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    See these shows

    From 50 Cent to Eric Church, these are the top 10 RodeoHouston concerts to catch

    Johnston Farrow
    Feb 26, 2024 | 2:00 pm
    Blake Shelton

    Country star Blake Shelton kicks off the 2024 RodeoHouston season on February 27.

    Courtesy photo

    Lainey Wilson
    Photo courtesy of ACM Awards

    Lainey Wilson makes her RodeoHouston debut on Saturday, March 9.

    Giddy up! This Tuesday, February 27, RodeoHouston takes over NRG Stadium with 20 straight days of musical performances.

    This year’s lineup might be the most diverse in years. Country is always the foundation, but multiple genres will be covered over three next weeks, including pop, rock, rap, Christian, norteño, and electronic music. It’s one of the things RodeoHouston event organizers do well when they put together the concert calendar – they incorporate all the sounds that make Houston a multicultural, auditory melting pot.

    Fun facts: This is the first year two rappers will headline the star-shaped stage (50 Cent, Bun B). Two artists named after currency (Nickelback, 50 Cent again) will perform. And like every year, a few country fan favorites will make a repeat appearance, regardless of whether they have a new album to promote (Brad Paisley, Zac Brown Band).

    We’ve pared down those 20 shows to our top 10 to see over the course of the 2024 season.

    Blake Shelton, Tuesday, February 27
    A safe pick to kick off the RodeoHouston slate, Blake Shelton, the former coach on The Voice is back to his regular gig as a country star, making his sixth appearance. Shelton has earned numerous awards, including 10 Country Music Association (CMA) Awards and six Academy of Country Music (ACM) Awards, racking up No. 1 hits – 28 of them, to be exact. For rock and pop fans, he is also is known as being the spouse of Gwen Stefani, who put on a now-legendary rodeo performance at in 2022.

    50 Cent, Friday, March 1
    The NYC-raised, current Houstonian 50 Cent endeared himself to the Houston Livestock Show and Rodeo execs over the last few years, including dropping big money on wine at the 2022 and 2023 Rodeo Uncorked! events. Since moving here in 2021, he has been seen around the city frequently, mostly promoting his liquor company, Sire Spirits, which will have two themed bars at NRG. For Black Heritage Night, it’s his hit-making – and money-making – catalogue (“In Da Club,” “Candy Shop,” “21 Questions,” among others) that will take center-stage, one of the most talked about shows of the season.

    Jelly Roll, Wednesday, March 6
    What a rise to fame for Nashville’s Jelly Roll. Once strictly an underground rapper, he gained listeners when he leaned into the sounds being produced around his city, including country, folk, blues, and soul. He veered so far away from his early work, that he picked up a New Artist of the Year trophy at the Country Music Awards in 2023 and three more CMT Music Awards on the strength of singles, “Need a Favor,” “Son of a Sinner,” and “Save Me” with fellow RodeoHouston 2024 performer, Lainey Wilson.

    Luke Bryan, March 7
    A rodeo staple, Luke Bryan followed a similar career path to Blake Shelton, building his already impressive fanbase as a TV music competition judge on American Idol. Unlike Shelton, however, Bryan is here for a good time, with a more upbeat approach to country music that has made him a stadium-filler and album-seller with 10 million copies sold worldwide. Expect a high-energy selection from his 25 country singles such as “Drunk on You,” and “Play It Again.”

    Major Lazer, Friday, March 8
    When the rodeo opened the door to electronic dance music (EDM) with The Chainsmokers in 2017, the announcement was met with some measure of doubt and a fair amount of backlash. In reality, DJs make complete sense, integrating perfectly with the state-of-the-art NRG sound and light system (courtesy the Houston-based LD Systems), leading to some of the most fun nights on the music schedule. This year, that honor goes to famed DJ Diplo’s side project, Major Lazer, which will bring a mix of four-to-the-floor beats, dancehall, reggae, house, and more (see “Lean On,” “Be Together,” or “Boom” to get amped).

    Lainey Wilson, March 9
    Like Maren Morris or Kasey Musgraves before her, RodeoHouston often catches female country talent on their rise to the top, naming them as a performer just before they blow up into the mainstream. Lainey Wilson is on a hot streak – weeks ago, she won the Grammy in the Best Country Album category for her hit record, Bell Bottom Country, alongside a F-350 truckload of country music awards over the last few years. No doubt the Yellowstone guest star will be featuring her No. 1 songs, “Things a Man Oughta Know” and “Watermelon Moonshine.”

    Bun B, Tuesday, March 12
    The Underground Kingz legend, Bun B’s stature as an ambassador for the Bayou City and its chopped and screwed scene is stronger than ever, which has parlayed into his third RodeoHouston performance in as many years. The Trill Burgers mastermind is a hip-hop institution, which allows him to cherry pick some of the strongest talent for his rodeo shows, the first in 2022 focusing on those that put Houston hip-hop on the map, the second in 2023 bringing in Southern hip-hop legends. This year, the “All American Takeover” features multi-platinum selling rap stars Nelly and Rick Ross, in addition to E-40, Too Short, and That Mexican OT.

    Nickelback, Wednesday, March 13
    Love them or hate them, the most successful Canadian rock band of all time, Nickelback, has the receipts to back it up (just ask Deadpool). Making their first RodeoHouston appearance, the Chad Kroeger-led act coincidentally formed in cowboy country, starting off in the rural hamlet of Hanna, Alberta in 1995. Since then, they’ve sold 50 million albums, had numerous, inescapable radio hits (“How You Remind Me,” “Photograph,” “Rockstar”), and a reputation for putting on a strong live show – despite what any music snob on the internet will tell you.

    Jonas Brothers, Friday, March 15
    Following their days as Disney stars, the Jonas Brothers, Kevin, Joe, and Nick went onto pursue other artistic pursuits – acting, solo music projects, marrying very famous women – to varying degrees of success. But the second act of the Jonas Brothers’ career following their reunion in 2019 has been their most accomplished yet, producing their first No. 1 single, “Sucker,” and first No. 1 album in a decade in Happiness Begins. Expect a packed house of suburban moms (and their kids) on hand to hear songs from across the Jo Bros long and colorful career.

    Eric Church, Sunday, March 17
    A great choice as a RodeoHouston closer, Eric Church might be the biggest name in country music right now, headlining festivals and selling out venues wherever he goes. The multi-award-winning superstar has 11 No. 1 songs to his credit, including “Drink in My Hand,” “Talladega,” and “Springsteen,” which Rolling Stone named as one of the 100 best country songs ever. Expect his second rodeo appearance to be packed as the 2024 music calendar ends in a rousing, hats, boots, and denim-clad fashion.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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