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    keeping it local

    Houston designer creates playful atmosphere for Third Ward bookstore

    Emily Cotton
    Jul 31, 2025 | 12:41 pm

    From pop-up, to bungalow, to its new home at the historic Eldorado Ballroom, Houston’s independent bookstore Kindred Stories proves that small, community-focused businesses can thrive in Third Ward. Proprietor Terri Hamm enlisted designer Gin Braverman and the team at Gin Design Group to create a warm, playful atmosphere for what has already joined the ranks of Houston’s growing number of previously elusive and inclusive “third spaces” since opening in May.

    Kindred Stories is a mission-driven bookstore and community space that centers Black voices and creates room for reflection, conversation, and connection. Hamm’s pointed intention to serve her local community has already attracted attention from creatives who appreciate her mission. None other than proud Houston native Solange Knowles utilized Kindred Stories for the merch store during her Eldorado Ballroom Houston performances, and Saint Heron has made use of the space as well — no big deal.

    Hamm’s first brick-and-mortar location opened in 2021 blocks away from The Eldorado as part of the successful Project Row Houses Incubation Program. The cozy bungalow with its warm, midcentury interior provided Kindred Stories with the identity it was always meant to have — inviting, intimate, and inclusive. This core identity was something that Hamm knew she wanted to replicate when she ultimately outgrew the bungalow, and she already had her sights set on Braverman for the job, even without a specific space in mind.

    “I had always had my eye on working with Gin Design Group, so I reached out because I had always been looking for a space,” Hamm tells CultureMap. “I was always looking for something new, something bigger, but very much honoring that the move had to be the right move. I didn’t want to move to a bigger space just for the sake of being in a bigger space.”

    When the art gallery that previously occupied the new Kindred Stories space became available at The Eldorado, it felt like kismet. “I had always had my eye on this building since before Kindred Stories’ first pop-up, and I’d started working with Gin [Braverman] long before I had even signed the lease,” says Hamm. Wanting to reproduce the intimate vibes of the bungalow, all parties involved knew at once that the stark white everything that occupied the art gallery needed to go — hello, color!

    Gin Design Group associates Kim Kaptain and Alison Turley put together the color story, with Braverman noting that Turley is the firm’s “color wizard.” She adds that the team had fun choosing colors to match the vibrant hues used on the books’ covers.

    “The colors can’t be flat or faded, but at the same time we wanted them to be really unique color combinations that you don’t typically see because everything in here is so unique. Everything had to be unexpected and dynamic, but feel good at the same time and not so in your face,” says Braverman. The only white remaining in the store is found on the original wood paneling and mouldings: “Our goal was to honor the original architectural elements and really put the fun and the pop into the new millwork that we brought in.”

    For Hamm, the transformation was a huge success: “It feels cozy and it doesn’t feel sterile in any kind of way,” she says. “For our team it was really important that our customer experience was going to carry over into the new space, even though it was newer, bigger, and fancier.”

    “The playful elements — the shapes and forms, patterns and fabrics, all the different elements in the room, like the rugs — had to support this playful narrative because the clientele is a very wide demographic,” says Braverman. “It really had to be somewhere anyone could feel comfortable, and stimulated, and welcome.”

    The bold and non-traditionally-shaped rugs were sourced from online retailer Jubi Rugs, all off-the-rack save for one being custom designed by Turley. “I’ve never seen anyone speak in color the way she does,” says Braverman.

    All of the furniture chosen for the space is completely modular and adaptable, something that was paramount for Hamm, who hosts author talks, community workshops, and book clubs on a frequent basis. Everything can be moved at a moment’s notice, making way for whatever the occasion may require, such as the coffee table books displayed on a small stage.

    “Community is the focal point of our value system at Kindred Stories; we do everything with community in mind,” says Hamm. “In our last space, we were limited in how we could be a third space for the community. We want you to come here because it feels like a safer haven, we definitely encourage it.”

    Keeping things local, Hamm enlisted the help of longtime Kindred Stories supporter and artist Tay Butler to design the store’s show-stopping wallpaper. Inspired by his grandmother’s home, wardrobe, and hobbies (like reading), Butler chose to create a vintage-inspired background using polka dots and flowers, then overlaid the flowers with portraits of influential Black voices like Toni Morrison, Amiri Baraka, Solange, the late Mayor Sylvester Turner, and many more. The prevalent “READ” printed beneath the portraits was inspired by the iconic posters from the 1960s.

    “We knew we wanted to create dimension with some sort of print. Even in the midst of all the books, we still wanted a pop to ground the space,” says Hamm. “I really love flowers, so I knew I wanted it to have a floral print.”

    Shoppers and fans of the wallpaper will be happy to learn that bookmarks with the soon-to-be-iconic print are gifted from the store with the purchase of a book. “[Butler] is a ferocious reader, and a huge fan and supporter of the store, so it’s nice. It brings us joy, so it has been really nice to make it transferable via the bookmark — to take joy with the book.”

    Braverman executed the difficult task of creating a space that fulfills all of the following needs — for welcoming families with small children to read a book together; for people to come work on their laptops at the community table; and for enjoying cocktails at an evening workshop or author talk. Kindred Stories is playful and kitschy in all the right ways.

    “It fell into this overarching narrative of creating something playful; you can’t do that just anywhere,” says Braverman. “This is a mess, but it’s awesome. I never once questioned it. The unintentional intentional, had-to-be, kind of ‘feel it’ design supported the narrative. It fits together beautifully.”

    Kindred Stories is also proud to have partnered with another Black, female-owned local business. The gorgeous plants in the store are from Bree Clarke’s The Plant Project in the Heights. Feel free to shop plants along with books, tote bags, novelty pins, stickers, and more while sipping a latte from next door neighbor Rado Market. While employees’ tastes differ, they mostly choose popular 90s R&B to entertain themselves and guests of the store. Enjoy reading in a nook or working on your computer at the community table to tunes by Janet — Ms. Jackson if you’re nasty.

    Kindred Stories bookstore Eldorado Ballroom

    Photo by Claudia Casbarian

    Stop by for one of the many author talks taking place on the stage.

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    news/home-design

    right on track

    First look at members-only work club’s vintage-filled new East End outpost

    Emily Cotton
    Aug 19, 2026 | 12:52 pm
    Switchyards work club East End
    Courtesy of Switchyards
    Signature boothbank seating takes center stage just off of the cafe.

    Houston’s trendy East End neighborhood continues to heat up as the newest Switchyards work club sets its opening date for Monday, August 31. Following the wildly successful Montrose location that — like all Switchyards clubs of 2025 – sold out its memberships on opening morning, the new East End club (3401 Harrisburg Blvd, Suite H.) is sure to perform just as well.

    Self-described as “kinda like an Italian soccer internet cafe combined with a really cool vintage shop,” each of the 39 individual clubs is designed with a strong focus on the history of the neighborhood and local culture. The East End club is located in the historic Imperial Laundry building from the 1940s — joining popular dining destination Street to Kitchen, among others.

    It’s a fair assertion that the popularity of the network of Switchyards work clubs boils down to, well, vibes. Not that 24/7 access, fast Wi-Fi, and free locally-sourced coffees and teas aren’t a heck of a draw, but Switchyards has quickly developed a brand identity that is as enviable as it is recognizable.

    Swoon-worthy vintage furniture, locally-shopped vintage decor and accessories, creativity-sparking art and design books ready to stretch their spines, and cozy rugs underfoot are all carefully chosen to offer ideal working spaces and conditions for any and every one of the 250 club members — that’s the membership cut off, by the way. After those initial spots fill on drop day, it’s waitlist city.

    CultureMap recently toured the nearly-completed site to meet the design team and to chat with Switchyard’s head of design Jared Erickson about the newest club, the process of designing each individual club, and more.

    “In our spaces we try to mix the best of a hotel lobby, a dive bar, and your local neighborhood coffee shop, creating these different zones so no matter what type of work you’re looking to do, you have the right seat for that work,” explains Erickson. “What are the best neighborhoods in America and where can we fit in there? We want to be always tucked away. We aren’t looking at the downtown, coolest spots where all the big brands go, but for what feels like part of the neighborhood. Behind us we have streets and streets of houses and anyone who wants to walk here doesn’t have to drive across town. That’s why we want to go into awesome cities and plant ourself in the best neighborhoods.”

    Not only is the East End location extremely walkable, it’s directly across from a Houston Metrorail line and just down the street from a busy railway interchange.

    “It’s funny because Switchyards is really a train term and somehow we do find ourselves pretty close to transit and to trains,” he says. “We have a couple of places in Chicago that are right on the Blue Line.”

    The Switchyards brand is so far opposite from other similar concepts that it’s a bit of a disservice to group them into the “shared workspace” category. While it is absolutely a space for work, it reads and lives more like a lifestyle brand. It’s a safe space for no-nonsense creative types and people who were into Bret Easton Ellis long before he was reduced to a Ryan Murphy shill. And good luck ever overhearing a member say something ridiculous like “let’s circle back.” Switchyards people are the cool kids — in this author’s opinion.

    “You have your nine-to-five tech worker that’s going to come work out of here a couple of hours a day — maybe it’s on their way from dropping their kids off at school — and they can come in and knock out a full day’s work in four hours,” says Erickson. “Then you have your gig workers that are doing something else during the day and either have a side project or something they want to work on at night. We take anyone, but it’s also a space that’s not for everyone — you know?”

    Switchyards may be the company’s name, but they make it a point to stay very much on track. Multiple, work-focused quiet zones coexist with more relaxed, flexible spaces for mixing and mingling. Private “phone booth” spaces make allowances for calls, while “heads down” spaces are completely no-nonsense. The only sound allowed in these spaces is the comfortable hum of white noise machines. Breakout rooms are available to book free of charge as well.

    “The team works really closely together to think about everything that’s going to go into the space and how to tell the story and feel cozy,”explains Erickson. “We mix old and new. We will have an older style credenza and club chairs and then mix and match where we need to to get that little high-low feel.”

    The team used the Imperial Laundry facility’s history as its jumping off point. Erickson was even able to score an original trucker-style ball-cap from eBay. It sits in the lobby trophy case with other local trinkets and finds related to the neighborhood and to the laundry business.

    “We leaned into the space and into the neighborhood and that kind of tells us where we are going with the decor. We have our base — what we call our 80 percent items — that we just know we are going to use: booth runs and table tops. Then we mix in some found objects or anything we come across. Each space is unique, but very ‘Switchyards’ at the same time.”

    The lobby display case is a bit of a Switchyards staple, with each club receiving its own antique or vintage display or trophy case. Erickson sources these, usually in bulk, from old schools. Which is charming, considering the strong mid-century academia aesthetic that pulses through all of their clubs.

    “We always try to include this kind of display or trophy case to keep all of our treasures,” says Erickson.“I think of that as ‘What would the guy that owned this space before we got here — what would he be collecting? What was their thing that they liked, held onto, and put into a display or trophy case to save for later?’ We find that as a point of inspiration for our members, too. As they’re walking through or maybe waiting on someone at the door, they can have something to look at.”

    Members will find everything from nostalgic vintage letterman’s jackets and pennants to old ashtrays and wooden thread bobbins behind the glass cabinet doors. Take a break from work to stroll through the cafe area and into the lobby to get lost in all the fun bits and bobs in the trophy case — as a treat.

    Speaking of the variety of pennants throughout the space, Erickson admits that not all of the beautiful felted wool pieces are authentic vintage. Switchyards enjoys a partnership with Oxford Pennant, who help create custom pieces that lean into the older aesthetic and fill any gaps they may have in their vintage inventory. The team chooses the best vintage designs from each decade, working them into the space in a way that feels cohesive.

    “We use an 80/20 rule. It’s sort of like we try to have 80 percent of it — tables, chairs, the things that matter but don’t really matter—or that we know are tried-and-true, and then we fill with 20 percent of these highly-curated items,” explains Erickson. “So we do try to locally source, especially in markets that we’re already in. What can we buy locally and keep in the neighborhood, keep in the city, and keep in its market?”

    Switchyards is headquartered in Atlanta, where Erickson and his team create the majority of the design plans for the clubs before packing their core pieces and hitting the road. Their approximately 20,000-square-foot warehouse is also where the team keeps its bulk vintage scores from around the country — even from right in Houston’s kitschy neighbor Round Top.

    “Since we are building out so many spaces, we like to buy entire collections. Like the big barrels and the hundreds of green bins from a warehouse that was going out,” says Erickson. “Then we ask how we can bring these things into a space and use them — the filing cabinets are kind of our signature move. Instead of building a wall, we will do a row of filing cabinets to divide up the space and make it a bit more cozy. I bought about 200 vintage Eames chairs [at the Round Top spring show] — the stackable shell chairs with fabric — and got a killer deal on them and that made it all worth it.”

    As for the rest of that 20 percent of the design, the design team shopped local thrift and resale shops in the area to find everything they needed to make the space feel like it can tell more of a story.

    “We went to a local creative reuse store and bought up a bunch of little pails and build-up items,” explains Erickson. “One of my favorite things I got there is this weird welded piece (it currently lives atop a cafe cabinet). It was probably someone’s practice-weld piece, but we just love it. We love unique items that feel handmade and that you’re not going to find anywhere else. I love it when you find that special store and come across a vintage Thurston lamp for $20 when you know it’s a $400-600 item — it feels good.”

    The cafe area has an interesting selection of wall decor. That starts with a custom made light box containing a cork bulletin board for club news and upcoming events like “iced coffee Fridays” among historical papers and pennants. Erickson’s original pen and paper design sketches live beneath a nonchalant tac in the drywall — all centered around the site plan for Erickson’s babies, the tanker desks that became a gift that kept on giving.

    “I knew we were going to use tanker desks”, he says. “Those are probably my favorite pieces here. I bought about 200 of these from a warehouse office that was going out of business. It was pretty wild, because we got a great deal on them and the drawers still had items in them. We’ve used some of those pieces throughout the space as well. Yeah, that’s probably one of my favorite parts.”

    The entire design for the space is highlighted by the heavy assist from the original industrial windows from the building’s construction in the 1940s. In spaces that are somewhat beyond the reach of the abundant natural lighting, lamplight fills the gaps. All artificial lighting has been designed to be soft and relaxing — nothing too stark or bright.

    Switchyards, including the lighting, is anything but sterile. Erickson says the aesthetic successes of each work club comes from embracing what’s there, like the steel windows.

    “I’m always inspired by just using what I have. There are so many options out there, especially online, and ‘trends’ that come and go. I think just finding that style that speaks to you and just having a sense of taste and what can go together — that you may not see on Pinterest — works. And using what you have is and can be a super power if you just lean into it.”

    Membership info

    Memberships, priced at $129 per month, will go on sale at 10 am on Thursday, August 27. Sneak peaks and pop-ins run from August 24-26 (RSVP here). Once the first 250 memberships have sold, Switchyards will maintain a waitlist. There is an early access email list as well as a text notification list for receiving the membership registration link on August 27. Switchyards has hinted that links may go out via text alerts first, so do with that what you will.

    Switchyards work club East End

    Courtesy of Switchyards

    Original 1940s windows set the tone for the design.

    openingsswitchyardseast endhome-designinterior design
    news/home-design
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