Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Megan Thee Stallion

Photo courtesy of Megan Thee Stallion

Grammy award-winning rap artist Megan Thee Stallion is hitting the road this summer with the “Hot Girl Summer Tour,” a tour across the U.S. and Europe that will cover 31 cities including three in Texas as follows:

Jun 11 – Dallas, American Airlines Center
Jun 13 – Austin, Moody Center
Jun 14 – Houston, Toyota Center

The tour will feature a special Chicas Divertidas VIP section and include domestic stops in the U.S. and international performances across Europe. GloRilla will serve as a special guest on the “Hot Girl Summer Tour,” which will mark Megan’s first headlining arena tour.

The tour will kick off on May 14 in Minneapolis and stop at major cities including New York City, Los Angeles, Chicago, Philadelphia, and a hometown performance in Houston before wrapping up in Las Vegas on June 22. The international leg will begin in Glasgow, Scotland on July 4 with additional shows in England, France, Germany, and Ireland.

Tickets will be available starting with a Citi presale beginning on Wednesday, March 20. General onsale begins on Friday, March 22 at 10 am on store.megantheestallion.com.

Citi is the official card of the Hot Girl Summer Tour. Citi cardmembers will have access to presale tickets for U.S. dates beginning Wednesday, March 20 at 1pm local time until Thursday, March 21 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Fans can also purchase VIP Packages, which may include premium tickets, access to a VIP bar ,and cocktail service throughout the night, pre-show VIP Lounge, exclusive VIP merch item, and early entry. VIP package contents vary based on offer selected.

The tour comes after her latest song “HISS” debuted at No. 1 on the Billboard Hot 100 in February. “HISS” also became the first-ever, solo female rap song to debut No. 1 on the Billboard Global 200 and, as a result, Megan now owns the record for the biggest first week for a solo female rap song in history.

The achievement signified Megan’s third No. 1 on the Billboard Hot 100, following her other chart-topping hits such as “Savage (Remix)” with Beyoncé and “WAP” with Cardi B. The song was Megan’s second solo release via Hot Girl Productions – her independent music and entertainment entity. Earlier this year, Megan and Warner Music Group announced an agreement enabling the Houston native to release her music independently and still have distribution and resources with Warner Music.

2024 HOT GIRL SUMMER WORLD TOUR DATES:
May 14 – Minneapolis, MN – Target Center^
May 17 – Chicago, IL – United Center^
May 18 – Detroit, MI – Little Caesars Arena^
May 21 – New York, NY – Madison Square Garden^
May 22 – Philadelphia, PA – Wells Fargo Center^
May 24 – Napa, CA – BottleRock Napa Valley Festival*
May 26 – Boston, MA – Boston Calling Festival*
May 28 – Baltimore, MD – CFG Bank Arena^
May 30 – Memphis, TN – FedEx Forum^
Jun 1 – Atlanta, GA – State Farm Arena^
Jun 4 – Raleigh, NC – PNC Arena^
June 6 – Hollywood, FL – Seminole Hard Rock Hotel & Casino^
Jun 8 – Tampa, FL – Amalie Arena^
Jun 10 – New Orleans, LA – Smoothie King Center^
Jun 11 – Dallas, TX – American Airlines Center^
Jun 13 – Austin, TX – Moody Center^
Jun 14 – Houston, TX – Toyota Center^
Jun 16 – Manchester, TN – Bonnaroo Music & Arts Festival*
Jun 17 – Denver, CO – Ball Arena^
Jun 19 – Phoenix, AZ – Footprint Center^
Jun 21 – Los Angeles, CA – Crypto.com Arena^
Jun 22 – Las Vegas, NV – MGM Grand Garden Arena^
Jul 4 – Glasgow, UK – OVO Hydro
Jul 5 – Manchester, UK – Co-op Live
Jul 7 – Paris, FR – Zenith
Jul 10 – Amsterdam, NL – Ziggo Dome
Jul 11 – Cologne, DE – Lanxess Arena
Jul 14 – Dublin, IE – 3Arena
Jul 16 – Birmingham, UK – Utilita Arena
Jul 17 – London, UK – The O2
Jul 27 – Washington DC – Broccoli City Festival*
^With Support From GloRilla

music concerts

Movie Review

Elizabeth Holmes' doc You Can See Everything is an audacious genre-bender

Photo courtesy of A24

Nathan Fielder and Elizabeth Holmes in You Can See Everything.

Elizabeth Holmes faced one of the most public downfalls in recent history after she was accused of defrauding investors in her health technology company, Theranos. Her subsequent indictment and conviction drew the interest of many, including, it seems, comedian/actor/filmmaker Nathan Fielder. Fielder somehow convinced Holmes and her husband, Billy Evans, to make a documentary about her final days of freedom, called You Can See Everything.

It’s not immediately clear why Fielder — who only has one previous feature-length documentary to his credit — is interested in profiling Holmes, but the approach that he and co-director Lance Oppenheim (Primetime) take is one that puts Fielder in the spotlight as much as her or Evans. Fielder looms over the couple — sometimes literally, sometimes from afar — as they care for their children, make meals, try to re-establish business relationships, and prepare for Holmes’ prison sentence, which is due to start about a month after the film begins in 2023.

Fielder quizzes Holmes and Evans about predictable subjects — such as how Theranos worked, her relationship with COO Sunny Balwani, and her conviction — and ones that are slightly off-kilter, including the miniseries The Dropout, which dramatized Holmes’ rise and fall. He is met with seeming openness by both of them — the title of the movie is uttered by Holmes at one point — but there are times where their idea of transparency doesn’t jibe with Fielder’s expectations.

Through it all, the quirky reputation that Fielder has from TV shows like Nathan for You, The Curse, and The Rehearsal colors his participation, as well. He appears sincere, if surprisingly intense, in his questioning, but there are more than a few moments where it’s fair to wonder if the whole thing is an act of performance art. That suspicion grows in the second half of the nearly three-hour film as Fielder and Oppenheim go down roads that stretch the definition of what a documentary is or can be.

The film is utterly fascinating as the filmmakers go on what seems to be a full-on exploration of the meaning of truth. Holmes and Evans, either intentionally or unintentionally, carry on conversations with Fielder with wide-open, unblinking eyes, something that conveys honesty and creepiness in equal measures. Fielder meets them with squinting expressions, looking like he’s trying to determine how candid they’re actually being.

One of the biggest things the film reveals (or does it?) is that — if she’s not a sociopath — Holmes might be someone who’s either oblivious or naive. As cryptic or strange as she can be in words and actions, Evans is even more so, and as the film progresses it’s him whose motives and ideas are called into question. Control over the narrative of the film wobbles back-and-forth between Fielder, Holmes, and Evans, and even at the end it’s unclear whose perspective has truly won out.

There is no way to accurately get across what it’s like to watch You Can See Everything for the first time. The motives of everyone involved are up in the air, resulting in a roller coaster ride that’s full of astonishment, laughs, and a number of surprises. It’s an audacious film that can’t be categorized, one that will challenge the thinking of voters when it comes time for awards season.

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You Can See Everything opens in theaters on October 16.

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Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Movie Review

Elizabeth Holmes' doc You Can See Everything is an audacious genre-bender

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