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Movie Review

Totally creepy Talk to Me hands in a 'I see dead people' horror romp from Down Under

Alex Bentley
Jul 27, 2023 | 11:45 am

Coming up with a new and inventive horror story has got to be extremely difficult given the plethora of terrifying films that have filled the genre for the past 100 years. Instead of trying to reinvent the wheel, the filmmakers behind the new Australian film Talk to Me went back to basics, relying on gruesome imagery and great editing to get the job done.

Sophia Wilde in Talk to Me

Photo courtesy of A24

Sophia Wilde in Talk to Me.

The story centers on Mia (Sophie Wilde), a teenager still mourning the recent (accidental?) death of her mother. A group of friends, including best friend Jade (Alexandra Jensen), Jade’s brother Riley (Joe Bird), and former boyfriend Daniel (Otis Dhanji), invite her to a party where the main attraction is a ceramic hand, which willing participants grab and say “Talk to me” to be transported into an in-between world where they can interact with dead people.

The “high” they get from the experience makes it similar to doing drugs, and Mia and others return to it multiple times. The only problem is that staying in over a certain amount of time allows the participant to stay connected to that nether world, leading to real-life harm. Mia’s fascination with the process and her grief combine into a situation that proves difficult to escape.

Directed by brothers Danny and Michael Phillippou, and written by Bill Hinzman, Daley Pearson, and Danny Phillippou, the film hits some high highs but can’t always keep the momentum it’s built up. A brutal opening sequence sets the tone right away, and the various scenes of people entering the dead world are full of fantastically off-putting imagery that are enough to satisfy any big horror fan.

As the film goes along, though, it’s not exactly clear what kind of story the filmmakers are trying to tell. There is no overarching villain – it’s just the hand itself – and so the film has to rely on the ups-and-downs of the relationships between Mia and her friends, as well as her dad, Max (Marcus Johnson), and Jade’s mom, Sue (Miranda Otto). Sometimes this works and sometimes it doesn’t, which makes for a disjointed viewing experience.

Still, there is a constant undercurrent of dread in the film that keeps things relatively suspenseful while waiting for the next big moment. The performances of the actors, especially Wilde and Bird, really sell the intensity of what they’re facing. Since this is an Australian production, none of the teenage actors will likely be familiar to American audiences, but they announce themselves in a big way here.

Talk to Me is a solid new entry into the horror genre, one that uses familiar tricks to great effect even if the spell doesn’t last all the way through. With A24 giving these Aussie filmmakers and actors a platform in the U.S., don’t be surprised to see more of them in the future.

---

Talk to Me opens in theaters on July 28.

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From Fest to Screen

Alamo Drafthouse kicks off  film distribution with Butthole Surfers doc

Brianna Caleri
Jul 7, 2026 | 4:30 pm
Butthole Surfers
Photo by Pat Blashil
Alamo Drafthouse is going bold with the first of its picks for its new festival film distribution initiative.

The Austin-based movie theater chain Alamo Drafthouse Cinema is doing something about the great films that premiere at festivals and never make it to the general public. It's launching Alamo Exclusives, a theatrical distribution program specifically dedicated to getting more eyes on those films across the country for limited runs. The program will start with the South by Southwest-premiered documentary Butthole Surfers: The Hole Truth and Nothing Butt.

The documentary follows the rise and taming of Butthole Surfers, the wild '80s punk band from San Antonio and Austin. The film uses archival footage and interviews to go deep on the many band members over the years and their shock-and-awe performance style.

With gratuitous full-frontal nudity, questionable group ethics, and a penchant for always upping the ante, it's not surprising that this film hasn't become a mainstream hit, but it offers strangely beautiful and loving insight into what makes Austin so weird — and what that cost the people involved. It's an encouraging first choice to prove Alamo Drafthouse is committed to bringing interesting and unique films to light.

Tickets will go on sale July 21 for screenings scheduled for late this summer.

"I’m so grateful that Alamo Drafthouse believes in this film and chose it to kick off the Alamo Exclusives distribution program,” said director Tom Stern in a press release. “I love that Alamo audiences are passionate moviegoers who genuinely embrace great documentaries and independent cinema. Knowing this film will be experienced on big screens by that kind of audience makes this release especially meaningful.”

“Too many incredible films premiere at festivals and then never receive the theatrical life they deserve,” says Lisa Dreyer, director of Alamo's Fantastic Fest and film innovation. “We are actively searching for films across all genres, from horror to comedy, to everything in-between, to champion in this new, exciting way. We're thrilled to launch the program with BUTTHOLE SURFERS: THE HOLE TRUTH AND NOTHING BUTT, a film that’s bold, entertaining, unapologetically original, and deeply connected to Austin's creative DNA. We couldn't imagine a better film to kick off this new chapter.”

Alamo Exclusives will run titles without distribution from a variety of festivals including Sundance, South by Southwest (SXSW), Tribeca, TIFF, Cannes, Berlin, and Fantastic Fest. Those limited runs will also come with marketing support, and Alamo will work directly with filmmakers to make it happen.

One of Alamo's specialties as a chain is a wide selection of titles; the release says it plays "more movies than any other theater in the world." That includes repertory programming (showing old films), releasing new films in a way that highlights the filmmaker, special events, and more. Alamo Exclusives will fit right in, but they'll be clearly labeled so that they're easy to spot.

More titles will be announced "in the coming months," the release says. Alamo is taking submissions from filmmakers and sales agents via Film Freeway.

“From the very beginning, Alamo Drafthouse has championed independent film and built strong relationships with filmmakers because we know our audiences value discovering great cinema,” says Michael Kustermann, CEO of Alamo Drafthouse Cinema. “Time and again, they've shown they'll come out to support bold, original films when given the opportunity. ‘Alamo Exclusives’ is a natural extension of that. It gives us another way to champion filmmaker-driven films that deserve to be discovered and connect them with the wider Alamo Drafthouse audience.”

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