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    Movie Review

    John Cena is the saving grace of idiotic comedy Ricky Stanicky

    Alex Bentley
    Mar 11, 2024 | 2:00 pm
    John Cena in Ricky Stanicky

    John Cena in Ricky Stanicky

    Photo courtesy of Prime Video

    After years of making shamelessly idiotic comedies like Dumb and Dumber, There’s Something About Mary, and Shallow Hal, writer/director Peter Farrelly made the improbable switch to Oscar bait movies with Green Book in 2018, somehow winning Oscars in the process. Now that he’s got that out of his system, he’s back with yet another idiotic comedy, Ricky Stanicky.

    This one centers on three childhood friends - Dean (Zac Efron), JT (Andrew Santino), and Wes (Jermaine Fowler) – who, for over 20 years, have been using a fake friend they named Ricky Stanicky to either blame for their wrongdoing or as an excuse to get out of something they don’t want to do. The film kicks off with one such scheme, with the three bailing on a baby shower for JT’s wife, Susan (Anja Savcic), to go to Atlantic City.

    While there, they meet Rod (John Cena), a low-rent actor who does a show featuring parody songs that are all about masturbating. When the baby comes early and the guys have to rush home, their significant others start to get extra suspicious. In order to keep the lie going, they hire Rod to play Ricky for a day, but they are unprepared for how deeply Rod will inhabit a character that has only existed in their minds until now.

    Directed by Farrelly and written by Farrelly and five other writers, the film is mostly the equivalent of a flaming poop trick, a grotesque adolescent prank that Farrelly uses to establish the personalities of the three main characters. The film is full of random stupid jokes that don’t advance the plot in the slightest, like JT’s new baby sucking on his nipple, Wes talking about buying pot milk, or a duck trying to drown Dean and Erin’s dog.

    If there is a saving grace to the film, it’s Cena, who commits fully to the role of Rod/Ricky. He garners a few chuckles with a montage of Rod’s parody masturbation songs (song choice and costumes are key), but his pièce de résistance is an extended sequence when he’s introduced as Ricky at the bris for JT’s baby. The way he’s able to charm almost everybody at the party is a sight to see, and even though each conversation is a version of the same joke, they all work well.

    Unfortunately, Farrelly tries to dip into the same well for most of the rest of the film, with diminishing returns. The main trio never truly feels like a group of best friends, and throwing Rod into the mix only serves to enhance how uninteresting they are. The same goes for their significant others, who only seem to exist in order to have a source of conflict, and they barely function as that.

    The film would be completely unwatchable without Cena, as he gives it a boost of personality that the three leads do not possess, at least not here. Efron, as seen in the Neighbors films, has comic chops, but Farrelly gives him almost nothing to do. Santino stood out in the recent Scrambled, but he too is inert in this film. Fowler has the most thankless role, as he’s only given one scene where his character is the focus. Even William H. Macy as a blowhard boss doesn’t register.

    Farrelly rode the wave of outrageous comedies in the ‘90s and early 2000s, but his ability to wring humor out of inane situations has seemed to pass him by. Ricky Stanicky is a one-joke story with only a couple of memorable sequences, not nearly enough to justify the effort it takes to watch it.

    ---

    Ricky Stanicky is now streaming on Prime Video.

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    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

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