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    Movie Review

    Disturbing new horror film Bring Her Back will shock fans of the genre

    Alex Bentley
    May 30, 2025 | 4:00 pm
    Sally Hawkins and Sora Wong in Bring Her Back

    Sally Hawkins and Sora Wong in Bring Her Back.

    Photo courtesy of A24

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

    ---

    Bring Her Back is now playing theaters.

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    news/entertainment

    let's go to the movies

    18th annual Cinema Arts Festival promises to be the most Houston yet

    Craig D. Lindsey
    Sep 29, 2026 | 3:00 pm
    Your Mother Your Mother Your Mother film still
    Courtesy of Houston Cinema Arts Festival
    Mahershala Ali's Your Mother Your Mother Your Mother is set in Houston.

    Is it safe to say that, out of all the years the Houston Cinema Arts Festival has been up and running, this year’s fest is – the most Houston ever?

    Your Mother Your Mother Your Mother film still

    Courtesy of Houston Cinema Arts Festival

    Mahershala Ali's Your Mother Your Mother Your Mother is set in Houston.

    The 18th-annual film festival — running from this Thursday, October 1, until Sunday, October 11 — will showcase several Houston-centric films and filmmakers in their “Spotlight on Texas” and “Texas Icons” programs. Pakistani-born, Clutch City-bred filmmaker Bassam Tariq (Mogul Mowgli) directed the opening-night film, the Mahershala Ali action drama Your Mother Your Mother Your Mother, which is also set in Houston.

    Vicky Wight, another H-Town filmmaker, will screen two films: the narrative drama The Body Is Water and Zina, a documentary short on Houston tennis great Zina Garrison. DJ Screw, Brittney Griner, the Fourth Ward, and the Billie Jean King-Bobby Riggs “Battle of the Sexes” match that went down at the Astrodome will also get screen time this year. And don’t forget about the 30th anniversary screening of Bottle Rocket, written and directed by hometown hero Wes Anderson.

    “Houston was such a major source of inspiration for the festival,” says lead HCAF programmer Michael D. Robinson. “We have that idea of reflecting Houston back to itself, but also, for me, it was reflecting Houston to the world and the world back to Houston.”

    Now in its eighth year, the HCAF (created and programmed by the Houston Cinema Arts Society) continues to look for cinematic art both regionally and internationally. The fest will screen the latest from acclaimed international filmmakers, including Possible Love, from South Korean dramatist Lee Chang-dong (Burning); and Fatherland, from Oscar-nominated Pole Paweł Pawlikowski (Cold War). A wide array of features and shorts will also be shown, ranging from films directed by female filmmakers to films centered on African American and LGBTQ+ themes.

    “My Eyes Are Playing Tricks on Me” is a themed program dealing with the complicated relationship between image and truth, particularly in this increasingly-troublesome age of AI. Robinson gives props to HCAS for giving him more room to expand the lineup.

    “There are 10 more features than last year, and I'm very happy that they let me do that,” he says. “But I definitely was more ambitious and, just looking at this year in film, there are so many great options. And it kind of became a moment of being like, if we can, let's just try to give audiences as many of these great films from international festivals — but also from [South by Southwest].”

    The 11-day fest will be a sprawling affair, with screenings happening at various venues (including the Museum of Fine Arts, Houston, Rice Cinema, River Oaks Theatre, and the DeLUXE Theater) along with parties, panels, and other events going on in other spots. Just as the festival wants to salute Houston on-screen, the organizers also want Houstonians to experience the spaces where you can see these films.

    “Houston is not like [former Sundance Film Festival home] Park City, Utah, where everything is a mile away from each other, and you have 100 different theaters that you can walk to,” says HCAS executive director Katie Creeggan-Rios. “We are a big, sprawling, metropolitan area with a lot of different neighborhoods and a lot of our cultural identities. And it's been important to Michael and me from the beginning to make sure that we are programming site-specific, that we're thinking about what is important to an audience at the DeLUXE Theater, and what kind of movies feel at home at the River Oaks. And it's one of the things that makes our audience so special, and makes our festival so exciting.”

    For more information on the Houston Cinema Arts Festival, go to the festival website.

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