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    No passport required

    Houston's Japanese culture festival returns with ramen, rides, and celebs

    Jef Rouner
    May 28, 2025 | 2:00 pm

    Tokyo X, one of Houston's premiere celebrations of Japanese culture, returns to NRG Center for two days in June, promising, celebrities, food, martial arts, anime, and more.

    “Tokyo X is where Houston and Japan connect — through culture, community, and pure creativity,” publicist Christina Truong said in a statement. “This is more than a fan event. It’s a full sensory experience rooted in food, fashion, tradition, and fandom.”

    The event takes place June 14 and 15. Tickets are available at TokyoNightFest.com.

    Gearheads especially should mark their calendars because Tokyo X features the return of the internationally acclaimed car show series Hot Import Nights (HIN). Japan is renowned for its customized car and street racing scenes, and more than two dozen builds have been chosen to show off what Japanese car prodigies can do. From highly elaborate wraps that honor legendary anime to mechanical marvels built for speed, it's a chance for Houston car buffs to see a whole different style of tricked out rides.

    “Hot Import Nights’ long-awaited return to Houston makes this event incredibly special — and teaming up with Tokyo X takes it to an entirely new level," said Michael Munar, executive Producer for Hot Import Nights. "Together, we’re merging the best of car culture and Japanese pop culture into one unforgettable experience. From customized imports to anime, food, music, art, and cosplay — this is the kind of energy our fans have been waiting for.”

    Another big hit will be the ramen showdown. It's not a Houston festival without some fantastic food, and Tokyo X will host a variety of culinary experiences. The most dynamic will be the Ramen Rush: The Ultimate Bowl Battle, presented by Yelp. Food bloggers will race to devour two bowls of Tsujita Houston's ramen in front of a cheering crowd to win a year's supply of free ramen from Tsujita and all the prestige that comes from being a champion.

    “Tokyo X Fest is all about pushing the boundaries of food, fun, and competition,” said event owner Naoki Yoshida. “Ramen Rush is set to be a fan-favorite, showcasing Tsujita’s incredible ramen and delivering an unforgettable experience for food lovers.”

    Of course, the event will also feature plenty of offerings for anime fans. Tokyo X is hosting the usual anime panels, cosplay contests, and appearances from voice actors. Headlining the festival are Devora Wilde, who voiced Lae'zel in Baldur's Gate 3, and Toshihiko Seki, whose credits include Demon Slayer, Naruto, and Gundam Wing. Both will be available for photos, signings, and Q&A sessions.

    Additional activities include a samurai martial arts demonstration, musical performance by AISHA, and more than 400 vendors.

    Tokyo X Festival

    Courtesy of Tokyo X

    Hot Import Nights will display tricked-out Japanese rides.

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    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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