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    Luke Bryan review

    Luke Bryan closes out RodeoHouston with a tequila toast and legend status

    Craig Hlavaty
    Mar 23, 2025 | 8:22 pm

    On Sunday, March 23, just hours before closing out the 2025 season, Luke Bryan officially became the 11th inductee into the Star Trail of Fame, the highest honor that the Houston Livestock Show and Rodeo can bestow on an artist.

    And with good reason, as Bryan has four shows in RodeoHouston’s list of the Top 25 most-attended shows of all time and Sunday afternoon’s show -- his 12th since 2012 -- had an attendance of 71,103, proving that he’s a magnet for ticket sales.

    The 48-year-old Bryan joins Alan Jackson, Brooks & Dunn, Charley Pride, Elvis Presley, Gene Autry, George Strait, Reba, Roy Rogers, and Selena into the hallowed wall of fame on NRG Center’s second floor. The last artist to be inducted into the club was Brad Paisley back in 2023.

    Bryan kicked the final night of RodeoHouston’s 2025 musical campaign just after 6:45 pm with

    “That’s My Kind Of Night” from 2012, one of the songs that cemented his status as rodeo royalty. Even pushing 50, Bryan’s swiveling hips and skinny jeans still elicit screams from a Houston crowd. Since 2012, he played for over 1 million Houstonians. His record concert attendance remains 75,242 in 2013.

    Speaking of screaming, Bryan lead tequila communion just before kickstarting “One Margarita,” wielding a tiny red Solo cup. Like any self-respecting celebrity in 2025 he of course has a partnership with a tequila brand — in this case Casa Azul.

    “Love You, Miss You, Mean It” came from his latest LP Mind of a Country Boy, which was released in September 2024. Like Paisley earlier this season, Bryan’s cuts are beginning to turn nostalgic as the years and decades add up. Next up was “What Makes You Country,” which was his response to the backlash against so-called bro-country back in 2017. On Sunday night, Bryan helped lead the twin-guitar and banjo attack.

    The mourning ballad “Drink A Beer,” which was written by Chris Stapleton, gave Bryan a chance to commune with the crowd by himself. Bryan and Stapleton debuted it together in 2013. It was written during a flurry of hit songwriting activity just a couple of years before Stapleton put the industry in his back pocket with his own Traveller album. When Bryan gets contemplative, like on “Buy Dirt” or “Huntin’, Fishin’ And Lovin’ Every Day,” he can win over even the most grizzled traditionalist.

    Bryan closed out the 93rd edition of RodeoHouston with his genre-defining “Country Girl (Shake It For Me),” taking a victory lap on the rodeo dirt, pressing the flesh, signing cowboy hats, making core memories, and tipping his baseball cap to the crowd.

    Let the citywide RodeoHouston hangover commence.

    Setlist

    That’s My Kind Of Night
    Rain Is A Good Thing
    One Margarita
    Kiss Tomorrow Goodbye
    Love You, Miss You, Mean It
    What Makes You Country
    Knockin’ Boots
    Drunk On You
    Country Song Came On
    Drink A Beer
    Buy Dirt
    Huntin’, Fishin’ And Lovin’ Every Day
    Play It Again
    I Don’t Want This Night To End
    Country Girl (Shake It For Me)


    Luke Bryan RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Luke Bryan closed out the 2025 Houston Livestock Show and Rodeo in front of more than 71,000 fans.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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