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    Food for Thought

    Julia Child's unbelievable Texas connection: French cooking came armadillo closeto a makeover

    Marene Gustin
    May 6, 2011 | 10:14 am
    • A fascinating read of the pen pal friendship about writing, cooking andpolitics.
    • "But hell and damnation, why is it so large, and why is it called a Bowieknife?"
      Courtesy photo
    • "And don't use too much of them habaneros. They can be warm coming in and warmcoming out."
    • "Paul and I drank it [Lone Star Beer] last night with Coq a Vin, a ratherinteresting paring."

    As Always, Julia: The Letters of Julia Child & Avis DeVoto chronicles the correspondence between the two women during the painstaking process of the creation and publishing of Mastering the Art of French Cooking.

    It’s a fascinating read of the pen pal friendship based on writing, cooking and politics that came about after Child wrote a letter to DeVoto’s husband, concerning an article he wrote for Harper’s bemoaning American knives. One thing led to another and a fast friendship was formed.

    But, what the book doesn’t detail, is Child’s correspondence with another, little-known American, a Texan called Maybelle Muleshoe, who also sent a knife to the DeVoto’s, which was forwarded to Child.

    Here, for the first time ever, (seriously, ever!) are samples of the correspondence between the chef and the Texan.

    81 Rue de L’Université, Paris 7 June 3, 1952

    Dear Mrs. Muleshoe:

    Mrs. DeVoto kindly forwarded your letter and the enclosed knife. I must say I didn’t think an American knife could be anything like this. I have used it for cutting vegetables and it does well, BUT HELL AND DAMMNATION why is it so large and why is it called a Bowie knife?

    Sincerely, Mrs. Paul Child


    Last Ranch on the Left
    Cut and Shoot, Texas September 29, 1952

    Hey there Mrs. Child!

    I was gosh darn surprised to get your letter. I am glad you like the knife. We here call it a Bowie knife ‘cause of a big ol’ fight between Jim Bowie (God bless his soul) and some guys he fought off with that 10-inch knife. Some folks call it an Arkansas toothpick but not around these parts. Yes, it’s good for chopping greens but you can also gut a deer with it real well.

    Bye now, Mrs. Muleshoe

    81 Rue de l’Université, Paris 7 January 15, 1953

    Dear Maybelle:
    I hope the New Year finds you well! Thank you so much for the holiday gift basket. I do not know about the little orange peppers but I shall try to work them into some sort of dish. What sort of wine works well with them do you think? Are they terribly spicy? Perhaps a nice Pouilly-Fuissé do you think? Anyway, I believe Avis has found a publisher for our French cookbook and I am enclosing a chapter on fish recipes I would like to get your thoughts on.

    Much love, Julia.

    Last Ranch on the Left
    Cut and Shoot, Texas April 12, 1953

    Jules:

    I don’t know about that wine crap, we always just pretty much drink tequila or beer down here. Do they have a good tequila in France? And don’t use too much of them habaneros, they can be a little warm going in and coming out. You know what I mean? As for the chapter of the book you sent, I can only say that I don’t know nothin’ about those recipes. The only fish we eat are fried catfish and whatever the boys can catch down at the river. You cook your fish in wine? That kinda seems a waste o’ good hooch.

    Luv ya, Maybelle



    September 2, 1954

    Dear May:

    Thank you for the case of Lone Star beer. Paul and I drank some of it last night with my Coq au Vin, a rather interesting pairing. Regarding your last letter, there are no French recipes for the cooking of armadillo and I haven’t the faintest idea of what kind of sauce would help “spice it up.” I must say I am intrigued by these Tex-Mex cafes you wrote about and hope to someday come to Texas and try them. The chili con queso sounds a lot like fondue but I have no idea what a “bowl of red” is. This book business is dragging on forever. Sometimes I wonder why I ever started it and wish we’d just stuck with the cooking school.

    Love, Julia

    April 1, 1955
    Jules:

    Sorry I haven’t written in a long time, things have been real busy here at the ranch. Was darn glad to hear that you are still working on that book. I sure want to get a copy when it comes out both for all the fancy recipes and ‘cause I think it’ll be heavy enough to keep that back porch door from slammin’ in the wind. I’ve been think’ about what you said and maybe a will start a cookin’ school here in Cut and Shoot. Maybe I could get some gals to do it with me and call it Tres Gordas. Ha, ha! Thanks for the chicken recipe, I’m gonna try it Sunday when we kill one of the hens for supper. And yes, I did ship that armadillo meat to ya, please let me know when it arrives.

    Luv, Maybelle


    Sadly, this is the last of the letters to be found. History does not record whatever happened to Mrs. Muleshoe or her friendship with Julia Child. Or if the armadillo meat ever made it to France. However, we do know that no recipes for roadkill were included in Mastering the Art of French Cooking and there appear to be no recipes requiring habaneros.

    And this is probably a good thing.

    unspecified
    news/restaurants-bars

    need a hand?

    Growing Houston sushi chain rolls into new Galleria-area development

    Eric Sandler
    Mar 6, 2026 | 2:45 pm
    Handies Douzo hand rolls
    Courtesy of Handies Douzo
    Handies Douzo will brings its hand rolls to Uptown later this year.

    A growing Houston hand roll restaurant has signed on to a new Galleria-area development. Handies Douzo is the fourth restaurant announced for Central Park Post Oak.

    Opened in late 2019, Handies is known for wrapping its rolls in crispy seaweed that gives each bite a distinct crunch. The well-executed dishes and affordable prices helped Handies earn a nomination for Neighborhood Restaurant of the Year in the 2026 CultureMap Tastemaker Awards.

    On track to open later this year, the Uptown location will be Handies Douzo’s fourth, joining its original in the Heights as well as restaurants in Montrose and Spring Branch. Like those siblings, it will serve Handies’ familiar menu of hand rolls (temaki), crudos, and sashimi that’s overseen by founding chefs and co-owners Daniel Lee and Patrick Pham.

    Duckstache, the hospitality group behind Handies, is working with Houston’s Gin Design Group on the interior. Expect a slightly more upscale look than the restaurant’s other locations, with details such as matte black finishes and dark terrazzo to complement the 26-seat counter.

    “We’re really intentional about the neighborhoods we choose and where we think Handies Douzo will feel like a natural fit,” Lee said in a statement. “Houston diners know what they like, and Uptown is such a vibrant, fast-growing area. Central Park Post Oak felt like the right match for our handroll experience and the way people in Houston live, work, and dine.”

    Handies is the fourth restaurant that’s announced its plans to open at Central Park Post Oak. The others are:

    • Buck & Rider, an Arizona-based seafood restaurant known for its oyster bar and lively brunch
    • The Henry, the “ultimate neighborhood restaurant” from Flower Child owner Fox Restaurant Concepts
    • Sparrow Italia, an Italian steakhouse from Toca Madera owner Noble 33.

    Announced last year, Central Park Post Oak will consist of three buildings with a combined 1.2 million square feet of office space separated by a three-acre lawn. Houston-based real estate development firm Midway, working with real estate investment firms 3Edgewood and Parkway, is developing the property. Construction is expected to be completed in the fall of 2026 with the restaurants openings to follow.

    “Handies Douzo represents the kind of thoughtful, chef-driven hospitality we want at the heart of Central Park Post Oak,” Midway vice president Clayton Freels said. “Patrick, Daniel, and the Duckstache team have built a loyal following across Houston, and we are thrilled to help them extend that experience to Uptown in a way that feels authentic to both the brand and the neighborhood.”

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