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    Fashion Fusion

    Fashion frenzy: Wild runway show merges Habsburg styles with trendy looks — and mile-high hair

    Clifford Pugh
    Jun 25, 2015 | 1:43 pm

    It's been a long time since the Museum of Fine Arts, Houston has hosted a fashion show, but when officials did, with Fashion Fusion: Viennese Splendor meets HCC Couture, it happened in a big way.

    A mix of socialites and fashion-forward millennials jammed Cullinan Hall for a runway show by Houston Community College fashion design students who envisioned styles inspired by the MFAH's blockbuster exhibition, Habsburg Splendor.

    It had all the ingredients of a major New York fashion show: A buzzy standing-room only crowd, social swells clamoring for seats and cutting-edge fashion presented in a unique way.

    It had all the ingredients of a major New York fashion show: A buzzy standing-room only crowd, social swells clamoring for seats and cutting-edge fashion presented in a unique way.

    "You are our kind of people," MFAH director Gary Tinterow told the crowd in opening remarks, alluding to the young fashion-forward audience who don't necessarily frequent the museum on a regular basis but who are increasingly becoming a target among Houston arts organizations.

    The designers were encouraged to think outside the box in devising new ways to link the styles of Europe's longest-reigning dynasty with today's modern way of dressing. They scored big with delightful creations that alluded to the Habsburg traditions in looks that can easily be worn today.

    The ensembles included hunting outfits with a Ralph Lauren vibe, daytime suits that exuded a tinge of film noir, feathered creations and big ball gowns perfect for a museum ball.

    Mile-high hair

    Tamara Klosz Bonar, the fashion show's producer, styled it in an oversized way, with creative makeup by Edward Sanchez and hairstyles by Tre Spa. Some models sported mile-high hair in a Marie Antoinette style while others had one long blond pigtail a la Heidi. Antlers decorated hunting ensembles and feathers adorned headdresses in spectacular style.

    Judges Fady Armanious, creative director of Tootsies, which sponsored the event, MFAH curator of European art Helga Aurisch, and I individually judged the winners, and by all accounts, the scores were really close.

    Christian Lee took top prize with an expertly constructed black lace satin gown with big hoop shirt and exposed back.

    Christian Le took top prize with an expertly constructed black lace satin gown with big hoop skirt and exposed back. Le also took third place for a striking two-piece green suit trimmed in black lace. Teresa Rangel placed a close second with a gorgeous blood red mullet gown cut short at the front and long at the back, with detailing at the hips.

    Samira Craig's gold ballgown with a big skirt drew raves, while Alfredo Saucedo created two eye-catching cocktail dresses, one with a queenly sash and brooch, and another with a feathered skirt. Judi Hallenback showed her versatility as a designer with a cobalt blue gown featuring intricate embroidery and a leather-and-fur coat with an outdoorsy hunting theme.

    Violet Navarro's gothic gown with exposed shoulders and outer corset complemented Bridget Fizer's denim coat with metal detailing, black cape and shorts — the only outfit in the show designed for a man.

    Among those enjoying the show were MFAH programs specialist Kelley Magill, who interviewed each designer while the votes were being tallied, MFAH general manager of special events Linda Kuykendall, who spearheaded the project before leaving for a new job with Memorial Hermann, Suzette Brimmer, chair of HCC's Lifestyle, Arts & Design programs, and her predecessor, Kay King.

    Also spotted in the throng were the always stylish Karina Barbieri in a print Roberto Cavalli jumpsuit with a tassel at the derriere (the Italian designer's nod to horses), Vivian Wise and Sergio Morales, Kevin Black and Tony Bradfield, Jessica Rossman, Deborah Elias, Jeff Shell, Marcus Sloan and Shannon Hall, Miya Shay, Suzy Simons, Dr. Roland Maldonado, Neal Hamil and fashion blogger Heather Petrey.

    A feather dress by Jean Weber has a timeless look.

    Houston, Fashion Fusion, June 2015, feather dress by Jean Weber
    Photo by Morris Malakoff
    A feather dress by Jean Weber has a timeless look.
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    Stepping up

    Texas bootmaker strikes a glossy note with the debut of new patent line

    Gabi De la Rosa
    Apr 13, 2026 | 9:30 am
    Miron Crosby Maggie Patent
    Photo courtesy of Miron Crosby
    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    Cowboy boots are based in tradition, but Miron Crosby continues to find ways to move the conversation forward. The Dallas-based label’s latest release, the Maggie Patent Collection, debuts a new material to its signature lineup while staying true to the workmanship that built its following.

    The brand’s best-selling Maggie boot is now available in a high-gloss patent leather. Although the new finish changes the silhouette's tone, delivering a more fashion-forward take on Western footwear, the boot’s structure remains the same.

    “Maggie is such a classic, flattering shape, so even when you introduce something like a patent, it still feels timeless at its core,” co-founder Sarah Means Ward tells CultureMap.

    When designing the boot, the sisters were careful not to lean into trends. They focused on letting the material enhance the boot rather than redefine it. “We wanted it to feel elevated and refined instead of overly flashy,” says Ward.

    Miron Crosby Maggie Patent New colorways Beurre, Sable, and Transformative Teal bring depth and shine to the Maggie Patent lineup.Photo courtesy of Miron Crosby

    Texas has strong roots and ideas about Western wear, and introducing patent leather into a heritage category can come with risks. The sisters approached the new collection with a respect for tradition as their foundation.

    “The craftsmanship, the construction, the way the boot fits and feels, those elements are non-negotiable,” Duplantis says. “From there, it’s about evolving the design in a way that still feels authentic.”

    The look was first tested in 2019 when Miron Crosby worked with Prabal Gurung on a limited run of patent boots for his runway show. That collaboration allowed Miron Crosby to explore new materials, something the brand has continued to build on. With Maggie Patent, that early concept was refined into a boot designed for daily wear, not just for the runway.

    “It showed us that something as unexpected as patent leather can feel completely natural in a Western silhouette when it’s approached thoughtfully,” says co-founder Lizzie Means Duplantis.

    The collection is available at their River Oaks boutique, in three colorways: Beurre, Sable, and Transformative Teal, which were influenced by materials seen at the 2025 Lineapelle show in Milan.

    “The patent leathers had this incredible richness that made us think about color in a different way,” Ward says.

    The sisters chose colors that were naturally approachable. Neutral tones like Beurre and Sable are great for everyday wear, while Transformative Teal offers a statement moment. “Some days (our customer) wants something understated, other days she wants something that stands out,” says Duplantis. “This was about giving her both.”

    Miron Crosby Maggie Patent

    Photo courtesy of Miron Crosby

    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    miron crosby houstoncowboy bootsmiron crosby
    news/fashion
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