Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Megan Thee Stallion

Photo courtesy of Megan Thee Stallion

Grammy award-winning rap artist Megan Thee Stallion is hitting the road this summer with the “Hot Girl Summer Tour,” a tour across the U.S. and Europe that will cover 31 cities including three in Texas as follows:

Jun 11 – Dallas, American Airlines Center
Jun 13 – Austin, Moody Center
Jun 14 – Houston, Toyota Center

The tour will feature a special Chicas Divertidas VIP section and include domestic stops in the U.S. and international performances across Europe. GloRilla will serve as a special guest on the “Hot Girl Summer Tour,” which will mark Megan’s first headlining arena tour.

The tour will kick off on May 14 in Minneapolis and stop at major cities including New York City, Los Angeles, Chicago, Philadelphia, and a hometown performance in Houston before wrapping up in Las Vegas on June 22. The international leg will begin in Glasgow, Scotland on July 4 with additional shows in England, France, Germany, and Ireland.

Tickets will be available starting with a Citi presale beginning on Wednesday, March 20. General onsale begins on Friday, March 22 at 10 am on store.megantheestallion.com.

Citi is the official card of the Hot Girl Summer Tour. Citi cardmembers will have access to presale tickets for U.S. dates beginning Wednesday, March 20 at 1pm local time until Thursday, March 21 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Fans can also purchase VIP Packages, which may include premium tickets, access to a VIP bar ,and cocktail service throughout the night, pre-show VIP Lounge, exclusive VIP merch item, and early entry. VIP package contents vary based on offer selected.

The tour comes after her latest song “HISS” debuted at No. 1 on the Billboard Hot 100 in February. “HISS” also became the first-ever, solo female rap song to debut No. 1 on the Billboard Global 200 and, as a result, Megan now owns the record for the biggest first week for a solo female rap song in history.

The achievement signified Megan’s third No. 1 on the Billboard Hot 100, following her other chart-topping hits such as “Savage (Remix)” with Beyoncé and “WAP” with Cardi B. The song was Megan’s second solo release via Hot Girl Productions – her independent music and entertainment entity. Earlier this year, Megan and Warner Music Group announced an agreement enabling the Houston native to release her music independently and still have distribution and resources with Warner Music.

2024 HOT GIRL SUMMER WORLD TOUR DATES:
May 14 – Minneapolis, MN – Target Center^
May 17 – Chicago, IL – United Center^
May 18 – Detroit, MI – Little Caesars Arena^
May 21 – New York, NY – Madison Square Garden^
May 22 – Philadelphia, PA – Wells Fargo Center^
May 24 – Napa, CA – BottleRock Napa Valley Festival*
May 26 – Boston, MA – Boston Calling Festival*
May 28 – Baltimore, MD – CFG Bank Arena^
May 30 – Memphis, TN – FedEx Forum^
Jun 1 – Atlanta, GA – State Farm Arena^
Jun 4 – Raleigh, NC – PNC Arena^
June 6 – Hollywood, FL – Seminole Hard Rock Hotel & Casino^
Jun 8 – Tampa, FL – Amalie Arena^
Jun 10 – New Orleans, LA – Smoothie King Center^
Jun 11 – Dallas, TX – American Airlines Center^
Jun 13 – Austin, TX – Moody Center^
Jun 14 – Houston, TX – Toyota Center^
Jun 16 – Manchester, TN – Bonnaroo Music & Arts Festival*
Jun 17 – Denver, CO – Ball Arena^
Jun 19 – Phoenix, AZ – Footprint Center^
Jun 21 – Los Angeles, CA – Crypto.com Arena^
Jun 22 – Las Vegas, NV – MGM Grand Garden Arena^
Jul 4 – Glasgow, UK – OVO Hydro
Jul 5 – Manchester, UK – Co-op Live
Jul 7 – Paris, FR – Zenith
Jul 10 – Amsterdam, NL – Ziggo Dome
Jul 11 – Cologne, DE – Lanxess Arena
Jul 14 – Dublin, IE – 3Arena
Jul 16 – Birmingham, UK – Utilita Arena
Jul 17 – London, UK – The O2
Jul 27 – Washington DC – Broccoli City Festival*
^With Support From GloRilla

music concerts

Movie Review

Over-the-top acting and incoherent plot drag down Her Private Hell

Photo courtesy of Neon

Sophie Thatcher in Her Private Hell.

Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

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Her Private Hell opens in theaters on July 24.

movies film

Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Movie Review

Over-the-top acting and incoherent plot drag down Her Private Hell

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