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    keeping it local

    Houston designer creates playful atmosphere for Third Ward bookstore

    Emily Cotton
    Jul 31, 2025 | 12:41 pm

    From pop-up, to bungalow, to its new home at the historic Eldorado Ballroom, Houston’s independent bookstore Kindred Stories proves that small, community-focused businesses can thrive in Third Ward. Proprietor Terri Hamm enlisted designer Gin Braverman and the team at Gin Design Group to create a warm, playful atmosphere for what has already joined the ranks of Houston’s growing number of previously elusive and inclusive “third spaces” since opening in May.

    Kindred Stories is a mission-driven bookstore and community space that centers Black voices and creates room for reflection, conversation, and connection. Hamm’s pointed intention to serve her local community has already attracted attention from creatives who appreciate her mission. None other than proud Houston native Solange Knowles utilized Kindred Stories for the merch store during her Eldorado Ballroom Houston performances, and Saint Heron has made use of the space as well — no big deal.

    Hamm’s first brick-and-mortar location opened in 2021 blocks away from The Eldorado as part of the successful Project Row Houses Incubation Program. The cozy bungalow with its warm, midcentury interior provided Kindred Stories with the identity it was always meant to have — inviting, intimate, and inclusive. This core identity was something that Hamm knew she wanted to replicate when she ultimately outgrew the bungalow, and she already had her sights set on Braverman for the job, even without a specific space in mind.

    “I had always had my eye on working with Gin Design Group, so I reached out because I had always been looking for a space,” Hamm tells CultureMap. “I was always looking for something new, something bigger, but very much honoring that the move had to be the right move. I didn’t want to move to a bigger space just for the sake of being in a bigger space.”

    When the art gallery that previously occupied the new Kindred Stories space became available at The Eldorado, it felt like kismet. “I had always had my eye on this building since before Kindred Stories’ first pop-up, and I’d started working with Gin [Braverman] long before I had even signed the lease,” says Hamm. Wanting to reproduce the intimate vibes of the bungalow, all parties involved knew at once that the stark white everything that occupied the art gallery needed to go — hello, color!

    Gin Design Group associates Kim Kaptain and Alison Turley put together the color story, with Braverman noting that Turley is the firm’s “color wizard.” She adds that the team had fun choosing colors to match the vibrant hues used on the books’ covers.

    “The colors can’t be flat or faded, but at the same time we wanted them to be really unique color combinations that you don’t typically see because everything in here is so unique. Everything had to be unexpected and dynamic, but feel good at the same time and not so in your face,” says Braverman. The only white remaining in the store is found on the original wood paneling and mouldings: “Our goal was to honor the original architectural elements and really put the fun and the pop into the new millwork that we brought in.”

    For Hamm, the transformation was a huge success: “It feels cozy and it doesn’t feel sterile in any kind of way,” she says. “For our team it was really important that our customer experience was going to carry over into the new space, even though it was newer, bigger, and fancier.”

    “The playful elements — the shapes and forms, patterns and fabrics, all the different elements in the room, like the rugs — had to support this playful narrative because the clientele is a very wide demographic,” says Braverman. “It really had to be somewhere anyone could feel comfortable, and stimulated, and welcome.”

    The bold and non-traditionally-shaped rugs were sourced from online retailer Jubi Rugs, all off-the-rack save for one being custom designed by Turley. “I’ve never seen anyone speak in color the way she does,” says Braverman.

    All of the furniture chosen for the space is completely modular and adaptable, something that was paramount for Hamm, who hosts author talks, community workshops, and book clubs on a frequent basis. Everything can be moved at a moment’s notice, making way for whatever the occasion may require, such as the coffee table books displayed on a small stage.

    “Community is the focal point of our value system at Kindred Stories; we do everything with community in mind,” says Hamm. “In our last space, we were limited in how we could be a third space for the community. We want you to come here because it feels like a safer haven, we definitely encourage it.”

    Keeping things local, Hamm enlisted the help of longtime Kindred Stories supporter and artist Tay Butler to design the store’s show-stopping wallpaper. Inspired by his grandmother’s home, wardrobe, and hobbies (like reading), Butler chose to create a vintage-inspired background using polka dots and flowers, then overlaid the flowers with portraits of influential Black voices like Toni Morrison, Amiri Baraka, Solange, the late Mayor Sylvester Turner, and many more. The prevalent “READ” printed beneath the portraits was inspired by the iconic posters from the 1960s.

    “We knew we wanted to create dimension with some sort of print. Even in the midst of all the books, we still wanted a pop to ground the space,” says Hamm. “I really love flowers, so I knew I wanted it to have a floral print.”

    Shoppers and fans of the wallpaper will be happy to learn that bookmarks with the soon-to-be-iconic print are gifted from the store with the purchase of a book. “[Butler] is a ferocious reader, and a huge fan and supporter of the store, so it’s nice. It brings us joy, so it has been really nice to make it transferable via the bookmark — to take joy with the book.”

    Braverman executed the difficult task of creating a space that fulfills all of the following needs — for welcoming families with small children to read a book together; for people to come work on their laptops at the community table; and for enjoying cocktails at an evening workshop or author talk. Kindred Stories is playful and kitschy in all the right ways.

    “It fell into this overarching narrative of creating something playful; you can’t do that just anywhere,” says Braverman. “This is a mess, but it’s awesome. I never once questioned it. The unintentional intentional, had-to-be, kind of ‘feel it’ design supported the narrative. It fits together beautifully.”

    Kindred Stories is also proud to have partnered with another Black, female-owned local business. The gorgeous plants in the store are from Bree Clarke’s The Plant Project in the Heights. Feel free to shop plants along with books, tote bags, novelty pins, stickers, and more while sipping a latte from next door neighbor Rado Market. While employees’ tastes differ, they mostly choose popular 90s R&B to entertain themselves and guests of the store. Enjoy reading in a nook or working on your computer at the community table to tunes by Janet — Ms. Jackson if you’re nasty.

    Kindred Stories bookstore Eldorado Ballroom

    Photo by Claudia Casbarian

    Stop by for one of the many author talks taking place on the stage.

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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