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    enter the king

    HBO drops trailer for new docuseries about Texas Renaissance Festival

    Brianna Caleri
    May 22, 2024 | 3:30 pm
    Ren Faire joust film still

    Viewers at South by Southwest got a sneak peek, but haven't been able to share with their friends until now.

    Film still courtesy of HBO

    One of the highlights at South by Southwest (SXSW) in 2024 was the debut of Ren Faire; a fictionalized docuseries, you could call it, about a heated succession battle at the Texas Renaissance Festival. Although viewers have suffered without a trailer to share, one finally arrived on May 21. The series premieres June 2 on HBO.

    Many Houstonians not only make the trip to attend the festival, but they appear as performers, vendors, and staff. This faire claims to be the largest in the country, and it certainly dwarfs Austin's small, but charismatic neighbor in McDade, the Sherwood Forest Faire.

    SXSW attendees previewed the full first episode of the three-part series, which lays out an impressive amount of Shakespearean interpersonal drama in its hour-long runtime. In short, an eccentric leader, George Coulam (a.k.a. King George), discusses his end-of-life plan: to find a much younger partner, to pass off ren faire operations to someone else, and to die on schedule. (Details TBD on the last thing.)

    "Someone else," in the first episode, is either sycophantic general manager Jeffrey Baldwin, who loves the faire nearly to the point of fetishization; or kettle corn entrepreneur Louie Migliaccio, who loves capitalism ... almost to the point of fetishization. The ensuing power struggle is one that pits pathetic passion against manipulative money — it would be cynical, if the filmmakers didn't have such a great sense of humor.

    Since SXSW viewers didn't get to watch more than the first episode, they haven't been acquainted yet with elephant trainer Darla Smith, who the trailer positions as the third contender for King George's throne. In a series full of overt archetypes, it seems Smith will play a femme fatale role, featured in a sheer mourning look, sipping a martini, making threats, and brandishing a blade.

    Viewers will likely notice about halfway through that this docuseries is not beholden to reality. Although the general arc of events are true — as South Floridian director Lance Oppenheim confirmed at the talkback after the premiere — they're embellished by cinematic filming, ostentatious editing, and even dramatic reenactments of key moments. (The real-unreal drama is surely amplified by famous producers Josh and Benny Safdie, known for writing and directing 2019's Uncut Gems.)

    Although the festival looms large compared to others, it's still a regional endeavor in a niche community pursuit. Immediately after the premiere, people took to social media to discuss their experiences with cast members. The trailer has unearthed more of these. Many were not favorable.

    "No matter how crazy George comes off in this, I can assure you, he's worse," wrote dianeschluter9995.

    "Everything I've ever heard about Texas Renneisance Festival management from the shop owners and staff make them seem like the worst people," said CaptainAtMan.

    Some commenters on the inside, though, pushed back.

    "This is not a fair and accurate representation of the character of the people I know in this film," wrote amberyates7152. "Please please know that.

    "Heaven help all of us booth owning artists and the management of most Renaissance Faires that will have to spend the next 10 years explaining to the patrons that most of us are not at all like this," said sandrahebner8561. "That most faires are not at all like this. That most craftspeople and artists are not like this. That we are just normal people with mortgages and insurance and kids trying to make a living."

    CultureMap has not verified that these social media commenters have real experience with the subjects of the film.

    Some discourse has also compared the series to two other hyper-dramatic and hugely popular series: Tiger King and Succession. (Hey, we said the first one!) Filmmakers, though, made the connection to Shakespeare's King Lear most obvious, so this docuseries has that time-tested dramatic edge.

    Ren Faire makes its public debut Sunday, June 2, from 8-9 pm Central on HBO. Viewers can also stream on Max. Episodes two and three will air back-to-back the following Sunday, June 9.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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