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    Best December Concerts

    10 under-the-radar concerts rocking intimate Houston clubs in December

    Johnston Farrow
    Dec 4, 2024 | 3:00 pm

    The concert schedule generally follows the weather forecast.

    Once the chill sets in around the holiday season, national and international artists slow their touring schedule as ticket buyers are more excited about Santa Claus coming to town. However, this gives Houston’s many local venues a chance to spotlight a seemingly bottomless magical sack of talented musical acts from across the region.

    For those who need a break from the bustling Christmas shopping crowds or stressful family gatherings, these upcoming performances are worth checking out at some of the Bayou City’s more intimate and classic clubs, bars, and theaters.

    Girl in a Coma, December 6, Last Concert Café
    Inspired by The Smiths’ song “Girlfriend in a Coma,” San Antonio rock trio Girl in a Coma – frontwoman/guitarist Nina Diaz, sister Phanie Diaz (drums) and Jenn Alva (bass) – recently returned from an extended hiatus and are back on the road. They first got their big break when they were discovered by Joan Jett, who signed them to her Blackheart Records label in the late-aughts. A mix of riot girl attitude and undeniable hooks led to acclaimed albums such as their debut, Both Before I'm Gone, building a devoted cult following with Sia, Tegan and Sara, and the original Smith, Morrissey, among their champions.

    Hayes Carll & Band of Heathens, December 7 & 8, The Heights Theater
    Two acclaimed Texas favorites, The Woodlands-raised Hayes Carll and Austin’s Band of Heathens, join forces for two shows at the intimate Heights Theater. For fans of rock, folk, country, and soulful blues anthems, this supergroup built their relationship by sharing stages across the course of a decade. The idea to team up came back in October 2023, when the musicians got together for a “freewheeling family jam” in Luckenbach, Texas, culminating in plans to bring their musical union to the masses.

    Hey Thanks! with Holy Worm, Letrainiump, December 7, 1810 Ojeman
    The expressively named New Orleans band Hey Thanks! made waves in 2022 with their debut album, Start/Living, recalling upbeat pop, emo, and indie acts like Fall Out Boy, Walk the Moon, and a dash of My Chemical Romance. The former Warped Tour vets are covering the indie circuit having just released the chillwave-sounding single, “Forward,” with surely more music on the horizon.

    Troller, Gleaming, Monochrome Lover, December 7, Axelrad
    [Update: This concert has been postponed.] For those who prefer Krampus to Santa Claus, Dark Entries heralds in a black Christmas at the monthly goth, post-punk, new wave, and synth night at Axelrad. This month’s edition features Austin darkwave and shoegaze-indebted trio Troller, who recently released a synth-drenched cover of the Smashing Pumpkins’ “Today,” following their 2023 album, Drain. Austin's Gleaming and Houston’s Monochrome Lover opens.

    Tomar and the FCs with Tweed Smith and The Internationals, December 14, Dan Electro’s
    An Austin band and Houston favorite, Tomar and the FCs are a soul group that brings the requisite passion to their live performances. In a special treat, they’ll be joined at Dan Electro’s by the legendary Tweed Smith, former backup singer to the band WAR, who knows a thing or two about the world of funk and soul music. With a reputation as a fiery live presence, expect a show with an unmeasurable amount of Yuletide joy.

    Dawes, December 14, Heights Theater
    Although not from the Bayou City, the Los Angeles group Dawes has a strong following here due to their critically acclaimed Laurel Canyon-influenced Americana and folk rock. Led by the buttery-voiced Taylor Goldsmith, they’ve just released another great album in Oh Brother. Prepare for the show by watching Goldsmith perform this stripped back, acoustic version of the quintessential Britpop anthem, Pulp’s “Common People,” for AVClub.com. Winnetka Bowling League opens.

    Robert Glasper, December 17, House of Blues
    One of the best parts about the holidays is when some of our finest talent performs in their hometown. A man with more creativity in his pinky finger than a roomful of musicians combined, Mo City-raised genius Robert Glasper is a five-time Grammy Award-winning jazz pianist, producer, and songwriter who has worked with a who’s-who across the worlds of jazz, pop, R&B, and hip-hop, including Kendrick Lamar, H.E.R., Norah Jones, Herbie Hancock, and Talib Kweli. Taking a break from his many projects for this solo gig, the vibes will go hard.

    A Fistful of Soul, December 21, The Continental Club
    Get on those dancing shoes. Once a long-running monthly series, the DJs behind A Fistful of Soul return to the Continental Club for one special night to celebrate their 15th anniversary as arguably the best Motown-era soul, old school R&B, funk dance party in Houston, mixed and spun on vinyl records. Over the course of its run, the night attracted international soul night DJs from as far away as Mexico City, Scotland, and England to participate in one of the most unique – and fun! – dance nights in the region.

    Tony Kamel, December 26, McGonigel’s Mucky Duck
    Another in a long line of talented local singer-songwriters, Tony Kamel will play up close and personal at the famed Mucky Duck, a mix of bluegrass, country, rock, and soul in his repertoire. Need proof of this his chops? His 2019 album, North of Despair, was nominated for a Best Bluegrass Album Grammy. If you like your music gritty but clever – think Jason Isbell and Sturgill Simpson – Kamel delivers it in spades with a wink and a grin.

    Toadies, House of Blues, December 29
    Despite being 30 years since their groundbreaking alt-rock smash record, Rubberneck, this ain’t no nostalgia gig. Fort Worth’s Toadies still go hard in a live setting, and Houston’s House of Blues has been playing host to the quartet at the end of every year from recent memory, give or take a pandemic. Not that we’re complaining – a group that releases bangers such as “Possum Kingdom,” “Tyler,” and “I Come From the Water,” deserves to celebrate the oncoming new year with us as long as they like.

    Girl in a Coma San Antonio music

    Girl in a Coma/Facebook

    San Antonio rock band Girl in a Coma returns to Houston at the Last Concert Café on December 6.

    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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