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    where to eat right now

    Where to eat in Houston right now: 9 best new restaurants serve up steak, ramen, dim sum, and more

    Eric Sandler
    Apr 20, 2022 | 6:00 am

    After a frantic end of 2021 led to a busy beginning of 2022, the last couple of months have seen a slight slackening in the pace of restaurant openings. Blame the rodeo, maybe, or simply note that some sort of pause needed to happen at some point.

    Regardless of the reasons for the diminished quantity of new openings, it provides an opportunity for this column to include a few worthy establishments that had previously flown under the radar. This month’s list includes the Montrose steakhouse that’s packing in diners, and the buzzy, New York City import that’s a smash hit in The Heights. It also more established spots like one of the city’s best modern soul food restaurants and a salad concept that’s winning fans in West U.

    As always, these are roughly ordered by the priority I would give to trying them, but all of the entries on the list have something to offer. Write-ups are based on actual experiences dining at the listed restaurants (sometimes more than once). They’re less formal reviews than a guide of what to expect along with some suggestions for what to order (and what to avoid).

    Marmo
    Atlas Restaurant Group, the Baltimore-based company behind River Oaks District seafood restaurants Loch Bar and Ouzo Bay, has opened this Italian steakhouse in the Montrose Collective mixed-use district. Named for the Italian word for “marble,” the restaurant serves an enticing mix of shareable appetizers, freshly made pastas, Italian-American classics, and dry-aged steaks — all paired with cocktails and a mostly Italian wine list.

    Highlights from a recent meal included a hamachi appetizer that gets a little crunch from a squid ink rice chip; a dry-aged, bone-in ribeye that had an appealing funk; and a squid ink campanelle loaded with blue crab and served with rich uni cream sauce. A classic take on chicken parmigiana featured plenty of gooey cheese and a slightly sweet tomato sauce. Live music played on a grand piano in the lounge area provides a little old school atmosphere.

    Tatemó
    Moving to a permanent location near Spring Branch has allowed chef Emmanuel Chavez to taken his maize-obsessed concept to the next level. While customers can still buy artisan tortillas made with different varieties of heirloom corn using a traditional nixtamalization process, Tatemó now offers an expanded range of brunch items on Sunday and an elegant, eight-course tasting menu on Saturday nights.

    Brunch dishes such as masa pancakes and a quesadilla with choice of fillings provide well executed takes on classic fare, but the tasting menus really allow Chavez to display his skill. A recent meal featured both a personal sized tlayuda with a crispy texture and an expertly cooked, medium rare ribeye that served as the filling for carne asada tacos with the restaurant’s flavorful tortillas. Simply put, it’s some of the most elegant, thoughtfully prepared Mexican cuisine I’ve experienced in Houston.

    The Warwick
    Hospitality industry veterans Steve Rogers (Bar 5015), Rob Wright (Prospect Park), and Mazen Baltagi (Slowpokes) have teamed up to launch this high end concept in the former Houston’s space on Westheimer. Named for the iconic Houston hotel, the restaurant features a reworked interior — still built around posh booth seating — along with new additions like a private dining room and a covered patio.

    Chef Antoine Ware (Hay Merchant, Harold’s in the Heights) has created a menu grounded in upscale Cajun/Creole fare that also pays a couple of nods to the space’s former occupant. That means the ability to order Ware’s take on Houston’s classics like spinach artichoke dip and a Hawaiian ribeye (a little sweet in a good way; served with a huge slice of grilled pineapple) along with shrimp and grits, roasted oysters, and blackened snapper. Ware also shows a deft touch with salads; both the “Not a Wedge” and his Thai Noodle Salad emerged as favorites at a recent meal. Unfortunately, both the ribeye and an order of lamb chops arrived under their requested temperatures, but that seems more like new opening jitters than cause for concern.

    The Greasy Spoon
    Admittedly, it has taken me too long to make my way to Max Bozeman’s upscale soul food restaurant — Black Restaurant Week co-founder Warren Luckett gave it a shout out on a podcast episode last year — but a visit to the six-month-old Pearland location found the restaurant in fine form. Braised oxtails had a luscious, melty texture, while a seafood platter featured well fried catfish and juicy sauteed shrimp. The Greasy Spoon gets all the sides right, too, from rich mac and cheese and vibrant collard greens to sweet candied yams dirty rice with the right amount of liver-y funk.

    Both locations are famous for their lines during weekend brunch, but the Pearland location had tables available during a weekday lunch. Those who want to avoid the crowds should plan accordingly.

    Bluestone Lane
    Don’t confuse this Australian-inspired, New York-based restaurant with a coffee shop. Yes, it does sell flat whites and other coffee drinks to-go, but the focus is on a full service, cafe-style experience.

    In order to sample both Bluestone Lane’s all-day breakfast options and its lunch offerings, we opted for a “brekkie board” of smash avocado toast paired with granola and a Rainbow Bowl (roasted carrots, spinach, farro, edamame, diced beets, sliced red cabbage, feta, poached egg, and avocado topped with chimichurri yogurt dressing). Note that the ability to order from the table via smartphone makes it easy to customize every dish by adding extras like bacon (to the avocado toast) and lemon and garlic chicken (to the Rainbow Bowl) or removing any unwanted components. The kitchen turns out flavorful food, although a server saying the kitchen had no way to warm up an almond croissant did seem a little odd.

    While Bluestone Lane is a welcome addition to an area that’s lacked this style of casual, all-day dining since Down House closed, it does come at a cost. Lunch for two rang up at over $50 before tax and tip.

    Roberta’s/Ramen Moto
    Post Houston continues to add concepts that make its Post Market food hall one of this year’s most exciting dining destinations. Roberta’s has started turning out the same wood-fired pizzas that earned the original location in Brooklyn national acclaim. Start with the Famous Original, essentially a fancy cheese pizza, that shows off the restaurant’s high quality ingredients and properly charred, pleasantly chewy crust. The pepperoni roll provides a bit of Ratatouille-style nostalgia with its ranch dipping sauce.

    Mike Tran, chef-owner of Chinatown favorites like like Mein and Tiger Den, is responsible for Moto Ramen. The stand serves a rich, almost creamy tonkotsu and a more mild shoyu broth alongside various spiced up options. Al dente noodles and flavorful chasu hold their own with any of Houston’s other well-regarded noodle shops.

    Leaf & Grain
    Yes, this salad and bowl concept has been operating downtown for a couple of years, but its West University location near the corner of Weslayan and Bissonnet has only been open for a few months. Lured by a one-off sandwich special, I also took the opportunity to try the restaurant’s first rate chicken tortilla soup (nice tomato flavor, just the right spice level) and The Oasis, a Mediterranean-inspired salad that features baked falafel and a zippy zhug vinaigrette. Like other, similar concepts, diners may also build their own salads and bowls from a couple dozen ingredients.

    Dim Sum Box
    Fung’s Kitchen may still be closed, but the Fung family has returned to the dim sum business via this fast casual restaurant in Katy. The menu covers all of the familiar dumplings, stuffed noodles, steamed buns, and other items (chicken feet) that one expects from a dim sum meal. Shu mai and hai gow match any of the familiar Chinatown options for texture and flavor, and the fast casual format means diners get exactly what they want without having to wait for a server to take an order or carts to circulate through a dining room.

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    Don't miss the squid ink campanelle, right, at Marmo.

    Marmo pasta
    Photo by Kirsten Gilliam
    Don't miss the squid ink campanelle, right, at Marmo.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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