Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Megan Thee Stallion

Photo courtesy of Megan Thee Stallion

Grammy award-winning rap artist Megan Thee Stallion is hitting the road this summer with the “Hot Girl Summer Tour,” a tour across the U.S. and Europe that will cover 31 cities including three in Texas as follows:

Jun 11 – Dallas, American Airlines Center
Jun 13 – Austin, Moody Center
Jun 14 – Houston, Toyota Center

The tour will feature a special Chicas Divertidas VIP section and include domestic stops in the U.S. and international performances across Europe. GloRilla will serve as a special guest on the “Hot Girl Summer Tour,” which will mark Megan’s first headlining arena tour.

The tour will kick off on May 14 in Minneapolis and stop at major cities including New York City, Los Angeles, Chicago, Philadelphia, and a hometown performance in Houston before wrapping up in Las Vegas on June 22. The international leg will begin in Glasgow, Scotland on July 4 with additional shows in England, France, Germany, and Ireland.

Tickets will be available starting with a Citi presale beginning on Wednesday, March 20. General onsale begins on Friday, March 22 at 10 am on store.megantheestallion.com.

Citi is the official card of the Hot Girl Summer Tour. Citi cardmembers will have access to presale tickets for U.S. dates beginning Wednesday, March 20 at 1pm local time until Thursday, March 21 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Fans can also purchase VIP Packages, which may include premium tickets, access to a VIP bar ,and cocktail service throughout the night, pre-show VIP Lounge, exclusive VIP merch item, and early entry. VIP package contents vary based on offer selected.

The tour comes after her latest song “HISS” debuted at No. 1 on the Billboard Hot 100 in February. “HISS” also became the first-ever, solo female rap song to debut No. 1 on the Billboard Global 200 and, as a result, Megan now owns the record for the biggest first week for a solo female rap song in history.

The achievement signified Megan’s third No. 1 on the Billboard Hot 100, following her other chart-topping hits such as “Savage (Remix)” with Beyoncé and “WAP” with Cardi B. The song was Megan’s second solo release via Hot Girl Productions – her independent music and entertainment entity. Earlier this year, Megan and Warner Music Group announced an agreement enabling the Houston native to release her music independently and still have distribution and resources with Warner Music.

2024 HOT GIRL SUMMER WORLD TOUR DATES:
May 14 – Minneapolis, MN – Target Center^
May 17 – Chicago, IL – United Center^
May 18 – Detroit, MI – Little Caesars Arena^
May 21 – New York, NY – Madison Square Garden^
May 22 – Philadelphia, PA – Wells Fargo Center^
May 24 – Napa, CA – BottleRock Napa Valley Festival*
May 26 – Boston, MA – Boston Calling Festival*
May 28 – Baltimore, MD – CFG Bank Arena^
May 30 – Memphis, TN – FedEx Forum^
Jun 1 – Atlanta, GA – State Farm Arena^
Jun 4 – Raleigh, NC – PNC Arena^
June 6 – Hollywood, FL – Seminole Hard Rock Hotel & Casino^
Jun 8 – Tampa, FL – Amalie Arena^
Jun 10 – New Orleans, LA – Smoothie King Center^
Jun 11 – Dallas, TX – American Airlines Center^
Jun 13 – Austin, TX – Moody Center^
Jun 14 – Houston, TX – Toyota Center^
Jun 16 – Manchester, TN – Bonnaroo Music & Arts Festival*
Jun 17 – Denver, CO – Ball Arena^
Jun 19 – Phoenix, AZ – Footprint Center^
Jun 21 – Los Angeles, CA – Crypto.com Arena^
Jun 22 – Las Vegas, NV – MGM Grand Garden Arena^
Jul 4 – Glasgow, UK – OVO Hydro
Jul 5 – Manchester, UK – Co-op Live
Jul 7 – Paris, FR – Zenith
Jul 10 – Amsterdam, NL – Ziggo Dome
Jul 11 – Cologne, DE – Lanxess Arena
Jul 14 – Dublin, IE – 3Arena
Jul 16 – Birmingham, UK – Utilita Arena
Jul 17 – London, UK – The O2
Jul 27 – Washington DC – Broccoli City Festival*
^With Support From GloRilla

music concerts

Movie Review

Camp Miasma puts a comedic twist on the classic slasher movie

Photo courtesy of MUBI

Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing the slasher subgenre that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death — a transgender person who has an air conditioning vent as a head/mask — may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference — Norma Desmond from Sunset Boulevard — to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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