Come Along

Follow Houston's 'taco journalist' for a memorable night at Austin's Moody Center

On May 17, musician Pepe Aguilar performed his Jaripeo "Hasta Los Huesos" tour with family members Ángela Aguilar, Leonardo Aguilar, and Antonio Aguilar at Austin's Moody Center.

And Marco Torres was there for it. The Houston-based "taco journalist" known as @marcofromhouston on Instagram reflects below on his 24-hour stop in ATX enjoying food, music, and family.

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Growing up in Texas, a quick road trip to Austin was always full of excitement. From the live music to the fancy hotels, bustling nightlife, and amazing food, a night in Austin will forever be a remarkable experience.

After a long and stormy evening in Houston last week, I packed a bag and headed west. With my father as my co-pilot, we were off on yet another adventure. We made a mandatory pit stop at Buc-ee’s, and then it was time for lunch.

Truth BBQ in Brenham is one of the premier barbecue joints in the state, conveniently situated along Highway 290 en route to Austin. We ordered a two-meat plate of brisket and turkey, with tater-tot casserole and baked beans as our sides. What a perfect way to start this road trip!

The new Thompson Hotel in downtown Austin was our choice for a relaxing evening. This beautiful boutique hotel is right in the middle of the action, located on San Jacinto between 5th and 6th Streets. Our room was modern yet cozy, with friendly staff that made our check-in smooth and hassle-free. They even offered us a complimentary beer and wine during the lobby happy hour, which was delightful.

After a much-needed afternoon nap, we got ready for a night out at Moody Center, Austin’s newest and coolest music venue.

The entertainment that evening was Jaripeo Hasta Los Huesos presented by Pepe Aguilar and his talented family. The event is a mix of traditional Mexican music with a Las Vegas-style variety show.

My dad and I were really impressed by this new venue. We parked at the Manor Garage next to the event and were inside in a manner of minutes. We were fortunate to score seats within the Indeed Club level, which provided an excellent view and access to a large private lounge. After eating pulled pork nachos and drinking a couple of cocktails, we ventured to our seats.

A “jaripero” is a traditional form of bull riding in Mexico with origins in the state of Michoacan, and has evolved to include other spectacles such as music performances and carnival acts. For this show, the basketball court was filled with a base of sand, flanked by a large stage at the north end and a smaller stage at center court.

Each artist, starting with Leonardo Aguilar, made their appearance while riding a horse, which was trained to prance, side step, and trot along with the music. Leonardo’s horse was named El Rio Grande, and was gorgeous white color with black accents.

This evening was a special day, as it was Don Antonio Aguilar’s birthday. This legendary Mexican icon passed away in 2007, and his legacy lives on through his children and grandchildren. His son Antonio Aguilar-Hijo was next to perform, paying tribute to his father by singing classic Ranchera songs like “Gabino Barrera” and “Tristes Recuerdos.”

After a bull riding showcase, it was Ángela Aguilar’s turn. She rode onto the arena floor on an absolutely beautiful black horse while wearing a gown covered in Mexican marigold flowers. She sang an inspired rendition of “La Gata Bajo La Lluvia” by Rocio Dúrcal, along with many more of her hits.

The headliner of the show was Pepe Aguilar, who calls himself a “Zacatecas Texan” since he was born in San Antonio and raised in Mexico. His voice is robust and refined, almost operatic. His set included crowd favorites such as “Aca Entre Nos,” “Hermoso Cariño,” and “Por Mujeres Como Tu.”

Near the end of the show, he dedicated “Las Mañanitas” to his father, and was accompanied by the entire audience. It was a super emotional moment for him and the crowd alike. He sang looking up toward the heavens, and tears rolled down his cheeks. A special tribute to a true legend of Mexican music.

I leave Austin with my heart full once again, happy to have shared this quick trip with my father. We were welcomed as visitors and left as family. “Y’all come back now!”

Yes, we definitely will!

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See what's coming up at Moody Center here.

Photo courtesy of Moody Center

Pepe Aguilar performed May 17 at Moody Center.

concerts music vacations barbecue promoted

Movie Review

28 Years Later revives zombie franchise for new generation

Photo by Miya Mizuno

Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

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28 Years Later is now playing in theaters.

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