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best october concerts

Lizzo, Post Malone, and Chris Stapleton headline Houston's hottest October concerts

Johnston Farrow
Sep 30, 2022 | 9:27 pm

October continues the hot streak for major stars hitting the stages in the Bayou City just as the weather is getting tolerable.

This month features a number of performances in the largest spaces the city has to offer with the cool fall air threatening to cut down the sweatiness concert-goers endured the last few months.

While this may be one of the best runs for live music in recent years, it begs a question as to how much this longer it will hold up. The sheer amount of shows after the pandemic, the cost of tickets, and inflation affecting budgets doesn’t seem like a sustainable model for touring acts to maintain. In fact, cancellations aren’t uncommon among lesser-known acts who simply can’t afford to tour.

For paying customers, it’s often a choice of where to spend money and generally the bigger acts will win out. One of the few benefits of the current musical climate is these larger acts are stepping up their game to produce mind-bending performances. In other words, you’re more likely to get more bang for your buck.

Here are the biggest shows – and hopefully, biggest spectacles — in the Houston area this October.

Mary J. Blige with Ella Mai, Queen Naija
Saturday, October 1
Toyota Center, 1510 Polk St.

The groundbreaking Super Bowl LVI half-time show featured a number of hip-hop stars, led by super-producer and headphones entrepreneur, Dr. Dre. But rather than Snoop Dogg and Eminem stealing the show, that honor went to the immaculate Mary J. Blige. The Queen of Hip-Hop Soul absolutely crushed it, showcasing her untouchable pipes and bumping catalog of chart-topping hits. Now she’s on the road with the critically acclaimed album, Good Morning Gorgeous.

Tickets start at $69.50 plus fees. Doors open at 7 pm.


Smashing Pumpkins with Jane’s Addiction, and Poppy
Monday, October 3
Toyota Center, 1510 Polk St.

One of the better lineups this year for alt-rock fans, the 30-million-album-selling Smashing Pumpkins bring together another storied group, Jane’s Addiction, joining them for their promo run for 2020’s Cyr. It’s one of Billy Corgan and company’s better efforts in some time. The Pumpkins last played a less-than-full Toyota Center back in 2019, so the added firepower will bring some needed muscle and butts in seats. Expect to hear the hits, “Today,” “Cherub Rock,” “1979,” and “Bullet with Butterfly Wings.”

Tickets start at $33 plus fees. Doors open at 5:30 pm.


Post Malone with Roddy Ricch
Tuesday, October 25
Toyota Center, 1510 Polk St.

The tattoo-faced, mega-selling superstar rapper and actor Post Malone returns to Houston, where he’s played multiple sold-out shows. He comes to town following a disastrous fall during a show in St. Louis, walking into a hole on stage and damaging his ribs that forced a few show cancellations and time in the hospital.

Thankfully, signs point to Post being okay for his Toyota Center headlining show. The “Rockstar,” “Psycho” and “Sunflower” artist is supporting another hit album, Twelve Carat Toothache.

Tickets start at $39.50 plus fees. Doors open at 7 pm.


The Chicks with Patty Griffin
Saturday, October 8
Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr., The Woodlands

Texas’ finest and maybe most controversial country gals, The Chicks, are now performing under a new name, (rightfully) dropping the Dixie for its historical connotations. The rabble-rousers are back after a long 14-year hiatus, but the time off hasn’t left them any less relaxed.

Always a group to stand up for themselves in a fight (“Goodbye Earl” from 1999’s Fly is a good example), 2020’s Gaslighter draws heavily on some old school country themes, most especially infidelity, with the namesake single spitting straight fire towards the ex of lead singer Natalie Maines for their best hit in years.

Tickets start at $79.50 plus fees. Gates open at 6 pm.


Stevie Nicks with Vanessa Carlton
Sunday, October 9
Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr, The Woodlands

Two-time Rock and Roll Hall of Famer Stevie Nicks takes a break from her regular gig in the biggest classic rock act of all time, Fleetwood Mac, for a run of solo shows. Make no mistake, Nicks is just as fierce as a lone performer, putting together a string of radio hits, such as “Edge of Seventeen” and “Stop Dragging My Heart Around.”

If we’re lucky, we’ll get a few songs from her other band, including an unofficial cranberry juice theme song.

Tickets are available on the resale market. Gates open at 6:30 pm.

CultureMap Recommends: Carly Rae Jepsen
Sunday, October 9
713 Music Hall, 401 Franklin St., Suite 1600

Canadian pop star Carly Rae Jepsen won our pop-loving hearts back in 2012 with the timeless single, “Call Me Maybe” that perfectly encapsulated a teenage crush.

After that song blew up thanks to a Justin Bieber lip-synch video, Jepsen went on to produce the fantastic 2015 album, E-MO-TION, seen by critics as a trailblazing progression of pop sounds pulling from the past and updating them for the future. She’ll hit 713 Music Hall behind her soon-to-be-released 2022 album, The Loneliest Time.

Tickets start at $43.50 plus fees. Show starts at 8 pm.


Lil Nas X
Tuesday, October 11
713 Music Hall, 401 Franklin St., Suite 1600

The No. 1-charting provocateur Lil Nas X will light up the stage with what will sure to be eye-popping visuals and unchecked inhibition as part of his Long Live Montero tour. The groundbreaking genre-bender first shot to stardom with the inescapable Billy Ray Cyrus-meets-Nine Inch Nails remix, “Old Town Road,” the longest charting No. 1 in the history if the U.S. Not too shabby.

He struck gold again with “Montero (Call Me by Your Name),” raising the eyebrows of squares everywhere with it’s unabashed queerness. This one is going to get wild, y’all.

Tickets start at $29.95 plus fees. Show starts at 8 pm.


The Black Keys with Band of Horses and The Velveteers
Saturday, October 15
Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr., The Woodlands

Recently making news for marriage troubles between drummer Patrick Carney and singer-songwriter Michelle Branch, The Black Keys will try to find some semblance of normalcy outside the tabloids when they get back to their fiery blues-rock performances. This year’s Dropout Boogie is their latest.

Head’s up: catch the fantastic opening Seattle band, Band of Horses, for a dose of alt-rock-country majesty.

Tickets start at $39.50 plus fees. Gates open at 5:30 pm.


CultureMap Show of the Month: Lizzo with Latto and Saucy Santana
Monday, October 26
Toyota Center, 1510 Polk St.

A Houston-bred success story, Aldine’s Lizzo is finally home, playing her biggest show yet in the city, headlining the Toyota Center. One of the more disappointing storylines arising from the pandemic, the “Juice” star’s slot at RodeoHouston in 2020 was cancelled much to the dismay of her fast-growing fanbase.

Now an Emmy-winner for her series, Lizzo's Watch Out for the Big Grrrls, and lover of really old flutes, she’ll be bringing her new album, Special, to life for her adoring hometown crowd.

Tickets start at $39.50 plus fees. Doors open at 6:30 pm.


Chris Stapleton with Elle King and Morgan Wade

Friday, October 28
Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr., The Woodlands

Country crooner Chris Stapleton is, well, a staple of the local live music scene, performing seemingly every year at RodeoHouston in addition to regular shows at the Pavilion. If he’s not a Texan (he’s from Kentucky), then he sure feels like one.

Not that anyone minds, as the award-winning “Tennessee Whiskey,” “Broken Halos,” and “You Should Probably Leave” songwriter plays classic country that invites mass singalongs and pulls at heartstrings, steeped in Americana-influenced storytelling.

Tickets are available on the resale market. Gates open at 6 pm.

Chris Stapleton

Chris Stapleton/Facebook

Chris Stapleton performs at Cynthia Woods Mitchell Pavilion on October 28.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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