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    Movie Review

    Crime thriller Caught Stealing is a pleasant mainstream surprise

    Alex Bentley
    Aug 28, 2025 | 7:28 pm
    Austin Butler in Caught Stealing

    Austin Butler in Caught Stealing.

    Photo by Niko Tavernise

    Since his career as a feature film director started in 1998, Darren Aronofsky has been known for making intense dramas with stories that are often intentionally hard to understand, like The Whale and mother!. To put it plainly, he’s never been a filmmaker who’s been beholden to genres, so the idea of him making a straightforward crime film like the new Caught Stealing is baffling for those who have followed his career.

    The story centers on Hank Thompson (Austin Butler), who once had big dreams of being a professional baseball player, but now tends bar at a seedy New York City joint. Hank, along with his girlfriend Yvonne (Zoë Kravitz), is unwittingly dragged into a criminal enterprise when his next door neighbor, Russ (Matt Smith), asks Hank to watch his cat when he goes out of town.

    Multiple goons soon start showing up at Russ’ door, looking for money that Russ has taken from them. Despite not knowing anything about that, Hank gets beaten up, threatened, and pursued by groups led by Colorado (Bad Bunny) and Hasidic Jews Lipa (Liev Schreiber) and Shmully (Vincent D’Onofrio), as well as Detective Roman (Regina King).

    Written by Charlie Huston (adapting his own 2004 book of the same name), the film is inarguably the most entertaining one of Aronofsky’s career. Although there are multiple soul-crushing events for Hank in the film, Aronofsky seems to rein in his more depressing tendencies in favor of a fast-paced crime thriller. There are plenty of moments where he could have leaned into the darker parts of the story, but instead he lets the comedy of Huston’s script shine through, keeping things relatively light.

    The characters are what make the movie work the most. Hank’s backstory lends extra meaning to his current dilemma, and also underscores his relationships with Yvonne and his unseen mother, whom he calls every day. Every one of the criminals - from Russ to two Russian thugs to the Orthodox Jews - stands out in a way that serves the story and enhances the entertainment factor. Even small roles like Hank’s boss Paul (Griffin Dunne) make an impact thanks to the way the film is structured.

    It’s also nice to see Butler let loose after a string of award-bait roles in films like Elvis and The Bikeriders. Hank fights through a significant amount of trauma, allowing Butler to show off his dramatic acting skills again, but he also gets to indulge in a bit of action acting, which he handles with aplomb. Butler has been impressive before, but he makes Hank into a magnetic character throughout here.

    The other actors are a little bit of a mixed bag. Kravitz is good, but she doesn’t get enough screentime for her character to feel fully realized. Schreiber, D’Onofrio, and Bad Bunny are a hoot in their respective roles, each bringing a menace that’s tinged with likability. King tries to employ a New York accent, something that distracts from what her character is saying.

    Nothing in Aronofsky’s previous filmography suggested he would be interested in a movie like Caught Stealing, much less be so successful actually making it. But movie fans are the winners for his mid-career change of heart, getting a highly enjoyable crime film that delivers on both the story and acting front.

    ---

    Caught Stealing opens in theaters on August 29.

    moviesfilm
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

    moviesfilm
    news/entertainment
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