Metallica concert review

Heavy metal legends Metallica roll into Houston with thunderous riffs

Heavy metal is a baton that has been passed on for generations now. Now, more than ever, metal has turned into family entertainment. On Saturday night at NRG Stadium, the Metallica family reunion left ears ringing and hearts full, with a few scorch marks from hellacious pyro.

Metallica — 44 years into this — is a frenetic, multigenerational machine. Four gray hairs from San Francisco that can still pack out a football stadium. The current lineup of James Hetfield, Lars Ulrich, Kirk Hammett, and Robert Trujillo is the longest-running one in the band’s history.

Hetfield’s frenzied screech from 1981 is now a smoky, barrel-chested growl. Hammett’s metallic, exploratory guitar lines are a part of the metal vocabulary, and Trujillo — still the new guy — has been the sturdy thunder below it all. Urlich’s reliable drumming is its stadium-honed heart.

Openers Suicidal Tendencies and Pantera provided direct support, with ST serving as a bracing thrash appetizer. Keeping it all in the family, Trujillo’s 21-year-old son Tye is now playing bass for ST, just as Robert did in the ‘90s. The band’s set whizzed by before most fans were able to enter the building, but those who arrived early witnessed a masterclass in ‘80s hardcore thrash.

Texas sludge legends Pantera have been celebrating the lives of departed brothers Dimebag Darrell and Vinnie Paul since the group reformed in 2022. Collapsing in acrimony in 2001, the band and its fans never got a proper sendoff, and, with the violent shooting death of Dimebag and Paul’s death due to heart disease, the current lineup only features two original members in lead singer Phil Anselmo and bassist Rex Brown. Guitar hero Zakk Wyle, stepping into Dimebag’s shoes, is a Hall Of Fame avatar for Dimebag, perhaps the only living human that could have delivered the appropriate riffs. Anthrax’s Charlie Benante now handles drumming duties.

It’s 2025, and I’m watching a Pantera pit on the floor of NRG Stadium from a comfortable seat in the end zone. Anselmo, seemingly ageless, stalked Metallica’s sprawling, jaggedly circular stage barefoot and howling, splitting the difference between Henry Rollins and Rob Halford. Heathen anthems “Walk” and “Cowboys from Hell” still slice with precision, just as they sounded in the adjacent Astroarena in 1995.

Before Metallica hit the stage around 9 pm, bored fans passed the time by doing the wave in NRG Stadium, but it only made a few laps before fizzling out.

Kicking off with “Creeping Death” from 1984’s Ride The Lightning, Metallica reveled in rumbling NRG Stadium’s foundations.

“For Whom The Bell Tolls” sounds as apocalyptic as ever, one of the early highlights of the night. The band has embraced it’s Load and Reload era recently, with the latter’s “The Memory Remains” and “Fuel” making setlist appearances. The crowd deftly filled in for the late Marianne Faithfull during the former. There’s still a lot of love for ‘90s eyeliner Metallica.

Metallica’s 2023 album 72 Seasons saw the quartet reconvening for a loose and unrelenting collection of songs. “Lux Æterna” and “If Darkness Had a Son” have a slithery swing to them, borne from those famous Metallica jam sessions that sometimes appear on YouTube.

1991’s “Nothing Else Matters” is still a romantic ballad for metalheads, a Gen X wedding staple.

Few hard rock bands can still pack a football stadium in 2025, which makes Metallica among the last of a dying breed. All in their early ‘60s, they’re not unlike a performance hot rod team with 30 or so souped-up machines in the garage that only they know how to drive. They just have to take a few more breaks than they used to in between laps. Those four guys together still make magic via extremely loud noises.

Closing out with “Master of Puppets and “Enter Sandman,” Metallica pushed Houstonians out into a humid Saturday night, covered in each other’s sweat, looking forward to the next Metallica family reunion.

Setlist

Creeping Death
For Whom the Bell Tolls
Ride the Lightning
The Memory Remains
Lux Æterna
If Darkness Had a Son
Kirk and Rob Doodle ("Hit the Lights" and ZZ Top's "La Grange")
The Day That Never Comes
Fuel
Orion
Nothing Else Matters
Sad but True
One
Seek & Destroy
Master of Puppets
Enter Sandman

Metallica concert Houston NRG Stadium 2025

Photo by Brittaney Penney

Metallica played a career-spanning set on June 14, 2025.

Movie Review

Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

Photo by Claire Folger/Netflix

Ben Affleck and Matt Damon in The Rip.

For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

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The Rip is now streaming on Netflix.

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