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    fowl play

    Chicken Run: Dawn of the Nugget hatches refreshed Claymation classic

    Alex Bentley
    Dec 15, 2023 | 2:02 pm

    Of all the animation studios out there, Aardman Animations may just be the most impressive. That’s because, for almost 50 years, they have continued to produce extraordinary work using clay animation (or Claymation), a labor-intensive process that involves manually moving everything in a particular scene. In doing so, a day of filming can result in mere seconds of usable footage.

    So getting a new Aardman film, like the new Chicken Run: Dawn of the Nugget, is always a cause for celebration just because of the effort it took to bring it to the screen. The film - a sequel to Aardman’s first-ever feature film, 2000’s Chicken Run – returns to visit Ginger (Thandiwe Newton), Rocky (Zachary Levi), and all of the other chickens who escaped from Mrs. Tweedy’s (Miranda Richardson) farm at the end of the first film.

    Molly (Bella Ramsey), Rocky (Zachary Levi), and Ginger (Thandiwe Newton) in Chicken Run: Dawn of the Nugget

    Photo courtesy of Netflix

    Molly, Rocky, and Ginger in Chicken Run: Dawn of the Nugget.

    Now living on a protected island, most of the chickens are content with their new life, except for Ginger and Rocky’s daughter, Molly (Bella Ramsey), who’s never been able to explore the world. Seeing ads for seemingly happy chickens at Fun-Land Farms, Molly secretly journeys to the mainland, only to discover a devious scheme to turn chickens into nuggets. Ginger, Rocky, and the rest of the flock must band together to save Molly, and maybe more.

    First, the good news: The animation technique remains as astonishing as ever. There are truly no seams showing in any second of the film, and some of the best moments are also the simplest ones. At one point, a chicken eats a cookie, and knowing that everything we’re seeing is clay, the crumbs falling from her mouth feel like they’re defying the laws of physics.

    The story has some of Aardman’s usual charms, but there seems to be something missing. The plot has flipped the script – instead of breaking out of a chicken farm, they’re breaking into one – but the sense of adventure is not as consistent this time around. The group is separated for much of the film, so even though they’re all moving toward the same goal, the one-for-all, all-for-one spirit is diminished.

    Fans who have been watching the original film for almost 25 years may or may not enjoy that the various characters have barely changed. It’s one thing to remind viewers of the personality traits of the members of the group, but if you don’t evolve them in some way, they’re just doing the same thing over and over again. Consequently, instead of big laughs, jokes only elicit knowing chuckles.

    There’s also the fact that many of the voice actors have inexplicably been changed. One – changing Rocky from Mel Gibson to Levi – is understandable, but Levi doesn’t give the character the same depth. There seems to be no reason to change Ginger from character actor Julia Sawalha to Newton other than to add a little more star power to the project. Other changes are less noticeable, but they make the acting less interesting in general.

    Such is the standard of Aardman that even though Chicken Run: Dawn of the Nugget might be considered heads and tail feathers above some other animated films, it doesn’t compare favorably to the studio’s best work. The animation they’re able to produce is still wondrous, but everything surrounding it is not nearly as enthralling.

    ---

    Chicken Run: Dawn of the Nugget is now streaming on Netflix.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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