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    art cars are back

    Houston's wildest and wackiest wheels rev up for Art Car Festival & Parade 2023

    Craig Lindsey
    Feb 21, 2023 | 3:33 pm

    Get ready to catch those outrageously made-up machines out on these city streets once again – art car season is back.

    The Orange Show Center for Visionary Art has announced the line-up for The Orange Show’s 36th Annual Houston Art Car Festival & Parade. Following a record year in 2022, the oldest and largest celebration of art cars in the world will take over the city of Houston from Thursday, April 6 to Sunday, April 16, with the big parade being held on Saturday, April 15.

    As always, the beloved fest will showcase more than 250 mobile masterpieces from across the country, including nearly 100 new, never-been-seen creations, while engaging the public with over 10 days of opportunities to express their personal artistic vision.

    Starting this year, the Orange Show will honor three individuals annually during the festival that have made lasting impacts on the Houston arts community. This inaugural year, the honorees will include sculptor and painter Sharon Kopriva, Northside High School art teacher Anna Bass, and business leaders and arts philanthropists The Mafrige Family.

    More favorites include the Easter Orange Art Car Hunt (Saturday, April 8), The Main Street Drag (Thursday, April 13), the Art Car Sneak Peek at Discovery Green (Thursday, April 13), and the Art Car Awards Ceremony (Sunday, April 16). Kind-and-family-friendly events abound this year; check the official site for a full schedule.

    Back for another year is The Legendary Art Car Ball, which will dazzle guests on Friday, April 14 at The Orange Show World Headquarters (2401 Munger St.). Expect wild costumes, rockin' tunes, interactive and performance art, food, drinks, and a huge selection of illuminated and fire-breathing art cars. This year's entertainment includes New Orleans avant-garde “rap cabaret” sensation Boyfriend, Austin’s lauded electro-pop performer Caleb de Casper, Houston’s DJ Amarji, the high energy Free Rads 2nd Line, and more, per a release.

    Art offerings for the ball include immersive and interactive art installations by INPUT/OUTPUT, Moon Papas, and Maria Chavez, fire performances from Ms. YET & The Renegade Carnies, and more. That's all on top of the entire 8-acre campus full of hundreds of glittering, twinkling, bouncing, and pulsating art cars. Tickets start at $40 and are available at www.thehoustonartcarparade.com.

    Houston Art Car Parade

    Photo by Danitza Ladwig

    If it rolls, it rolls in the Art Car Parade.

    This highly anticipated vehicular art spectacle will also prominently feature a contingent of art bikes — decked out, modified, and artistically designed bicycles — in advance of The Second Annual Houston Art Bike Festival, taking place on Saturday, May 13 at MacGregor Park and the Orange Show World Headquarters.

    For the uninitiated, the fest features more than 100 student-led, art bike projects of all shapes and sizes. The public is also invited to create their own art bikes and register to participate.

    Additionally this year, the Houston Art Bike Parade will incorporate the 50-year-old Moonlight Ramble, an evening bike cruise around the city.

    More information on the Art Car Festival & Parade can be found here.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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