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    Movie Review

    Scream VI whimpers with reminder that Ghostface needs to go down for good

    Alex Bentley
    Mar 10, 2023 | 5:30 pm

    The reboot of the Scream franchise in 2022 might have been intended to be dumped in the dead zone of January, but its unexpectedly high $81 million box office put a sequel on the fast track. And it’s a good thing they did, because the new young cast members – notably Melissa Barrera, Jenna Ortega, Jasmine Savoy Brown, and Mason Gooding – are hot properties and getting hotter by the minute.

    Scream VI finds the foursome away from the cursed town of Woodsboro, as they have all relocated to the notoriously safe New York City together. Tara (Ortega) and twins Mindy (Savoy Brown) and Chad (Gooding) are students at the fictional Blackmoore University, while Sam (Barrera) does her best to keep Tara safe after reconnecting with her sister in the previous film.

    The emergence of a new Ghostface killer not only puts all of them at risk, but also new roommates Quinn (Liana Liberato) and Ethan (Jack Champion), as well as Sam’s new love interest, Danny (Josh Segarra). Helping to track down the killer (or killers) is Det. Bailey (Dermot Mulroney) and Kirby Reed (Hayden Panatierre), now an FBI agent after being terrorized herself in Scream 4.

    Still sticking with the credo of “If it ain’t broke, don’t fix it,” the filmmakers – returning co-directors Matt Bettinelli-Olpin and Tyler Ginnett, and returning co-writers James Vanderbilt and Guy Busick – go back to the same formula seen many times before over and over again. The killer attacks, manages to stab a victim or two before getting hit by a blunt object, disappears mysteriously after the protagonists are distracted, rinse and repeat.

    At this point it would be surprising if they deviated much at all from what is expected, since fans don’t seem to mind the repetition. That’s not to say that the film is completely devoid of entertainment. The brutal opening scene, another hallmark of the series, manages to bring a degree of cleverness to the film. And even though most of the kills are telegraphed, the level of violence will satisfy any hardcore horror fan.

    However, the film too often takes the easy road. It’s set around Halloween, so that hordes of people roaming the streets in masks, many of them Ghostface ones, seems natural. Instead of raising the tension, it somehow takes it away as the filmmakers can’t use the idea properly. Sam being haunted by her parentage once again plays a big part in the story, but just as in the last film, it doesn’t add up to much.

    The lack of good material is a crying shame, as the film truly does have a gem of a cast. Ortega is at the top of everyone’s list after the Netflix show Wednesday and other recent roles. Barrera has the charisma and the looks to be the star in many more projects. And Savoy Brown and Gooding have the goods to easily slide back and forth between movies and TV.

    In the Scream franchise, Ghostface will never die because there will always be someone new who’s willing – or psychotic enough – to don the mask and do some more slashing. But unless filmmakers are able to inject some new ideas into the mix, it might be best to let the series die, once and for all.

    ---

    Scream VI opens in theaters on March 10.

    Ghostface in Scream VI

    Photo courtesy of Paramount Pictures

    Ghostface in Scream VI.

    Hayden PanatierreJenna OrtegaReboot of Screamfilmmovies
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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