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    Houston's Ice Queen

    Houston's own Ice Queen: Frozen bar wiz aims to change the way you drink forever

    Eric Sandler
    Apr 2, 2015 | 4:40 pm

    The Ice Queen cometh.

    Hope Clarke, the ice chef at Chicago's James Beard Award-winning cocktail bar The Aviary, will move to Houston to open a high-end ice business in conjunction with The Hospitable Viking, the new bar and restaurant group that recently opened The Commoner and The Boulevardier in downtown Houston.

    Clarke tells CultureMap that she worked at a variety of front of house positions in both Louisville and Chicago before finding her calling at The Aviary. She explains that the position has been difficult for the bar to fill, because it takes a certain kind of person with an appropriately "nerdy" disposition for ice.

    As the ice chef, she's responsible for creating 25 to 35 different kinds of ice, including the bar's signature hollow ice ball.

    "Chefs didn’t want to take it because they weren’t working with food. Bartenders didn’t want to take it because they weren’t working with people," Clarke says over a margarita at El Big Bad. "I staged, loved it. Just loved the job. I’ve done nothing but go in and make ice in a basement for the last 10 months."

    As the ice chef, she's responsible for creating 25 to 35 different kinds of ice, including the bar's signature hollow ice ball and hand carved cubes and spheres. Her tools include a variety of ice picks, knives and saws (this article shows her at work). She's embraced the title of "Ice Queen" as an indication of her skill in her medium — it also beats being dubbed "Elsa."

    "We call it ice chef because a lot of people are working with Clinebell and Clear Ice (two kinds of ice machines) but it’s not for consumption in drinks. The reason we call it a chef is because all we do is think about ice and the way it can be consumed. That’s the culinary aspect of it," Clarke explains. (This video documents The Aviary's ice program.)

    Although some Houston bars already devote attention to ice and downtown cocktail bar Moving Sidewalk has introduced hand-cut, crystal-clear spheres, the skills Clarke learned from Aviary beverage director Micah Melton represent the next level of attention to detail in this area.

    "When I think about creating a piece of ice for a drink or a cocktail, just as a bartender, there’s definitely a culinary aspect," Clarke says. "I don’t want to do it just to cool the drink down or just to look pretty. It had to contribute something as well. Flavor, the dilution rate, you have to think about the way it’s interacting with the guest. I personally really enjoy creating an interactive type drink.

    "A drink that changes or evolves over a period of time that the guests can interact with."

    Clarke says she always knew her stay at The Aviary would only last for a year or so and began to plan her next move. After meeting Treadsack bar director Leslie Ross during Ross's weeklong stage at The Aviary last year and an Aviary regular from Houston with a passion for ice, she began to consider the Bayou City. Originally, she thought she would divide her time between Houston and Chicago, but that changed when she met Hospitality Viking beverage director Joe Stark and owner Carson Hager.

    She's embraced the title of "Ice Queen" as an indication of her skill in her medium — it also beats being dubbed "Elsa."

    "We had plans for an ice company from the beginning," Hager says. "There really isn’t a great source for it here. We knew it was going to be critical to our success and having a quality product . . . . Joe catches wind that Hope, the Aviary ice queen, is possibly coming to Houston. He asked me if he should get in touch. Absolutely, feel her out. See what she’s up to. He did. She had a great conversation with Joe first. I talked to her. Actually, she talked to me for about an hour on the phone; I don’t think I got a word in edgewise."

    Clarke quickly chimes in. "I just wanted to make sure it was right. If it wasn’t going to be mine, I wanted to make sure it was going to be right."

    Finding they had similar ideas, Clarke and Hager agreed to form a business that would supply ice commercially to The Hospitable Viking's concepts as well as other bars and restaurants in Houston. Their plan also calls for what Clarke thinks will be the world's first retail ice shop. Hager says he has a space for the business and will begin building it out to Clarke's specifications prior to her relocating to Houston in May.

    "I’m not sure there’s a demand today," Hager concedes. "People don’t think of it. But I think once you offer something at this level of quality there’s a certain demographic it will certainly appeal to. It’s our job to find them, market to them and make it easy for them to buy it."

    Some of The Aviary's signature elements, including the hollow ice ball, will remain in Chicago, but Clarke plans to develop new shapes and flavors that she thinks will appeal to Houstonians. As for her soon-to-be former employers, she says they're happy for her.

    "They’re very excited for me. I’m blown away by their support."

    unspecified
    news/restaurants-bars

    designed for all occasions

    New restaurant's Astrodome-inspired design is 'unlike anything in Houston'

    Emily Cotton
    May 1, 2026 | 2:05 pm
    Kirkwood restaurant interior
    Photo by Leonid Furmansky
    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    Legendary Houstonian Mac Haik has managed to fit many lives into his impressive 80 years. Haik, whose empire of car dealerships made him a household name, played no small part in the development of the city’s booming west side. Prior to that, at just 22-years-old, Haik made history with the Houston Oilers as the first person to catch a touchdown pass in the Astrodome.

    His latest venture — the glitzy Kirkwood restaurant — pays homage to the Energy Corridor, a storied football career, and the people who helped him along the way.

    While the Mac Haik Restaurant Group has focused on franchises such as breakfast concept First Watch, Kirkwood is its debut signature restaurant concept. The restaurant’s kitchen is led by executive chef Stephen Chiang, who guests will see quite a lot of thanks to the copper-clad, open-concept kitchen that includes a custom copper hood.

    Located at the base of Energy Tower II at 11720 Katy Freeway, MHRG designed Kirkwood to host a range of experiences. When it opens on Monday, May 11, Kirkwood is intended to become a go-to spot for lunch meetings, a chic spot for group dinners and celebrations, and a cozy place to share a romantic evening near the double-sided, all-seasons fireplace, among other occasions.

    It takes a keen eye and majorly-sharp editing skills to create a space that can perform so many different tasks. It’s unusual for a space that highlights a career in sports to read as elegant and refined, but designer Gin Braverman has done just that. Gin Design Group is the firm behind many of the best hospitality designs in Houston — including Eunice, Haii Keii, and ChòpnBlọk — and Kirkwood is no exception.

    “We were going for a classic clubhouse vibe with a Vegas layer of glitz — definitely a Vegas ‘wow factor,’” Braverman tells CultureMap. “It’s going to be a draw for everyone. You can rent out the sunroom as well as the private dining room, so that will be a big draw. There is a bar cart going around and table side features. There are so many different experiences to be had in the space. It’s going to hit all the boxes.”

    The 242-seat restaurant covers almost 7,000 square feet separated into distinctive spaces: a 154-seat main dining area; 16-seat private Frances Room, named after Haik’s mother; and a 1,900-square-foot sunroom, named the Sunny Room after Haik’s wife, with seating for 72 centered around a curved, double-sided fireplace.

    The restaurant’s symbol, a magnolia, is a nod to Haik’s home state of Mississippi. One impressive magnolia sighting belongs to the patinated-copper front doors inlaid with the flowers and accentuated by leather door pulls. Prior to entering, diners pass through a gallery of wall display cases with Mac Haik memorabilia.

    In the rotunda, customers are greeted from above by a mirrored glass replica of the ceiling of the Houston Astrodome, created by the artisans at Houston-based design and fabrication firm Rootlab. Broken stone mosaic floor tiles add playful movement and patter to the space. Tactile installations like felt wallcoverings by Phillip Jeffries and velvet draperies keep the space feeling warm and inviting amid all the glass and stone.

    The lounge occupies a raised platform with an artisan parquet floor and a burled-wood covered ceiling featuring beautifully-placed copper light fixtures by Tom Dixon, custom sofas, a custom rug, and custom tables.

    An inviting, oversized wraparound bar beckons diners to mingle beneath a tiered canopy, composed of burled walnut, which is also carried through to the bar’s facade, bullnose trim, and integrated foot rail. A marble countertop completes the bar, while the stone is repeated in the custom tables. Custom barstools take inspiration from the seats of Mac’s now vintage Porsche.

    Illuminated cove lighting anchors the bar space, with a red-tinted mirror installed behind the bar shelving and the liquor lockers on the end caps. The shelving is highlighted by custom LED racetrack lighting. Custom copper and alabaster bar lamps complete the space.

    Kirkwood’s booths have been upholstered with alternating leather and teal velvet fabrics with a copper-tinted toe-kick for a bit of glam. Custom arched lighting — crossing above each booth — is comprised of a copper finish structure, alabaster lenses, and copper chain accents.

    The central dining and exposition kitchen space is a framed with burled wood-clad banquettes with integrated planters. Broken stone mosaic floor tiles dance beneath the custom large-scale chandelier that features inverted alabaster and copper arches and a wood surround with integrated cove lighting.

    The private dining room features rich leather wall panelings, a custom leather buffet table, and a metallic gold plaster ceiling with hand-painted magnolia detailing.

    Lastly, the 1,400-square-foot sunroom features a knockout fireplace with an integrated overhead planter. Custom light columns with copper metal mesh flank the fireplace. An impressive glass-and-metal bar canopy attaches to the back bar fireplace.

    The restaurant’s art collection further enriches the space, with original works by English artist Paul Dove displayed throughout. In the private dining room, an original painting by Austin-based artist Lucy MacQueen offers a more personal note, interpreting “The Grove” at Haik’s alma mater, Ole Miss. The piece also serves as a quiet tribute to his mother, Frances Jordan, who was recently honored with a memorial wall at the iconic site. Artist Melissa Leandro contributed a vibrantly embroidered interpretation of the magnolia motifs to the back wall of the sunroom.

    Overall, Braverman is thrilled with the design of Kirkwood. So, which spot is her favorite?

    “The sunroom,” she says. “That circular bar with the column lamps and fireplace with the skylight are unlike anything else in Houston.”

    Kirkwood restaurant interior

    Photo by Leonid Furmansky

    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    anderson
    news/restaurants-bars
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