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    Reba McEntire review

    Reba McEntire kicks off RodeoHouston with Dua Lipa cover and sing-along classics

    Craig Hlavaty
    Mar 4, 2025 | 10:56 pm
    Reba McEntire RodeoHouston 2025

    Reba took the rodeo stage for the first time in 11 years.

    Courtesy of the Houston Livestock Show & Rodeo

    Reba McEntire made her long-awaited return to RodeoHouston on Tuesday, March 4. The country legend kicked off this year’s Houston’s crown jewel cultural event in grand fashion in front of 69,934 fans with a cadre of hits and heart after 11 years away. Before Tuesday night, she hadn’t played RodeoHouston since 2014.

    McEntire — who turns a spritely 70 years old later this month — is on everyone’s classic female country Mount Rushmore alongside the likes of Dolly Parton, Loretta Lynn, and Patsy Cline. Her multi-generational longevity and enduring pop-culture impact spanning six decades is only comparable to Parton’s. However, McEntire’s vibe has always skewed slightly more sassy denim diva than Backwoods Barbie. (RodeoHouston could use a Dolly Parton appearance sometime soon, for what it’s worth.)

    McEntire’s RodeoHouston story began in 1984 when she co-headlined the Astrodome with Charley Pride, back when a weekend double bill matinee could still be a reality, attracting over 77,000 fans across two shows. Tickets topped out at a whopping $8. Throughout the late ‘80s and ‘90s, she was a mainstay each year as her star continued to rise and the hits began to pile up on the charts. She had played in front of one million Houstonians at RodeoHouston by 1991 — before several of this year’s headliners such as Post Malone, Parker McCollum, and Lauren Daigle were born.

    McEntire is also the only performer on this year’s RodeoHouston schedule who can boast that she played the original Gilley’s in Pasadena. She was inducted into the rodeo’s Star Trail of Fame in 2007, joining the likes of George Strait and Elvis Presley. A burgeoning acting career, which famously included fighting subterranean worms in the desert, has only added to her legend.

    McEntire kicked things off just before 9:30 pm with 2010’s “Turn On The Radio” decked out like a rodeo queen in black satin, silver spangles, rhinestones, and a belt buckle fit for a New York strip steak. She quickly took the crowd back to 1986 with “One Promise Too Late,” followed by “You Lie” with an epic saxophone solo on the back end. She pulled out the thundering “Maggie Creek Road” from 2009, cut from the same cloth as “The Night The Lights Went Out In Georgia”.

    “I’m A Survivor,” the theme song from her hit 2000s sitcom, brought down the house. Her current NBC sitcom, Happy’s Place, was just renewed by the network for a second season, proving that McEntire still has the magic touch on the small screen.

    A disco-soul interpolation saw McEntire slide in a cover of Dua Lipa’s “Don’t Start Now,” showing that the gap between country queens and current Gen-Z pop idols — witness Parton recently teaming up with Sabrina Carpenter — is growing forever thinner. Last year’s “I Can’t” shows that McEntire can still do righteous condemnation with the best of them, complete with its crying guitar solo.

    McEntire closed out the show with a victory lap of some of her most enduring standards. “Is There Life Out There” remains as devastating as ever, and the chugging country-soul swing of “Why Haven’t I Heard From You” has always been a bridge between Memphis and Nashville. The promise of the fiery “Fancy” kept everyone in their seats until the night's end, with the stage bathed in red light and the tune’s ominous opening hook hanging in the stadium air.

    For a few minutes around 10:30 pm on Tuesday, NRG Stadium rightfully became the world’s largest karaoke bar.

    Setlist

    Turn On The Radio
    The Fear of Being Alone
    One Promise Too Late
    I’m Gonna Take That Mountain
    You Lie
    Maggie Creek Road
    I’m A Survivor
    Happy’s Place
    Going Out Like That

    Disco-Soul Mix:
    Respect (Aretha Franklin cover)
    Don’t Start Now (Dua Lipa cover)
    You Keep Me Hangin’ On (The Supremes cover)

    Consider Me Gone
    The Night The Lights Went Out In Georgia
    I Can’t
    Back To God
    Is There Life Out There
    Why Haven’t I Heard From You
    Fancy


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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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