier. Tuna should taste like tuna.”

    As for Kaisen, it could come back in the future. Bertsch says he’d like to find a brick-and-mortar location that would allow him to serve both dine-in and to-go customers. For now, he’s focused on making Chefs Bowls and Three Fish as successful as possible.

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