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    Movie Review

    American Symphony music documentary showcases Jon Batiste's triumph over trying times

    Alex Bentley
    Dec 4, 2023 | 9:15 am

    Singer/musician Jon Batiste has a boundlessly infectious personality, whether at concerts, on stage at the Grammy Awards, or in his former role as bandleader on The Late Show with Stephen Colbert.

    And as a new documentary American Symphony demonstrates, his ability to stay upbeat in spite of enormous recent personal struggles is nothing short of remarkable.

    The film, directed by Matthew Heineman, follows Batiste in 2021 and 2022, years that would prove to be of great consequence. In those two years, Batiste would win both a Grammy and an Oscar for his work on the Disney/Pixar film, Soul; win Album of the Year at the Grammys for his fifth album, We Are; and prepare to debut his work, American Symphony, at Carnegie Hall in New York.

    At the same time, his partner (and soon-to-be wife) Suleika Jaouad had a recurrence of leukemia after being in remission for 10 years. As if to underscore the wildly fluctuating emotions with which Batiste was dealing, the day that he was nominated for 11 Grammys also happened to be Jaouad’s first day of chemotherapy, a head-spinning turn of events that few could deal with adequately.

    The film tracks Batiste as he goes back-and-forth between the important things that demand his time, while also giving a primer on the musician’s career for those who may not be familiar with him. The result is a portrait of a man that both underscores his musical brilliance and gives a glimpse behind the curtain of how people going through a cancer battle deal with the toughness of the disease and treatment.

    Heineman attempts to give Jaouad her own time in the film, highlighting her own accomplishments as a musician, writer, and budding painter. Through no fault of her own, though, the overwhelming nature of the cancer and Batiste’s exploding career push her to the background. The love story between the two of them is strong and clear, but most of the feelings are felt through the perspective of Batiste.

    Jaouad says to Batiste at one point, “I feel like we’re living a life of contrasts,” and the film is all about the juxtaposition between their two lives, again mostly by showing Batiste’s two lives. One day he’s giving an exuberant performance and winning the top award at the Grammys, and the next he’s back in Jaouad’s hospital room, where she stayed for five weeks.

    The multiple stressors in his life take their toll, with Batiste confessing to panic attacks and taking time to talk regularly on the phone with a therapist and practice breathing techniques. At one concert, Batiste dedicates a song to her and pauses for a long time before starting, clearly having a big emotional moment.

    Still, because of Batiste’s natural personality and the love he and Jaouad have for each other, the film never becomes a depressing watch. Instead, it inspires with his artistry – typified by the title symphony, which brings together disparate elements for a unique experience – and a relationship that appears to have the ability to weather many storms.

    American Symphony blends together two stories that could each warrant their own showcase, but it becomes something richer by demonstrating how they – and the two people at the film’s center – complement each other. Batiste’s music has the power to touch your soul, but this film indicates he has much more to offer than just that.

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    American Symphony is now streaming on Netflix.

    Jon Batiste in American Symphony

    Photo courtesy of Netflix

    Jon Batiste in American Symphony.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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