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    Top Chef Lessons

    Lessons from Houston's top sushi restaurant: Don't you dare call it Chicken of the Sea!

    Marene Gustin
    Marene Gustin
    Mar 3, 2014 | 1:02 pm

    Growing up the only tuna I ever ate came in a can.

    My mother used to make tuna casserole about once a week using Campbell’s Cream of Mushroom Soup, a can of very bland tuna, some egg noodles and breadcrumbs. It was hot, hardy and not very tasty, even though the tuna can read White Albacore Tuna, a rather fancy sounding name.

    Fast forward a billion years and I love thick tuna steaks and delicate raw slivers of tuna. And I can’t remember the last time I bought tuna in a can. Albacore is not the best species for eating. I much prefer yellowfin or the rarer, pricier bluefin.

    “No, no,” says chef Manabu Horiuchi, known as Hori-san, the mastermind behind Kata Robata Sushi + Grill. “Don’t think Chicken of the Sea!”

    Chef Hori-san uses fresh albacore from the West Coast that has less mercury than fish caught in other areas. “Some of it can be very good,” he insists.

    Sushi should be eaten in one bite and in Japan the chefs will adjust the size of the piece. A smaller portion for a slender woman, slightly larger for a sumo wrestler.

    But mostly good sushi and sashimi comes from yellowfin (often called ahi), bigeye and bluefin. Skipjack, a fifth species of tuna is more commonly served seared in Japanese restaurants.

    Hori-san says tuna is probably the most common fish in Japan and he would know. Born, raised and trained in Japan, the chef graduated from the Tsuji Culinary Institute of Japan in Osaka where he received a certificate in preparing blowfish.

    But back to tuna.

    Tuna 101

    Chef Hori-san explains that besides getting great quality, fresh fish, the taste also depends on the cut. The fish can range in size up to hundreds of pounds so most restaurants buy tuna loins. There are four loins, two dorsal and two belly, or toro, cuts.

    Hoiriuchi brings three loin cuts out from the kitchen and shows where the fattiest, o-toro cut, rests next to the semi-fat chutoro, and the dark red akami loin nestles on top.

    “No, no. Don’t think Chicken of the Sea!”

    “O-toro, the fattest cut, it is like butter, it melts in your mouth,” he explains. But it doesn’t have the strongest flavor. That would be the dark red akami, which is the cut Horiuchi and I both prefer.

    It’s all rather like comparing different breeds and cuts of steak. You can see the different amounts of marbling, intramuscular fat, just as you would in a side of beef.

    It’s all very fascinating and maybe not something the average sushi eater is aware of.

    “Our regulars know the difference,” Horiuchi says, “but probably not the average Houstonian.”

    And there are a few more things you might not know about eating raw fish. Slices of raw fish, sashimi, are eaten with chopsticks but nigiri — thicker slices atop vinegary rice — and rolls can be eaten by hand or with chopsticks.

    Oh, and dunking that sushi? You’re probably doing it wrong also.

    In Japan, Hori-san explains that you don’t mix the wasabi in the soy sauce because the sushi chef has put the right amount of wasabi on the pieces. And when you dunk it, you turn the nigiri 90 degrees and dip the fish side into the soy. The rice will soak up too much sauce and mess with the flavor of the fish.

    In better restaurants the chef will actually use a little brush to brush the right amount of soy onto your nigiri before he serves you.

    “Japanese sushi restaurants are very small,” Horiuchi says. “Very intimate so the customer can talk to the chef. You order one or two pieces at a time and then order more. If you want it hotter than you ask the chef to add more wasabi.”

    Sushi should be eaten in one bite and in Japan the chefs will adjust the size of the piece they make just for you. A smaller portion for a slender woman, slightly larger for a sumo wrestler.

    Clearly I’ve been enjoying my raw fish all-wrong. But now that I know I’ll do a better job. And I’ll sit at the sushi bar and treat the chef like a master bartender. Ask them to suggest sushi pieces and order them a few pieces at a time. Or go with the omakase chef tasting with a sake pairing just once.

    Chef Manabu Horiuchi of Kata Robata Sushi + Grill, pictured here cheking out live scallops before preparing

    Kata Robata Sushi + Grill Chef Manabu Horiuchi cheking out live scallops before preparing
    Kata Robata Sushi + Grill Facebook
    Chef Manabu Horiuchi of Kata Robata Sushi + Grill, pictured here cheking out live scallops before preparing
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    Oh, Donna

    New Houston cocktail bar serves up a house party fueled by music and martinis

    Eric Sandler
    Dec 15, 2025 | 5:30 pm
    Donna's cocktail bar interior
    Courtesy of Donna's
    People are flocking to Donna's.

    It hasn’t taken long for Houston cocktail fans to discover Donna’s. Ever since it opened Thanksgiving weekend, the new cocktail bar in the Heights has been packed with people eager to check out the new project from Anvil owner Bobby Heugel and veteran Houston bartender Jacki Schromm.

    Named for Schromm’s grandmother, both partners use the word “house party” to describe the kind of atmosphere they want to create at Donna’s. That party can be very energetic on busy weekend nights and a little quieter and more intimate during the week — allowing patrons to choose what kind of experience they want to have.

    Heugel and Schromm worked with collaborators on the design, music, and art for Donna’s. So far, people seem to be enjoying themselves.

    “It’s really f---ing awesome,” Schromm tells CultureMap. “It has been really remarkable to have people in this building. To see the room full is a rewarding experience. The feedback we’ve received has just been really positive.”

    To transform the former Ready Room into Donna’s, the partners collaborated with Brittany Vaughn of Garnish Design. Known for her work at establishments such as Tiny Champions, Maximo, and Milton’s, Vaughn helped divide the retro-styled cocktail bar into two distinct interior spaces. The main bar area is defined by high-top, organically-shaped tables that allow large groups to congregate or smaller groups to share without being on top of each other. The more intimate living room section features a large couch and a spacious booth.

    “There’s a lot of smart utility in the space,” Heugel explains. “We kept talking about how it’s a small space. We want to find a seat for everybody as much as possible.”

    To honor the space’s history of hosting live music, the partners worked with Chicago-based firm Uncanned on a powerful vintage stereo that includes both a reel-to-reel tape deck and a turntable. Known locally for their work at restaurants such as Nancy’s Hustle and Nobie’s, the Uncanned team gave Donna’s the ability to kick out the jams with ultra-clear sound while not being so loud that people can’t talk to each other. It also opens up the possibility of people playing their favorite albums on select nights.

    “Jacki and I both had the bold opinion when we started talking about Donna’s that cocktail bars were boring. We wanted to add more layers to the onion,” Heugel says. “Having music be here as an additional component to the bar makes the room feel really good. That’s important to us, and we’ll have some programming related to that.”

    Keli Hogsett of Austin’s CoCollect helped Schromm and Heugel select the room’s distinctive art on its walls. Heugel describes the works as museum-quality, contemporary pieces from regional artists that are a cut above what’s usually seen in bars. Hogsett will also source the art for the new restaurant Heugel and chef Justin Yu are opening next year in the former Vibrant space.

    Schromm, who partnered with Heugel after working at Anvil and Reserve 101, created the opening cocktail menu herself. One highlight is the Jacki’s Martini, a nod to the “Bobby’s Martini” served at Refuge and the “Terry’s Martini” served at Squable. It’s a 50-50 mix of gin with Cocchi Americano and Dolin Blanc vermouth. She describes it as more “sessionable” than a traditional martini.

    “I think this cocktail menu has a lot of personality,” she says. “Some of my flair, whether it’s a spirit I chose or a flavor I like.”

    Although parking on the property is limited, Heugel notes that street parking on White Oak is relatively plentiful. A nearby pay lot is available, or people can skip the issue altogether by using their favorite rideshare service.

    Of course, the adjacent restaurant space won’t stay empty for long. As CultureMap has previously reported, Austin-based pizzeria Home Slice has claimed the building for its second Houston location that will open in fall 2026.

    -----

    Donna's, 2626 White Oak Drive. Open daily from 2 pm-2 am

    Donna's cocktail bar interior

    Courtesy of Donna's

    People are flocking to Donna's.

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