Concert announcement

The Pussycat Dolls dance into Houston on 20th anniversary tour

The Pussycat Dolls will perform at Dos Equis Pavilion in Dallas on August 1, 2026.

Courtesy photo

Pop supergroup The Pussycat Dolls will celebrate the 20th anniversary of their debut album, PCD, on a world tour that will include a stop at The Cynthia Woods Mitchell Pavilion in The Woodlands on Friday, July 31.

The PCD Forever tour will start in Palm Desert, California on June 5, traveling to 33 cities in the U.S. and Canada over the course of two months before heading to the U.K. and Europe in September and October.

In addition to Houston, the group will perform in Dallas on August 1. The two Texas stops are scheduled to be the final two dates on the North American leg of the tour.

Lil’ Kim and Mya will join as special guests on all North American dates.

The Pussycat Dolls, originally comprised of Nicole Scherzinger, Carmit Bachar, Ashley Roberts, Jessica Sutta, Melody Thornton, and Kimberly Wyatt, started off as a neo-burlesque troupe in 1995 before transitioning into music in the early 2000s.

They only released two albums — PCD in 2005 and Doll Domination in 2008 — before disbanding following the 2009 Doll Domination tour.

Various attempts were made at reforming the group or reuniting the original lineup over the years, including a planned 2020 tour that was canceled due to COVID.

This tour will feature three original members — Scherzinger, Wyatt, and Roberts — performing their biggest hits, as well as the new "Club Song," the group's first new song since 2019's "React."

Scherzinger has become the biggest star among the group's members, serving as a judge on multiple reality competitions and starring on Broadway, where she won a Tony Award for her portrayal of Norma Desmond in Sunset Boulevard.

Ticket sales for the tour will begin with the Pussycat Dolls Artist Presale on Wednesday, March 18 at 10 am. Fans can register for the presale at signup.ticketmaster.com/thepussycatdolls, with all registrations due by Monday, March 16 at 10 pm Central.

No codes are needed — access is tied to each individual Ticketmaster account, and anyone who signs up can join the sale.

Additional presales, including one for Citi cardmembers, will run throughout the week ahead of the general onsale beginning on Friday, March 20 at 10 am local time at livenation.com.

The Pussycat Dolls North America Tour Dates

Jun 5 – Palm Desert, CA – Acrisure Arena
Jun 6 – West Hollywood, CA – OUTLOUD Music Festival
Jun 9 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Jun 10 – Chula Vista, CA – North Island Credit Union Amphitheatre
Jun 12 – Mountain View, CA – Shoreline Amphitheatre
Jun 13 – Wheatland, CA – Toyota Amphitheatre
Jun 15 – West Valley City, UT – Utah First Credit Union Amphitheatre
Jun 18 – Kansas City, MO – Morton Amphitheater
Jun 19 – Tinley Park, IL – Credit Union 1 Amphitheatre
Jun 21 – Milwaukee, WI – North Stage at Summerfest Grounds
Jun 23 – St. Louis, MO – Hollywood Casino Amphitheater
Jun 25 – Cincinnati, OH – Riverbend Music Center
Jun 27 – Cuyahoga Falls, OH – Blossom Music Center
Jun 28 – Noblesville, IN – Ruoff Music Center
Jun 30 – Grand Rapids, MI – Acrisure Amphitheater
Jul 1 – Clarkston, MI – Pine Knob Music Theatre
Jul 3 – Toronto, ON – RBC Amphitheatre
Jul 6 – Montreal, QC – Bell Centre
Jul 8 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview
Jul 10 – Bangor, ME – Maine Savings Amphitheater
Jul 11 – Mansfield, MA – Xfinity Center
Jul 12 – Uncasville, CT – Mohegan Sun Arena
Jul 14 – Camden, NJ – Freedom Mortgage Pavilion
Jul 15 – Holmdel, NJ – PNC Bank Arts Center
Jul 16 – Bristow, VA – Jiffy Lube Live
Jul 20 – New York, NY – Madison Square Garden
Jul 22 – Charlotte, NC – Truliant Amphitheater
Jul 24 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Jul 25 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Jul 26 – Alpharetta, GA – Ameris Bank Amphitheatre
Jul 29 – Nashville, TN – Ascend Amphitheater
Jul 31 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion Sponsored by Huntsman
Aug 1 – Dallas, TX – Dos Equis Pavilion

concerts music

Movie Review

Great directing and acting power The Christophers to artistic heights

Photo by Claudette Barius

Michaela Coel and Ian McKellen in The Christophers.

Director Steven Soderbergh is one of those filmmakers who — aside from the Ocean’s series — never seems to make the same kind of movie twice. He is somehow able to adapt his abilities to all sorts of different stories, making each of them as compelling as any other. His latest masterclass is in the London-set film, The Christophers.

Lori Butler (Michaela Coel), who restores art for a living, is approached by brother and sister Sallie and Barnaby Sklar (Jessica Gunning and James Corden) with a scheme. They want her to become the new assistant for their aging father, Julian (Ian McKellen), a famous artist known for a series called “The Christophers,” in order to gain access to unfinished paintings from the series and complete them herself.

Lori accepts the deal despite having some uneasy feelings about Julian, with whom she had a bad interaction years ago. Julian is just as wary, both because he knows of his children’s interest in the unfinished works, and because he would prefer to be left in peace. Although the trepidation on both sides continues for the bulk of the story, a grudging respect arises between two artists who know skill when they see it.

Directed by Soderbergh and written by Ed Solomon, who last collaborated on No Sudden Move, the film is astonishing in its ability to be compelling with such a small story. Much of the film is spent inside Julian’s multi-story home as Julian and Lori have low-level confrontations about a variety of things, including the meaning of his art, her abilities, the fate of the remaining “Christophers,” and more. Each conversation brings out more detail about their worldviews and their thoughts about their lot in life.

Much of the success of the film lies in the performances of McKellen and Coel. The 86-year-old McKellen has not lost his ability to astonish with the spoken word, and the monologues he delivers are engrossing even when they’re about mundane things. Coel, best known for the 2020 HBO show I May Destroy You, is a great foil for McKellen, never backing down from his challenges and giving her own unique takes on her lines.

While the film can be enjoyable for non-art lovers, those who appreciate the vagaries of the art world will have a lot to chew on. Soderbergh and Solomon debate a lot of aspects of art, including whether it’s possible to separate the art from the person making it, why some art is valued more than others, the ethics of forgery, and more. Because the film is about a fictional artist, it gives the filmmakers a bit more freedom in their criticisms.

Aside from McKellen and Coel, Gunning (Baby Reindeer) and Corden are the only other two people who get significant screen time in the film. Both of them are, let’s say, acquired tastes, and each gives an elevated performance that matches the energy of their respective characters. Tilly Botsford makes a nice impression in a small role as Julian’s masseuse.

Soderbergh’s last three films — Presence, Black Bag, and now The Christophers — have nothing in common other than the expert filmmaker helming all of them. When you can make a ghost story, a spy film, and a small film about artists equally interesting, you know you’re doing something right.

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The Christophers is now playing in theaters.

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Concert announcement

The Pussycat Dolls dance into Houston on 20th anniversary tour

Movie Review

Great directing and acting power The Christophers to artistic heights

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