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    Design oasis in River Oaks

    2 Austin design darlings team up for new Houston showrooms

    Emily Cotton
    Jun 13, 2025 | 1:22 pm

    As Houston continues to see its star rise in the world of design, the onetime cliched notion that creatives simply must flock to Austin to obtain any street cred is beginning to shift. While some still consider the capital of Texas to be the epitome of cool, the pendulum swing to the east represents a well-deserved acknowledgment of the award-winning work being done in the Bayou City. And what better proof of this than two Austin design staples, Canvas Showroom and J&L Hardware, opening locations in River Oaks.

    The newly-refurbished shared space is a blink-and-you’ll-miss-it trade-only building nestled amongst a nest of warehouse spaces and a scuba shop, and yet, it is truly a design oasis. Houston favorite Thompson + Hanson created the landscaping, which includes a variety of pollinator-attracting plants on the exterior and an impressively-sized olive tree in the enclosed, European-style courtyard dividing the Canvas and J&L Hardware showrooms. Dramatic, yet understated, the courtyard sets the tone for the artisanal magic found inside.

    Interior designer and Houston native Christina Cole first opened her trade-only Austin stalwart, Canvas Showroom, in 2019. Since that time, the showroom has become a must-stop-and-shop for her meticulously-curated artisanal textiles, furnishings, and more. The new River Oaks showroom is shared with Austin neighbor and fellow trade-only showroom J&L Hardware, and both promise personalized service, expert consultations, and access to exclusive products that embody artistry and functionality.

    Husband-and-wife team Josh and Naleah Rygs founded Austin-based J&L Hardware in 2015 and have since introduced an abundance of exclusive European plumbing and hardware lines to Texas. The J&L space is a remarkable reflection of Naleah Rygs: elegant, sophisticated, timeless, and warmly approachable. Garishly-branded placards are absent here, replaced by a gallery of nondescript fixtures in every finish imaginable. Guests of Miraval Resort & Spa, The Hotel Albert, The Commodore Perry Estate, and more will be familiar with their work.

    Representing a curated selection of the world’s finest artisanal brands, J&L Hardware offers trade professionals access to collections from Volevatch, Nanz, Studio Ore, The Water Monopoly, Fantini, Armac Martin, Sun Valley Bronze, Samuel Heath, THG, Cocoon, Cea, Pruskin Hardware, Studio Bookmark, Toni Copenhagen, Watermark, Merit Metals, and more. That’s not to say that J&L overlook the mainstream, everyday brands as well.

    “We look at ourselves as a big box in a little box,” Naleah tells CultureMap. “Our heart is to allow for those [mainstream brands] to be foundational, then be able to layer in or customize big pieces here and there — I never want to tell someone ‘no.’”

    Prior to moving to Texas, Naleah had only lived in Los Angeles and NYC, and her taste reflects that: “I’m feeling highly influenced by the [Houston design] community,” she says. “I love their viewpoint on things. I love the things that they are focused on that are different. Houston might be a little more traditional, or have moments of it, and then it has moments of gorgeous modern. We are such a melting pot in this landscape, and I love international influences.”

    J&L Hardware is appointment only, allowing for design professionals to come in for personalized service and work without distractions. “This is just beautiful because we want for you to enjoy your time. We want you to feel comfortable and inspired — it’s just a different way to work. You want to feel like you really have a team supporting you, because our clients are the trade: your builder, your designer, or your architect. We are an extension of a team versus a shop to shop in; the trade is the synergy of our work,” she says.

    Just across the courtyard is where you’ll find Canvas. Fans of organic, sustainable living will be found flocking to this showroom, as it’s the core identity of Canvas. This jewel box showroom features a thoughtfully-curated mix of globally-sourced materials and objects, from innovative artisanal textiles by Anne Kirk, Inata Alpaca, Chapas, Designs of the Time, JG Switzer, and Karin Sajo; to textural rugs from Awanay, La Manufacture Cogolin, Miksi, and Van Ghent; as well as distinctive lighting, furniture, and decorative objects from Kaia Editions, Alinea Design Objects, Danny Kaplan, Fern, and more.

    “Houston felt like a natural choice for Canvas Showroom’s second location, not only because I grew up here, but because of the energy, creativity, and cultural depth that define the city,” Cole tells CultureMap. “Canvas was founded on the belief that luxury should feel inviting. We offer refined, exclusive furnishings with an approachable spirit, and that philosophy resonates with the most compelling aspects of Houston’s design culture. It’s a place where warmth and elegance go hand in hand.”

    Canvas distinguishes itself by offering small-batch, artisanal, handcrafted lines, making it especially appealing to a health-conscious clientele who prefer organic materials like cotton, wool, cactus, and nettle fiber materials.

    “If you have the appetite for it, we have the product for it,” says Canvas sales director Nick Lanni. “A lot of what we carry is sustainable, it’s natural, it’s organic. We don’t want off-gassing and terrible chemicals in your house.”

    Noting that the organic movement began with food and has slowly crept into the home industry, Lanni makes a compelling argument for sourcing from Canvas: “For centuries people have been using these very products to make things — it’s not brand new — but it’s brand new to modern times, where plastic is king.”

    Very big on “vibes,” Canvas curates lines that bring soul and a human touch to the market. Family sheep farms that hand craft felted wools, husband and wife ceramicists who make lighting fixtures, woodworkers’ hand hewn furnishings — these items carry on centuries of traditional crafts.

    “Someone’s soul is in it. They are putting their blood, sweat, and tears into it,” says Lanni. “All the product from here, someone has touched it to make it, and that’s really important when you’re putting together your home. You want the good energy, and when things are created with love, it’s just better.”

    Canvas Showroom
      

    Photo by Lindsey Brown

    Browse exclusive sustainable products curated by the team at Canvas.

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    give me shelter

    Meet the Houston architects teaching refugees to build permanent homes

    Emily Cotton
    Jun 27, 2025 | 10:46 am
    Every Shelter refugee Africa
    Photo by Moses Sawasawa
    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

    Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

    Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

    Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

    Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

    “We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

    Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

    “We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

    The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

    By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

    Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

    The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

    “When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

    Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

    Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

    One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

    -----

    See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).


    Every Shelter refugee Africa
      

    Photo by Moses Sawasawa

    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

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